Poems from the Satsai


Book Description

In his Satsai, or Seven Hundred Poems, the seventeenth-century poet Biharilal draws on a rich vernacular tradition, blending amorous narratives about the god Krishna and the goddess Radha with archetypal hero and heroine motifs from older Sanskrit and Prakrit conventions. While little is known of Biharilal's life beyond his role as court poet to King Jai Singh of Amber (1611-1667), his verses reflect deep knowledge of local north Indian culture and geography, especially the bucolic landscapes of Krishna's youth in the Braj region (in today's Uttar Pradesh). With ingenuity and virtuosity, Biharilal weaves together worldly experience and divine immanence, and adapts the tropes of stylized courtly poetry, such as romantic rivalries, clandestine trysts, and the bittersweet sorrow of separated lovers. Poems from the Satsai comprises a selection of four hundred couplets from this enduring work. The Hindi text--composed in Braj Bhasha, the literary language of early-modern north India--is presented here in the Devanagari script and accompanies a new English verse translation.




He Spoke of Love


Book Description

The seventeenth-century Hindi classic treasured for its subtle and beautiful portrayal of divine and erotic love’s pleasures and sorrows. The seven hundred poems of the Hindi poet Biharilal’s Satsai weave amorous narratives of the god Krishna and the goddess Radha with archetypal hero and heroine motifs that bridge divine and worldly love. He Spoke of Love brims with romantic rivalries, clandestine trysts, and the bittersweet sorrow of separated lovers. This new translation presents four hundred couplets from the enduring seventeenth-century classic, showcasing the poet’s ingenuity and virtuosity.




Sufi Lyrics


Book Description

A modern translation of verses by Bullhe Shah, the iconic eighteenth-century Sufi poet, treasured by readers worldwide to this day. Bullhe Shah’s work is among the glories of Panjabi literature, and the iconic eighteenth-century poet is widely regarded as a master of mystical Sufi poetry. His verses, famous for their vivid style and outspoken denunciation of artificial religious divisions, have long been beloved and continue to win audiences around the world. This striking new translation is the most authoritative and engaging introduction to an enduring South Asian classic.




Ghazals


Book Description

The finest ghazals of Mir Taqi Mir, the most accomplished of Urdu poets. The prolific Mir Taqi Mir (1723–1810), widely regarded as the most accomplished poet in Urdu, composed his ghazals—a poetic form of rhyming couplets—in a distinctive Indian style arising from the Persian ghazal tradition. Here, the lover and beloved live in a world of extremes: the outsider is the hero, prosperity is poverty, and death would be preferable to the indifference of the beloved. Ghazals offers a comprehensive collection of Mir’s finest work, translated by a renowned expert on Urdu poetry.




Divine Pleasures


Book Description

As one of the finest holdings of Indian art in the West, the Kronos Collections are particularly distinguished for paintings made between the sixteenth and early nineteenth centuries for the Indian royal courts in Rajasthan and the Punjab Hills. These outstanding works, many of which are published and illustrated here for the first time, are characterized by their brilliant colors and vivid, powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. They also present a new way of seeking the divine through a form of personal devotion—known as bhakti—that had permeated India’s Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and mystical symbols that are central to literature and worship, this publication celebrates the diverse styles and traditions of Indian painting. Divine Pleasures features an informative entry for each work and two essays by scholar Terence McInerney that together outline the history of Indian painting and the Rajput courts, providing fresh insights and interpretations. Also included are a personal essay by expert and collector Steven M. Kossak and an examination of Hindu epic and myth in Mughal painting, which lays important foundations for Rajput painting, by curator Navina Najat Haidar. Through their research and observations, the authors deepen our understanding and underscore the significance of Indian painting. Divine Pleasures presents a nuanced view of a way of life intimately tied to the seasons, the arts, and the divine.




Shri Sai Satcharita


Book Description




Poems


Book Description

Mir Muhammad Taqi Mir is widely regarded as the most accomplished poet in the Urdu language. Selected Ghazals and Other Poems offers a comprehensive collection of ghazals and masnavis. The Urdu text, presented here in the Nastaliq script, accompanies new translations of Mir's poems, some appearing in English for the first time.




The Art of Cloth in Mughal India


Book Description

A richly illustrated history of textiles in the Mughal Empire In the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout the Mughal Empire. Made from rare fibers and crafted using virtuosic techniques, these exquisite objects animated early modern experience, from the intimate, sensory pleasure of garments to the monumentality of imperial tents. The Art of Cloth in Mughal India tells the story of textiles crafted and collected across South Asia and beyond, illuminating how cloth participated in political negotiations, social conversations, and the shared seasonal rhythms of the year. Drawing on small-scale paintings, popular poetry, chronicle histories, and royal inventory records, Sylvia Houghteling charts the travels of textiles from the Mughal imperial court to the kingdoms of Rajasthan, the Deccan sultanates, and the British Isles. She shows how the “art of cloth” encompassed both the making of textiles as well as their creative uses. Houghteling asks what cloth made its wearers feel, how it acted in space, and what images and memories it conjured in the mind. She reveals how woven objects began to evoke the natural environment, convey political and personal meaning, and span the distance between faraway people and places. Beautifully illustrated, The Art of Cloth in Mughal India offers an incomparable account of the aesthetics and techniques of cloth and cloth making and the ways that textiles shaped the social, political, religious, and aesthetic life of early modern South Asia.




The Loves of Krishna


Book Description

This book, first published in 1957, was the first in English to provide a full and clear introduction to one of the most significant of Indian gods, and stresses his supreme role in Indian religion and art. The book relates the full Krishna story, explaining his role in Indian religion, and traces the history of Krishna in Indian painting. There are 39 plates of Indian pictures, each accompanied by a commentary by the author, revealing a wealth of subtle and poetic detail.




Language as Identity in Colonial India


Book Description

This book is a systematic narrative, tracking the colonial language policies and acts responsible for the creation of a sense of “self-identity” and culminating in the evolution of nationalistic fervor in colonial India. British policy on language for administrative use and as a weapon to rule led to the parallel development of Indian vernaculars: poets, novelists, writers and journalists produced great and fascinating work that conditioned and directed India's path to independence. The book presents a theoretical proposition arguing that language as identity is a colonial construct in India, and demonstrates this by tracing the events, policies and changes that led to the development and churning up of Indian national sentiments and attitudes. It is a testimony of India's linguistic journey from a British colony to a modern state. Demonstrating that language as basis of identity was a colonial construct in modern India, the book asserts that any in-depth understanding of identity and politics in contemporary India remains incomplete without looking at colonial policies on language and education, from which the multiple discourses on “self” and belonging in modern India emanated.