Piobaireachd: Classical Music of the Highland Bagpipe
Author : Seumas MacNeill
Publisher : London : British Broadcasting Corporation
Page : 96 pages
File Size : 40,98 MB
Release : 1968
Category : Music
ISBN :
Author : Seumas MacNeill
Publisher : London : British Broadcasting Corporation
Page : 96 pages
File Size : 40,98 MB
Release : 1968
Category : Music
ISBN :
Author : Michael E. Akard
Publisher : Dorrance Publishing
Page : 100 pages
File Size : 20,52 MB
Release : 2021-06-30
Category : Music
ISBN : 1649572417
Music of the Great Highland Bagpipe By: Michael E. Akard The music of the Scottish Highland bagpipe has gone through many changes over the years. Classical bagpipe music, which is known as “piobaireachd,” has been played for centuries, but the sound of this music as performed today is very different from how it sounded in the past. In Music of the Great Highland Bagpipe, Michael E. Akard traces the history of piobaireachd from its earliest performances up to the present day. Composed of carefully researched material and presented in an easy to read style, any reader can learn about the major historical, political, social, and technological changes that have influenced, and continue to influence, pipers and pipe music.
Author : Seumas MacNeill
Publisher : Edinburgh : J. Donald Publishers
Page : 144 pages
File Size : 24,52 MB
Release : 1987
Category : Music
ISBN :
Author : Dr Joshua Dickson
Publisher : Ashgate Publishing, Ltd.
Page : 408 pages
File Size : 22,65 MB
Release : 2013-02-28
Category : Music
ISBN : 1409493946
The Highland bagpipe, widely considered 'Scotland's national instrument', is one of the most recognized icons of traditional music in the world. It is also among the least understood. But Scottish bagpipe music and tradition - particularly, but not exclusively, the Highland bagpipe - has enjoyed an unprecedented surge in public visibility and scholarly attention since the 1990s. A greater interest in the emic led to a diverse picture of the meaning and musical iconicism of the bagpipe in communities in Scotland and throughout the Scottish diaspora. This interest has led to the consideration of both the globalization of Highland piping and piping as rooted in local culture. It has given rise to a reappraisal of sources which have hitherto formed the backbone of long-standing historical and performative assumptions. And revivalist research which reassesses Highland piping's cultural position relative to other Scottish piping traditions, such as that of the Lowlands and Borders, today effectively challenges the notion of the Highland bagpipe as Scotland's 'national' instrument. The Highland Bagpipe provides an unprecedented insight into the current state of Scottish piping studies. The contributors – from Scotland, England, Canada and the United States – discuss the bagpipe in oral and written history, anthropology, ethnography, musicology, material culture and modal aesthetics. The book will appeal to ethnomusicologists, anthropologists, as well as those interested in international bagpipe studies and traditions.
Author : Alexander John Haddow
Publisher :
Page : 232 pages
File Size : 41,3 MB
Release : 1982
Category : Music
ISBN :
Author : John Graham Gibson
Publisher : McGill-Queen's Press - MQUP
Page : 436 pages
File Size : 50,81 MB
Release : 1998
Category : History
ISBN : 9780773521346
The definitive history of traditional Scottish Gaelic bagpiping.
Author : Kirsty Gunn
Publisher : Faber & Faber
Page : 490 pages
File Size : 31,63 MB
Release : 2012-07-03
Category : Fiction
ISBN : 0571282350
The Big Music tells the story of John Sutherland of 'The Grey House', who is dying and creating in the last days of his life a musical composition that will define it. Yet he has little idea of how his tune will echo or play out into the world - and as the book moves inevitably through its themes of death and birth, change and stasis, the sound of his solitary story comes to merge and connect with those around him. In this remarkable work of fiction, Kirsty Gunn has created something as real as music or as magical as a dream. One emerges at the end of it altered and changed. Not so much a novel as a place the reader comes to inhabit and know, The Big Music is a literary work of undeniable originality and power.
