Plum Blossom Love Poetry


Book Description

Plum Blossom Love Poetry: Between Dragon Village and Gold Mountain is made up of romantic gems in eclectic poetry by Raymond Douglas Chong (aka Zhang Weiming). His lyrical verses sensitively bridge America and China, a fusion of two dynamic worlds. His moody poetry covers themes about China, ancestors, and love, in the context of plum blossom, a traditional Chinese symbol of winter. The poems are passionate yearnings with vibrant and vivid lyrical imagery of love. They will uniquely connect the heart of the poet with the heart of the reader. Plum Blossom Love Poetry: Between Dragon Village and Gold Mountain is richly illustrated with watercolors, calligraphy, photos, and graphics.




Guide to Capturing a Plum Blossom


Book Description

"It is one of the very first art books which helped artists develop the aptitude for seeing the inner essence of various natural phenomena."—Shambhala Sun "Red Pine introduces Western readers to both the text itself and the traditions it has inherited."—Virginia Quarterly Review Through a series of brief four-lined poems and illustrations, Sung Po-jen aims at training artistic perception: how to truly see a plum blossom. First published in AD 1238, Guide to Capturing a Plum Blossom is considered the world's earliest-known printed art books. This bilingual edition contains the one hundred woodblock prints from the 1238 edition, calligraphic Chinese poems, and Red Pine's graceful translations and illuminating commentaries. "Tiger Tracks" winter wind bends dry grass flicks its tail along the ridge fearful force on the loose don't try to braid old whiskers Red Pine's commentary: "The Chinese liken the north wind that blows down from Siberia in winter to a roaring tiger. China is home to both the Siberian and the South China tigers. While both are on the verge of extinction, the small South China tiger still appears as far north as the Chungnan Mountains, where hermits have shown me their tracks." Sung Po-jen was a Chinese poet of the thirteenth century. Red Pine (a.k.a. Bill Porter) is one of the world's foremost translators of Chinese poetry and religious texts. His published translations include The Collected Songs of Cold Mountain, Lao-tzu's Taoteching, and Poems of the Masters. He lives near Seattle, Washington.




The Poems of Mao Zedong


Book Description

Mao Zedong, leader of the revolution and absolute chairman of the People's Republic of China, was also a calligrapher and a poet of extraordinary grace and eloquent simplicity. The poems in this beautiful edition (from the 1963 Beijing edition), translated and introduced by Willis Barnstone, are expressions of decades of struggle, the painful loss of his first wife, his hope for a new China, and his ultimate victory over the Nationalist forces. Willis Barnstone's introduction, his short biography of Mao and brief history of the revolution, and his notes on Chinese versification all combine to enrich the Western reader's understanding of Mao's poetry.




Orchid Flower Love Poetry


Book Description

Orchid Flower Love Poetry: Amorous Moods of Sensuous Passion is the romantic gems of eclectic poetry by Raymond Douglas Chong. His moody love poetry amorously covers ecstasy, angst, and caprice. His lyrical verses sensitively describe love in an authentic way, with idiosyncratic reality and ingenious creativity. They are in the context of an orchid flower, a traditional Chinese motif for delicate beauty. The poems are passionate yearnings with vibrant and vivid lyrical imagery of love. Their scope includes the peaks and the valleys of the amorphous art of love. In sensuous passion, they will intimately connect his heart as poet with your heart as a reader.




Pebble Swing


Book Description

A much-anticipated debut collection from one of Canada’s most promising emerging poets Pebble Swing earns its title from the image of stones skipping their way across a body of water, or, in the author’s case, syllables and traces of her mother tongue bouncing back at her from the water’s reflective surface. This collection is about language and family histories. It is the author’s attempt to piece together the resonant aftermath of the Chinese Cultural Revolution, which stole the life of her paternal grandmother. As an immigrant whose grasp of Mandarin is fading, Wang explores absences in her caesuras and fragmentation—that which is unspoken, but endures. The poems in this collection also trace the experiences of a young poet who left home at seventeen to pursue writing; the result is a series of city poetry infused with memory, the small joys of Vancouver’s everyday, environmental politics, grief and notions of home. While the poetics of response are abundant in the collection—with poems written to Natalie Lim and Ashley Hynd—the last section of the book, "Thirteen Ghazals and Anti-Ghazals after Phyllis Webb," forges a continued response to Phyllis Webb on Salt Spring Island, and innovates within the possibilities of the experimental ghazal form.




Asphodel, that Greeny Flower & Other Love Poems


Book Description

A dozen poems on love by a New Jersey obstetrician (1883-1963) who often wrote them on office prescription pads. In the title poem, first published when he was 72, he wrote: "What power has love but forgiveness? / In other words / by its intervention / what has been done / can be undone."




Plum Blossoms in Paris


Book Description

Post-grad neuroscience student Daisy Lockhart has never been short on brains, but after her longtime boyfriend, Andy Templeton, dumps her through e-mail, she is short on dreams. Alone for the first time in six years, Daisy allows herself to finally be an individual instead of half of a couple.




How to Read Chinese Poetry Workbook


Book Description

Designed to work with the acclaimed course text How to Read Chinese Poetry: A Guided Anthology, the How to Read Chinese Poetry Workbook introduces classical Chinese to advanced beginners and learners at higher levels, teaching them how to appreciate Chinese poetry in its original form. Also a remarkable stand-alone resource, the volume illuminates China's major poetic genres and themes through one hundred well-known, easy-to-recite works. Each of the volume's twenty units contains four to six classical poems in Chinese, English, and tone-marked pinyin romanization, with comprehensive vocabulary notes and prose poem translations in modern Chinese. Subsequent comprehension questions and comments focus on the artistic aspects of the poems, while exercises test readers' grasp of both classical and modern Chinese words, phrases, and syntax. An extensive glossary cross-references classical and modern Chinese usage, characters and compounds, and multiple character meanings, and online sound recordings are provided for each poem and its prose translation free of charge. A list of literary issues addressed throughout completes the volume, along with phonetic transcriptions for entering-tone characters, which appear in Tang and Song–regulated shi poems and lyric songs.




Playing in Emptiness


Book Description

The purpose of Playing in Emptiness is to expose readers to the notion of play in Zen/Chan Buddhism and its manifestation in emptiness, language, strange teaching methods, the erotic, comic, the fine arts, and the martial arts with the goal of shedding new light on the religious tradition.




Masterworks of Asian Literature in Comparative Perspective: A Guide for Teaching


Book Description

This is a collection of 46 essays by specialists in Asian literature, who offer a wide range of possibilities for introducing Asian literature to English-speaking students. It is intended to help in promoting multicultural education.