Pindar's Odes


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Pindar's 'Olympian One'


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Drawing on an extensive knowledge of the critical history of Olympian One, Professor Gerber here presents a thorough analysis of the language thought, myth, structure, and poetic technique of Pindar's most famous ode. He deals with virtually every word in the poem, elucidating disputed passages, defining Pindar's use of imagery and myth and his structural techniques, and revealing the significance of his statements about the gods, the victor, and his own poetic practice. In doing so he makes a major contribution to Pindaric studies, aiding an understanding of this ode in particular, and of the poet's other works in general.




The Complete Odes


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The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. The Odes contain versions of some of the best known Greek myths and are also a valuable source for Greek religion and ethics. Verity's lucid translations are complemented by insights into competition, myth, and meaning. - ;'we can speak of no greater contest than Olympia' The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. He celebrated the victories of athletes competing in foot races, horse races, boxing, wrestling, all-in fighting and the pentathlon, and his Odes are fascinating not only for their poetic qualities, but for what they tell us about the Games. Pindar praises the victor by comparing him to mythical heroes and the gods, but also reminds the athlete of his human limitations. The Odes contain versions of some of the best known Greek myths, such as Jason and the Argonauts, and Perseus and Medusa, and are a valuable source for Greek religion and ethics. Pindar's startling use of language - striking metaphors, bold syntax, enigmatic expressions - makes reading his poetry a uniquely rewarding experience. Anthony Verity's lucid translations are complemented by an introduction and notes that provide insight into competition, myth, and meaning. -




Pindar


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Pindar in Sicily


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Reading the Victory Ode


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A collection of papers by international experts on one of the most paradoxical and influential poetic genres of classical antiquity.







Commentaries on Pindar


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This volume contains word-for-word commentaries on Pindar's Olympian Odes 3, 7, 12, 14. Emphasis is placed on the explanations of peculiarities of grammar and idiom, but due attention is paid to figures of style and problems of poetic structure. The interpretations proposed by the author - many of them which are new - are documented as fully, but at the same time as concisely, as possible. This documentation, which includes a critical examination of other views, has been made more easily accessible by detailed indexes. The poems discussed do not have special similarities or interrelationships. On the other hand, they may be considered representative of the poet's art. From this point of view, the present selection may serve as an introduction to the study of Pindar's work. Vol. II will contain commentaries on Olympians 1, 10, 11, Nemean 11, and Isthmian 2. A third volume on Pythians 1, 8, 10 is inteded to conclude the series.




Pindar's Poetics of Immortality


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Modern scholarship tends to focus on the social, political and economic information that can be gleaned from Pindar's treatment of the subject of his victory odes - the athlete who brings immortality to his family and polis. In this book, Asya C. Sigelman offers a new approach to the odes, exploring the fact that Pindar's language and imagery suggest that the athlete's victory is only a weaker version of the poet's immortalizing feat. Examining several central Pindaric images, Sigelman shows that they are fundamentally reflexive, structured as expressions of poetic creativity engaged in a perpetual synthesis of intra-poetic time - of the unity of the past, present and future of the world of Pindar's song. As the book's case studies of several of the odes demonstrate, this synthesis is key to Pindar's notion of immortalization and constitutes the central poetic subject of Pindar's song which underlies and informs its praise of the victorious athlete.




The Value Of Victory In Pindars Odes


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This book investigates the cosmological context of Pindar's odes, and how it influences his presentation of praise. An overview of cosmological ideas based on gnomai is complemented by detailed literary analyses showing that these ideas are modified according to a victor's circumstances.