Plastic Jesus


Book Description

The 1960's brought Seth and Payton all they'd fantasized about—perfect friendships, a successful four-man band, and most importantly, each other. Together they embarked on a tour that brought them stimulating highs and shattering lows, and they prospered and suffered in one another's arms. The two men carried each other and carried a group that created both a history and a future for rock. But at some point their music blurred with the news of their love and the world was faced with the choice to embrace its heroes or revert back to its deep-rooted prejudices.




Plastic Jesus


Book Description

The fire that drives creativity sometimes kills artists, as John Preston learns in his rollicking journey across America in search of his own soul. From Hells Angels to Indian uprisings to romance on the run, his journey takes him deeper into the creative process and a connection with all humanity.




Plastic Jesus


Book Description

Eric Sandras seeks to empower readers wherever they are to live life as Christ intended: with a radical sense of purpose that only He can provide.




Good Old Plastic Jesus


Book Description




Plastic Jesus and Other Stories


Book Description

PLASTIC JESUS AND OTHER STORIES covers a range of genres, including fantasy, mystery, and romance in a collection of 13 stories to be consumed either straight-up or, most often, with a twist. From the title story, where the inanimate dashboard Jesus animates his surrounding characters (and himself) in unexpected ways, to the surprise in "Chance" that awaits Charles in the aftermath of his winning the prestigious National Integrity Award, the stories each deliver their own sensibility, quirkiness, and punch. A long-lost love is touchingly rekindled in "Edward and Stella," while a health nut about to receive special recognition doesn't realize what's about to hit her in "The Award," and life lessons are learned for more than just the participants in "The Affair." Can witchcraft actually play a role in drastically upsetting people's lives in "The New Neighbors," or are some things "...just terrible coincidences," as the witch Wyndsong proclaims? Then, there's "Destiny," with a female entrepreneur about to sell her successful business and move on to what's next (which comes as a devastating disclosure to her family), "The Hunt," about whether the deer belong on Deer Island or not (and who gets to decide), and "The Dowry," when young love in another culture can be fatally misunderstood. Through these varied and wonderful tales we get a vision of the wonderful world of Judith Ets-Hokin.




God Owns My Business


Book Description

God Owns My Business is more than a book about a successful businessman. It is the chronicle of how an average man can, with God's guidance and a willing heart, succeed in any endeavor. They said it couldn’t be done, but formally and legally, business owner Stanley Tam made God the owner of his business. To say that his business has met with success thanks to this decision would be a significant understatement—Stanley Tam's businesses are large and profitable, giving well over a million dollars annually. Learn what happens when a man gives his business—literally—to God, and be inspired to steward your whole life for God's honor.




The Unkingdom of God


Book Description

Mark Van Steenwyk explores the various ways we the Christian community have failed our mission by embracing the ways of the world and advancing our own agendas. He shows us that the starting place of authentic Christian witness is repentance, and that while Jesus' kingdom is not of this world, it remains the only hope of the world.




African Humanity


Book Description

My thesis is basically intended for theological and philosophical students and at the same-time their lecturers in biblical theology, systematic theology and philosophy of religion. There is no doubt in my mind that these disciplines must surgically forcefully put through the hermeneutical operation of radicalism and liberation black theology and black studies. Because liberation black theology and black studies are both pertinent and existential to black people not only in the diaspora but principally within the demography of Africa. Why? Because Africa is the social, economic, political, scientific, spiritual, theological and psychological incubation chamber with the legacies of the transatlantic slave trade, colonialism and semantic cultural Christianization of Africans. The besom merchants, traders, planters, slavers, missionaries, philosophers, historians, theologians and scientists, with savagery and brutality imposed on African slaves mendaciously that enslavement was good for Africans. It is therefore apposite for liberation black theology and black studies particularly in praxis to critique and challenge the systems and endogenous forces that violated and emasculated Africans empowerment and humanity. The slaves were brutally transformed physically and psychologically. The slaves potentialities endowed with the imprint of the African traditional belief in a supreme being and prime mover of the cosmos was transgressed with falsehood that their belief in a supreme being was primitive and paganistic. For Africans the supreme being is within their inner consciousness. The enslavement of Africans was without morality and justice. The creation of a symbiosis of liberation theology, liberation black theology and hermeneutical application and praxis is sempiternal significance to the black experience and the Jesus of the black experience that gives timba to the dis-empowered blacks of the streets of Accra and the continent of Africa that were consciously made into the apocalyptic and eschatological symbol of poverty, dis-possessed, impuissant politically and economically in a world that is dominated with nuclear weapons and technological hegemony. In the midst of such imbalance and the perversion of justice and equality regardless of ethnicity, black people must make the conscious, spiritual and psychological connection with the Jesus of the stigmata of the imprisoned African slaves on the Middle Passage and the diabolical plantations. There is no another way according to the sociological, theological, psychological impacting force of the various violations of Africans dignity, liberty, freedom, equality and humanity of black people in all dimensions of struggles to become veridical human beings in the full image of God. That is to say, theologically and sociologically the derivatives of shalom culminating in the absolute restoration of black humanity. With the force of chimerical-ism twinned with the black mans epistemological dreams without empiricism and existentialism. It is at this juncture that all the mythological aspirations are reduced to the level of stultification because Christianity with the painting of a white plastic Jesus cannot be connected with the black experience. When on Good Friday black people sing with effusive passion Jesus keep me near the Cross the Kebuka and Maafa on the plantation sufferings, brutalization and de-humanization rings with




