Plundered Empire


Book Description

This book concentrates on the sometimes Greek but largely Roman survivals many travellers set out to see and perhaps possess throughout the immense Ottoman Empire, on what were eastward and southward extensions of the Grand Tour. Europeans were curious about the Empire, Christianity’s great rival for centuries, and plenty of information on its antiquities was available, offered here via lengthy quotations. Most accounts of the history of collecting and museums concentrate on the European end. Plundered Empire details how and where antiquities were sought, uncovered, bartered, paid for or stolen, and any tribulations in getting them home. The book provides evidence for the continuing debate about the ethics of museum collections, with 19th century international competition the spur to spectacular acquisitions.




Rome, Empire of Plunder


Book Description

An interdisciplinary exploration of Roman cultural appropriation, offering new insights into the processes through which Rome made and remade itself.




Trade, Plunder and Settlement


Book Description

Traces the maritime expansion of England through descriptions of a multitude of sea voyages from 1480 through 1630. Analyzes exploration, trading enterprise ventures and piracy and reveals how the attempts to create British settlements overseas resulted in the founding of the first New World colonies.




From Plunder to Preservation


Book Description

This book looks at the effect of the British Empire on the cultures and civilisations of the peoples it ruled by considering the impact of empire on the idea of 'heritage'. Case studies and illustrations show how our understanding of the diverse heritages of world history was forged in the crucible of the British Empire.




The Byzantine Empire 717-1453


Book Description

THE institutions of Imperial Rome had long thwarted the great law of man's existence which impels him to better his condition, when the accession of Leo the Isaurian to the throne of Constantinople suddenly opened a new era in the history of the Eastern Empire. Both the material and intellectual progress of society had been deliberately opposed by the imperial legislation. A spirit of conservatism persuaded the legislators of the Roman empire that its power could not decline, if each order and profession of its citizens was fixed irrevocably in the sphere of their own peculiar duties by hereditary succession. An attempt was really made to divide the population into castes. But the political laws which were adopted to maintain mankind in a state of stationary prosperity by these trammels, depopulated and impoverished the empire, and threatened to dissolve the very elements of society. The Western Empire, under their operation, fell a prey to small tribes of northern nations; the Eastern was so depopulated that it was placed on the eve of being repeopled by Sclavonian colonists, and conquered by Saracen invaders...




The later Roman empire


Book Description







Plunder


Book Description

One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.




Annals of the empire


Book Description




Gold: How it Shaped History


Book Description

Gold is not what we think. It is usually discussed in the context of wealth and art but this book has a broader subject, so fundamental that it has been largely unremarked. Informed by a mass of recent discoveries and a South American indigenous perspective, it offers a new way of understanding the history of civilization. Gold has been coinage, treasure and adornment. But it has been much more, as the hidden driver of wars and revolutions, the rise and fall of empires and the transformation of societies. As the sun traveled east to west across the sky, gold, incorruptible and corrupting, flowed west to east, hand to hand across the world. That flow has brought empires to grow and collapse and driven plunder, conquest and colonization. It brought about wars and revolutions, empowered new forms of arts and science and created the capitalist consumer economy that dominates us now. All the gold people ever shaped still exists, shining as new; it can be mislaid but never decays. Right from its first appearance on the west shore of the Black Sea, long before the rise of Egypt and Mesopotamia, gold crowned the first proto-king. Ever since, it has been regarded as value incarnate with transcendental power. The quantity we take has been increasing steadily for 6,500 years. Now extraction accelerates. Our gold mountain has doubled in the last fifty years. Yet its price increases faster. While the quantity doubled, its buying power multiplied by six. What does gold do that makes us want it so much? As Alan Ereira reveals in this skilfully woven narrative, gold is the hidden actor that shapes our story.