Pioneer Players


Book Description

This is a dual biography, the story of Louis Esson, the distinguished playwright who has been called 'the father of Australian drama', and his wife Hilda, who did her own pioneering in the theatre and in public health. The plays they wrote and performed reflected the drama of their lives: creative angst, intellectual conflict, untimely death, romantic entanglement, jealousy and despair. Yet Peter Fitzpatrick's book is more than a good read. As a critical appraisal of Louis Esson's plays and an exploration of the relationships the Essons had with well-known literary and theatrical figures in Australia and overseas, the book is an exploration of a developing Australian culture and identity. It is also about the dynamics of a marriage between two brilliant people, reflecting not only the patterns of gender relationships in their own time, but universal passions and strategies.




Pioneer Violin Virtuose in the Early Twentieth Century


Book Description

Tatjana Goldberg reveals the extent to which gender and socially constructed identity influenced female violinists’ ‘separate but unequal’ status in a great male-dominated virtuoso lineage by focussing on the few that stood out: the American Maud Powell (1867–1920), Australian-born Alma Moodie (1898–1943), and the British Marie Hall (1884–1956). Despite breaking down traditional gender-based patriarchal social and cultural norms, becoming celebrated soloists, and greatly contributing towards violin works and the early recording industry (Powell and Hall), they received little historical recognition. Goldberg provides a more complete picture of their artistic achievements and the impact they had on audiences.







Our Players' Gallery


Book Description







The Chess Traveler and Pioneer


Book Description

The Chess Traveler and Pioneer by Michael Abron __________________________________




Susan Glaspell


Book Description

"Venturesome feminist," historian Nancy Cott's term, perfectly describes Susan Glaspell (1876-1948), America's first important modern female playwright, winner of the 1931 Pulitzer Prize for drama, and one of the most respected novelists and short story writers of her time. In her life she explored uncharted regions and in her writing she created intrepid female characters who did the same. Born in Davenport, Iowa, just as America entered its second century, Glaspell took her cue from her pioneering grandparents as she sought to rekindle their spirit of adventure and purpose. A journalist by age eighteen, she worked her way through university as a reporter. In 1913 she and her husband, fellow Davenport iconoclast George Cram "Jig" Cook, joined the migration of writers from the Midwest to Greenwich Village, and were at the center of the first American avant-garde. Glaspell was a charter member of its important institutions--the Provincetown Players, the Liberal Club, Heterodoxy--and a close friend of John Reed, Mary Heaton Vorse, Max Eastman, Sinclair Lewis, and Eugene O'Neill. Her plays launched an indigenous American drama and addressed pressing topics such as women's suffrage, birth control, female sexuality, marriage equality, socialism, and pacifism. Although frail and ethereal, Glaspell was a determined rebel throughout her life, willing to speak out for those causes in which she believed and willing to risk societal approbation when she found love. At the age of thirty-five, she scandalized staid Davenport when she began an affair with then-married Jig Cook. After his death in Delphi, where they lived for two years, she began an eight-year relationship with a man seventeen years her junior. Youthful in appearance, she remained youthful and undaunted in spirit. "Out there--lies all that's not been touched--lies life that waits," Claire Archer says in The Verge, Glaspell's most experimental play. The biography of Susan Glaspell is the exciting story of her personal exploration of the same terrain.




Dionysian Shaw


Book Description

Shaw, now in its twenty-fourth year, publishes general articles on Shaw and his milieu, reviews, notes, and the authoritative Continuing Checklist of Shaviana, the bibliography of Shaw studies.




Tony Lazzeri


Book Description

2022 SABR Baseball Research Award Before there was Joe DiMaggio, there was Tony Lazzeri. A decade before the "Yankee Clipper" began his legendary career in 1936, Lazzeri paved the way for the man who would become the patron saint of Italian American fans and players. He did so by forging his own Hall of Fame career as a key member of the Yankees' legendary Murderers' Row lineup between 1926 and 1937, in the process becoming the first major baseball star of Italian descent. An unwitting pioneer who played his entire career while afflicted with epilepsy, Lazzeri was the first player to hit sixty home runs in organized baseball, one of the first middle infielders in the big leagues to hit with power, and the first Italian player with enough star power to attract a whole new generation of fans to the ballpark. As a twenty-two-year-old rookie for the New York Yankees, Lazzeri played alongside such legends as Babe Ruth and Lou Gehrig. He immediately emerged as a star, finishing second to Ruth in RBIs and third in home runs in the American League. In his twelve years as the second baseman for Yankee teams that won five World Series, he was their third-most productive hitter, driving in more runs than all but five American Leaguers, and hitting more home runs than all but six. Yet for all that, today Lazzeri is a largely forgotten figure, his legacy diminished by the passage of time and tarnished by his bases-loaded strikeout to Grover Cleveland Alexander in Game Seven of the 1926 World Series, a strikeout immortalized on Alexander's Hall of Fame plaque. Tony Lazzeri reveals that quite to the contrary, he was one of the smartest, most talented, and most respected players of his time, the forgotten Yankee who helped the team win six American League pennants and five World Series titles.




The Cambridge Companion to British Theatre of the First World War


Book Description

The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender.