Poceza M'madzulo


Book Description

Julius Chongo is a household name in Zambia, a celebrated Chewa poet and raconteur, renowned for adapting and creating a popular radio drama of oral prose and poetic narratives known in Chewa or Njanga as ?Poceza M?Madzulo'. The serial ran for ten years between 1966 and 1976 and became a hit amongst both rural and urban Zambians. The stories, which mix realism and illusion, were adapted from the storytelling tradition, and the story theatre performance tradition of the Chewa and Njanja speaking peoples of Northern Mozambique, Malawi and Zambia, as an effort to keep this tradition alive. In the same spirit, the stories have been transcribed and translated into English for a new generation. Although not intended for the written medium, the stories convey much of Chongo's idiom, originality and aesthetic devices. The corpus of stories and their translations are thus a valuable contribution to an understanding of Zambian oral literature in indigenous languages, and as a means of communicating these cultures. Further the work is an important effort to address the underdeveloped area of publishing in indigenous languages and literature in Zambia, a prerequisite for the nurturing of local cultural identity.




Poceza M'madzulo


Book Description

Julius Chongo is a household name in Zambia, a celebrated Chewa poet and raconteur, renowned for adapting and creating a popular radio drama of oral prose and poetic narratives known in Chewa or Njanga as ?Poceza M?Madzulo'. The serial ran for ten years between 1966 and 1976 and became a hit amongst both rural and urban Zambians. The stories, which mix realism and illusion, were adapted from the storytelling tradition, and the story theatre performance tradition of the Chewa and Njanja speaking peoples of Northern Mozambique, Malawi and Zambia, as an effort to keep this tradition alive. In the same spirit, the stories have been transcribed and translated into English for a new generation. Although not intended for the written medium, the stories convey much of Chongo's idiom, originality and aesthetic devices. The corpus of stories and their translations are thus a valuable contribution to an understanding of Zambian oral literature in indigenous languages, and as a means of communicating these cultures. Further the work is an important effort to address the underdeveloped area of publishing in indigenous languages and literature in Zambia, a prerequisite for the nurturing of local cultural identity.




Oral Literary Performance in Africa


Book Description

This book delivers an admirably comprehensive and rigorous analysis of African oral literatures and performance. Gathering insights from distinguished scholars in the field, the book provides a range of contemporary interdisciplinary perspectives in the study of oral literature and its transformations in everyday life, fiction, poetry, popular culture, and postcolonial politics. Topics discussed include folklore and folklife; oral performance and masculinities; intermediated orality, modern transformations, and globalisation; orality and mass media; spoken word and imaginative writing. The book also addresses research methodologies and the thematic and theoretical trajectories of scholars of African oral literatures, looking back to the trailblazing legacies of Ruth Finnegan, Harold Scheub, and Isidore Okpewho. Ambitious in scope and incisive in its analysis, this book will be of interest to students and scholars of African literatures and oral performance as well as to general readers interested in the dynamics of cultural production.




Research in African Literatures


Book Description

Vol. 1- , spring 1970- , include "A Bibliography of American doctoral dissertations on African literature," compiled by Nancy J. Schmidt.




Galu Wamkota


Book Description

"An old dog (galu wamkota) does not dig for nothing," so the proverb says. The two authors, one from America (with 45 years in Zambia); the other from Zambia, explore the encounter of the Christian faith with African Traditional Religion, treating concept(s) of God, the world of the spirits, of powers and witchcraft, and then how the Bible can be translated into the language of Zambia and Malawi taking into account both changes in concepts of translation and in society




Africa in a Multilateral World


Book Description

The book analyses how Africans and Africa relate to other parts of the multilateral world, and to the world in general, and how these relations stem from local, national and regional interactions in different parts of Africa, as well as Africa as a whole. The first part focuses on the assumptions that are necessary to understand the role of Africa on the global stage, especially from the perspectives of political philosophy and global and international studies. The second part of the book looks at both Afropolitan trends and the limits of Afropolitanism. In the third part the authors focus on specific African global tendencies stemming from the local conditions in several case studies. Traditional and modern politics is connected, problematically, with the current Jihadist organisations in the local African conditions related to unilateralism and global war on terror, for example. The fourth part deals with the relevance of the language ambivalence in relation to global interactions. It examines various views of African philosophy and lays bare the perception of earlier colonial languages in view of their current strength of global action. This book will be of interest to scholars of African studies, political philosophy, politics and global studies.




Gogo Breeze


Book Description

When Breeze FM, a radio station in the provincial Zambian town of Chipata, hired an elderly retired schoolteacher in 2003, no one anticipated the skyrocketing success that would follow. A self-styled grandfather on air, Gogo Breeze seeks intimacy over the airwaves and dispenses advice on a wide variety of grievances and transgressions. Multiple voices are broadcast and juxtaposed through call-ins and dialogue, but free speech finds its ally in the radio elder who, by allowing people to be heard and supporting their claims, reminds authorities of their obligations toward the disaffected. Harri Englund provides a masterfully detailed study of this popular radio personality that addresses broad questions of free speech in Zambia and beyond. By drawing on ethnographic insights into political communication, Englund presents multivocal morality as an alternative to dominant Euro-American perspectives, displacing the simplistic notion of voice as individual personal property—an idea common in both policy and activist rhetoric. Instead, Englund focuses on the creativity and polyphony of Zambian radio while raising important questions about hierarchy, elderhood, and ethics in the public sphere. A lively, engaging portrait of an extraordinary personality, Gogo Breeze will interest Africanists, scholars of radio and mass media, and anyone interested in the history and future of free speech.




Z Magazine


Book Description