Author : William Henry Grattan Flood
Publisher : London : The Walter Scott Publishing Company, Limited ; New York : C. Scribner's Sons
Page : 272 pages
File Size : 41,2 MB
Release : 1911
Category : Bagpipe
ISBN :
Author : The National Piping Centre
Publisher : Ceol Mor Software & Publishing Ltd
Page : pages
File Size : 31,65 MB
Release :
Category : Music
ISBN : 095493802X
FOREWORD By Seumas MacNeill and Thomas Pearston The aim of those responsible for the publication of this book has been to present a number of simplified explanations, in carefully chosen steps, so that anyone may easily become a competent performer on Scotland’s national instrument. Piping learned properly is relatively quite easy. The correct way to do finger movements is the simplest, for obviously only that way can the fast reels and jigs be physically possible. Only those who are taught badly or not taught at all find difficulty in learning the pipes. And yet, with all of its simplicity, the bagpipe is capable of the highest musical expression, being the vehicle of a classical music, Ceol Mor, which is the equal of anything in the world of music. The physical effort involved has also been greatly exaggerated. Many young boys and girls play without difficulty the Great Highland Pipe, and although the effort to learn may be considerable, the instrument should always be comfortable to play. The movements and tunes in this book have been described in great detail, partly because of the importance of building a firm foundation, and also that it will be possible for anyone to follow easily each step, even if someone is unable to obtain any other help. Teachers of piping will find that they can save themselves a lot of what is sometimes tedious explanation, especially in the teaching of staff notation, while those in charge of juvenile bands can change what is usually a rushed job into one of competent, easy achievement. This tutor book is the result of the experiences of the Senior Instructors of the College of Piping, combining many years of personal teaching experiences and ideas. Some teachers may find that they might not agree with absolutely every detail in the work, but they may rest assured that most alternatives have been carefully considered. Further note: By Colin R. MacLellan After its first publication in 1953, the College of Piping’s Tutor 1 has easily become the most successful instructional book for the Highland Bagpipe, with sales now approaching the half million mark. Since the “Green Tutor” first appeared, there have been advancements in teaching techniques and digital technology, as well as the creation of other piping institutions and educational establishments. Seumas MacNeill in the 1970’s, along with John MacFadyen and John MacLellan, created the Institute of Piping, which was instrumentally responsible for the establishment of a system of piping examinations leading to the first appointments of full time salaried teachers of piping in Scotland’s educational system. In turn, the Institute developed into what is 3 now the Piping and Drumming Qualifications Board, (PDQB), an organisation which comprises the five main educational establishments in Scotland, and whose educational qualifications are now fully accredited by the Scottish Qualifications Authority. In 2017, the “Green Tutor” was edited, keeping faithfully to its original flow and integrity, in order to bring it into line with these PDQB/SQA guidelines. Students will now have fully explained lessons which will track the PDQB/SQA standards and examinations. It is of great advantage to pipers both in Scotland and other countries to gain the academic currency which comes along with these qualifications. Detailed information and syllabi are contained in an appendix at the end of the book. The tutor also incorporates passages of video examples and instruction for all 27 lessons. These are available for use free of charge on The National Piping Centre website: www.thepipingcentre.co.uk/learn/tutorbooks
Author : David Ake
Publisher : Univ of California Press
Page : 238 pages
File Size : 31,8 MB
Release : 2002-01-07
Category : Music
ISBN : 0520228898
"Ake blends careful historical research with intelligent textual criticism and sophisticated cultural theory. . . His critiques augment and enhance our understanding and appreciation of great artistry, but they do much more. This is new, imaginative, original, and generative work. There are very few people who can write about both music theory and social theory with such clarity, depth, and insight."—George Lipsitz, author of Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place "David Ake is a jazz artist who has woodshedded with his critical theory as much as with his instrument. As an astute commentator on a wide range of jazz subjects, he has the virtuosity of an Art Tatum and the eclecticism of a John Zorn."—Krin Gabbard, author of Jammin' at the Margins: Jazz and the American Cinema "David Ake's writing combines the best of modern scholarship with the no-nonsense attitude of a gigging musician. In Jazz Cultures, he seizes upon precisely those issues and historical moments that best reveal how jazz studies might mature into something worthy of the music. A wonderful antidote to the usual cliches of jazz history and a splendid debut."—Scott DeVeaux, author of The Birth of Bebop