Revolution in 35mm


Book Description

Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990 examines how political violence and resistance was represented in arthouse and cult films from 1960 to 1990. This historical period spans the Algerian war of independence and the early wave of post-colonial struggles that reshaped the Global South, through the collapse of Soviet Communism in the late ‘80s. It focuses on films related to the rise of protest movements by students, workers, and leftist groups, as well as broader countercultural movements, Black Power, the rise of feminism, and so on. The book also includes films that explore the splinter groups that engaged in violent, urban guerilla struggles throughout the 1970s and 1980s, as the promise of widespread radical social transformation failed to materialize: the Weathermen, the Black Liberation Army and the Symbionese Liberation Army in the United States, the Red Army Faction in West Germany and Japan, and Italy’s Red Brigades. Many of these movements were deeply connected with and expressed their values through art, literature, popular culture, and, of course, cinema. Twelve authors, including academics and well know film critics, deliver a diverse examination of how filmmakers around the world reacted to the political violence and resistance movements of the period and how this was expressed on screen. This includes looking at the financing, distribution, and screening of these films, audience and critical reaction, the attempted censorship or suppression of much of this work, and how directors and producers eluded these restrictions. Including over two hundred illustrations, the book examines filmmaking movements like the French, Japanese, German, and Yugoslavian New Waves; subgenres like spaghetti westerns, Italian poliziotteschi, Blaxploitation, and mondo movies; and films that reflect the values of specific movements like feminists, Vietnam War protesters, and Black militants. The work of influential and well-known political filmmakers such as Costa-Gavras, Gillo Pontecorvo, and Glauber Rocha is examined side by side with grindhouse cinema and lessor known titles by a host of all-but forgotten filmmakers, including many from the Global South, that are deserving of rediscovery.




Who Is This Man?


Book Description

The day after Jesus' death, whatever small mark he made on the world seemed destined to disappear. Instead, his impact on human history has been unparalleled, leading believers and nonbelievers alike to ask, Who Is This Man? In Who Is This Man, bestselling author John Ortberg explores the paradox of Jesus, history's most familiar figure while simultaneously the man no one knows. Who Is This Man traces Jesus' incredible life and legacy from his days on Earth to the present moment, showing us: How his vision of life continues to haunt and challenge humanity The ways his influence has inspired movements in art, science, government, medicine, and education How his lessons about dignity, compassion, forgiveness, and hope continue to influence humanity Join John Ortberg as he shares how Jesus' influence has swept over history and how his vision of life continues to impact us today. Praise for Who Is This Man?: "Sometimes in the clutter and noise of 'religion,' we lose sight of who Jesus is. Once again, John Ortberg helps us do what he does best: he helps us see God as he really is and connect with him amid all the noise. This book is a gift." --Dr. Henry Cloud, psychologist, coauthor of the bestselling Boundaries books "We live in a period where the divide between the secular and the sacred has never been greater. Who Is This Man? bridges this gap by sharing in his inimitable and entertaining style the undeniable and profound impact of Jesus Christ on our world. His impact, over two thousand years later, is more profound on the day-to-day lives of people--believers or not--than the impact of any other person at any point in history. John shows how Christ came to teach us how to live and in the process changed the world forever and for good." --Ron Johnson, CEO, J. C. Penney