Poems of Sentiment and Imagination
Author : Frances Fuller Victor
Publisher :
Page : 288 pages
File Size : 33,48 MB
Release : 1851
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Author : Frances Fuller Victor
Publisher :
Page : 288 pages
File Size : 33,48 MB
Release : 1851
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Author : Dana Gioia
Publisher : Graywolf Press
Page : 160 pages
File Size : 36,90 MB
Release : 2016-03-01
Category : Poetry
ISBN : 1555979254
So much of what we live goes on inside— The diaries of grief, the tongue-tied aches Of unacknowledged love are no less real For having passed unsaid. What we conceal Is always more than what we dare confide. Think of the letters that we write our dead. —from “Unsaid” Dana Gioia has long been celebrated as a poet of sharp intelligence and brooding emotion with an ingenious command of his craft. 99 Poems: New & Selected gathers for the first time work from across his career, including many remarkable new poems. Gioia has not arranged this selection chronologically but instead has organized it by theme in seven sections: Mystery, Place, Remembrance, Imagination, Stories, Songs, and Love. The result is a book that reveals and renews the pleasures, consolations, and sense of wonder that poetry bestows.
Author : Mark Akenside
Publisher :
Page : 162 pages
File Size : 33,26 MB
Release : 1819
Category : Imagination
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Page : 658 pages
File Size : 42,33 MB
Release : 1923
Category : Romance philology
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Author : Louise Glück
Publisher : Farrar, Straus and Giroux
Page : 209 pages
File Size : 44,98 MB
Release : 2017-04-18
Category : Literary Collections
ISBN : 1466875682
WINNER OF THE NOBEL PRIZE IN LITERATURE A luminous collection of essays from Louise Glück, winner of the Nobel Prize in Literature and one of our most original and influential poets Five decades after her debut poetry collection, Firstborn, Louise Glück is a towering figure in American letters. Written with the same probing, analytic control that has long distinguished her poetry, American Originality is Glück’s second book of essays—her first, Proofs and Theories, won the 1993 PEN/Martha Albrand Award for First Nonfiction. Glück’s moving and disabusing lyricism is on full display in this decisive new collection. From its opening pages, American Originality forces readers to consider contemporary poetry and its demigods in radical, unconsoling, and ultimately very productive ways. Determined to wrest ample, often contradictory meaning from our current literary discourse, Glück comprehends and destabilizes notions of “narcissism” and “genius” that are unique to the American literary climate. This includes erudite analyses of the poets who have interested her throughout her own career, such as Rilke, Pinsky, Chiasson, and Dobyns, and introductions to the first books of poets like Dana Levin, Peter Streckfus, Spencer Reece, and Richard Siken. Forceful, revealing, challenging, and instructive, American Originality is a seminal critical achievement.
Author : G. Singh
Publisher : University Press of Kentucky
Page : 308 pages
File Size : 44,7 MB
Release : 2021-11-21
Category : Literary Criticism
ISBN : 0813188156
In this first detailed and comprehensive account of Leopardi's theory of poetry, G. Singh assesses both the literary and critical attainments of a poet whose eminence ranks him with Dante and Petrarch. Singh's analysis, which employs extensive reference to Leopardi's work in order to illustrate the author's own comments, sets forth Leopardi's views on the larger questions of tradition, inspiration, and the imagination in poetry. Later chapters are concerned with the more specific matters of the poetic image, style, and language.
Author :
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Page : 120 pages
File Size : 41,1 MB
Release : 1744
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Page : 450 pages
File Size : 36,44 MB
Release : 1850
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Author : George R. Graham
Publisher :
Page : 908 pages
File Size : 27,60 MB
Release : 1850
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Author : Torquil Duthie
Publisher : BRILL
Page : 463 pages
File Size : 45,16 MB
Release : 2014-01-09
Category : Poetry
ISBN : 900426454X
In Man’yōshū and the Imperial Imagination in Early Japan, Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of "all under heaven.” Through close readings of the early volumes of the poetic anthology Man’yōshū (c. eighth century) and the last volumes of the official history Nihon shoki (c. 720), Duthie shows how competing political interests and different styles of representation produced not a unified ideology, but rather a “bundle” of disparate imperial imaginaries collected around the figure of the imperial sovereign. Central to this process was the creation of a tradition of vernacular poetry in which Yamato courtiers could participate and recognize themselves as the cultured officials of the new imperial realm.