Poematics


Book Description

Mathematics: its a word that creates fear, stirs anxiety, and builds stress in many students. Educators recognize the importance of learning more and more about the challenges facing students today in mathematics education. How do we respond to this call for action for developing proficiency in mathematics? Based upon a lifelong career in education that began in 1965, author Joseph Porzio offers a time-honored approach to students, parents, and educators called Poematics. This collection offers a variety of mathematical poems designed to complement mathematical concepts and to ease the path to learning for students everywhere. Teachers may use Poematics as a means to motivate students, integrate mathematical subject matter, and formulate daily lesson plans. Poematics supports key components of the mathematical practices found in the Common Core State Standards through its focus, not only on content strands, but on process strands. It also highlights communication, connections, and representation. Poematics provides parents and educators at the elementary level with unique means to have their students meet both the academic and emotional challenges related to high achievement in mathematics.




Poematics of the Hyperbloody Real


Book Description

"This is the only book youll ever need. Herein I have collected the produce of my continual forays into the plastic flow of the earths interior and poetical translations of the cryptic discharge of the material nothingness, including meditations on skin-sortie, drink empery, Now Sound. Theres even a wee bit of prose for those who like to read all the way to the right margin. In the words of I, Adult Strong, See atoms lifeless! Feel my throbbing emptiness. Experience the wild heat of a morbid heart. Buy this, die strangely happy."




Literature, Cultural Politics and Counter-Readings


Book Description

This book is an attempt at deconstructive counter-reading or at what Jonathan Dollimore called “creative vandalism” (2018) of existing cultural or literary texts. Deconstruction is a much maligned or a much misunderstood word and for many, it usually bears a pejorative ring. While most would flaunt their familiarity with some of its philosophic jargons, for the majority, it is an area to be dismissed as intellectual obscurity or abstruse ‘high theory’. In fact there is a serious dearth of Derrida scholarship because of our collective aversion to Derrida that emanates from our lack of familiarity or engagement with deconstruction theory or with the philosophy of deconstruction. Norm-deviant reading strategies of deconstruction offer fresh insights and rebellious interpretative possibilities. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.




Julius Caesar in Western Culture


Book Description

This book explores the significance of Julius Caesar to differentperiods, societies and people from the 50s BC through to thetwenty-first century. This interdisciplinary volume explores the significance ofJulius Caesar to different periods, societies and people. Ranges over the fields of religious, military, and politicalhistory, archaeology, architecture and urban planning, the visualarts, and literary, film, theatre and cultural studies. Examines representations of Caesar in Italy, France, Germany,Britain, and the United States in particular. Objects of analysis range from Caesar’s own commentarieson the Gallic wars, through Shakespeare’s Julius Caesar, andimages of Caesar in Italian fascist popular culture, tocontemporary cinema and current debates about Americanempire. Edited by a leading expert on the reception of ancientRome. Includes original contributions by international experts onCaesar and his reception.




Poetry & Geography


Book Description

Collected critical essays examine contemporary poetry in terms of cultural geography. Key themes are place and identity; literary cartographies; walking as trope and spatial practice; the poetics of edges, margins, and peripheries; landscape, language, and form.




METAPHYSICS OF NEODARWINISM


Book Description

By what miracle, You, my Lord, had put the difference in genetic code between Chimpanzees and Sapiens Species in only 5%, while the ontological code of abstract creation in Sapiens, is within the order of millions of percent regarding our Apes - Man?... Would be possible, through a philosophical system to shed a light in this puzzle of all puzzles?... Our Book, “Metaphysics of Neo-Darwinism” has this purpose of re-illuminating of genetic code through abstract code and abstract code through the genetic one... In this way, a recombination among science, philosophy and poetry, could be an unexpected hope for the future explorers of our Species, of our Planetary Earth and of our Destiny as Being of Beings… A Metaphysical Neo-Darwinist




Poetics and the Gift


Book Description

Using a broad, comparative approach, this study shows how the figure of the gift structures poetic discourse and does so from the age of Homer up through twenty-first century conceptual poetics. Beginning from a new interpretation of Derrida’s writings on the gift, Adam R. Rosenthal argues that this ambivalent figure names at one and the same time poetry’s most extreme aneconomic privilege and the point of its closest contact with the interested exchange of the market. In this way, the gift conducts material relays of patronage and theories of poetic origination, in genius, inspiration, and imagination. Poetics and the Gift capitalizes on this double function in order to read material historical accounts of poetry alongside philosophical and poetic ones. By way of his original reading of Derrida’s work in Given Time and ‘Economimesis’, Rosenthal offers a novel account of ‘gift poetics’ and a new understanding of what makes poetry ‘poetry’.




Animation


Book Description

"Animation: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on animation studies. Gathering historical and contemporary texts from a wide-ranging number of sources, the volumes provide a key resource in understanding and studying the past and future directions of animation studies. The four volumes thematically trace animation studies from its many definitions, or a lack thereof, to the institutional nature of animation production, to establishing greater space within animation discourse for the consideration of broadcast and interactive animation, and finally, giving greater contextual understanding of the field of animation studies, by focusing on 'Authorship', 'Genre', 'Identity Politics', and 'Spectatorship', thus enabling readers to engage more deeply with the ideas discussed in the final volume. Ordering the collection in this way avoids imposing an overly simplistic chronological framework, thereby allowing debates that have developed over years (and even decades) to stand side by side. Each volume is separately introduced and the essays structured into coherent sections on specific themes"--




Paul Muldoon and the Language of Poetry


Book Description

Paul Muldoon and the Language of Poetry is the first book in years that attends to the entire oeuvre of the Irish-American poet, critic, lyricist, dramatist and Princeton professor from his debut with New Weather in 1973 up to his very recent publications. Ruben Moi’s book explores, in correspondence with language philosophy and critical debate, how Muldoon’s ingenious language and inventive form give shape and significance to his poetry, and how his linguistic panache and technical verve keep language forever surprising, new and alive.




In Pursuit of Poem Shadows


Book Description

In Pursuit of Poem Shadows: Pureza Canelo's Second Poetics deciphers the intricate poetic language of Pureza Canelo (Spain, 1946) through a close analysis of her mature works. Designed to complement Nature's Colloquy with the Word (Bucknell, 2004), the current text traces concerns related to the poet's second stage of evolvement. In contextualizing the poet's work, Pritchett discovers commonalities with Romantic, Modernist, and creacionista poets. Canelo's insights, moreover, display a resemblance to Heidegger's thought on time, being, and poetry, Lacan's ideas on experience and language, and 3iyek's view of the subject's relationship to the object.