Poetics in a New Key


Book Description

This collection of interviews and essays presents an entertaining and provocative introduction to the critical thought of Marjorie Perloff. The fourteen interviews conducted by accomplished scholars, poets, and critics from the United States, Denmark, Norway, France, and Poland cover many topics: poetry s nature as a literary genre, its current state, and its relation to art, politics, language, theory, and technology. The volume also features three essays by Perloff: an academic memoir, an exploration of poetry pedagogy, and an essay on the (re)constitution of the intellectuals in the 21st century. It will be an inspiring resource for both scholars and poets who care to live a life of attention, on and off the page of poetry."




Horizons, the Poetics and Theory of the Intermedia


Book Description

Written for the lay reader as well as for academic literary theorists, this book bridges the gulf between the artistic avant-garde in music, visual arts, and experimental literature and the general public. Higgins delves into multiple areas, but here is an example of one kind of poem he works with: those pieces that move like thisthose pieces i say are snowflakes i saythose pieces that move like thisthose piecesAlong with many other artistsJohn Cage, Merce Cunningham, Robert Rauschenberg, and Jackson Mac Low come to mindDick Higgins has investigated and invented a variety of genres and forms, working especially in intermedia, the fusion of two or more discrete media. His poetics travel some distance from the poetry of the past. Here he uses the fusion of the receiver s and the artist s horizons, their knowledge, feelings, experiences, and imaginings to provide a vivid account of artistic experimentation over the last thirty years."




Poetics of Relation


Book Description

A major work by this prominent Caribbean author and philosopher, available for the first time in English




Inciting Poetics


Book Description

The essays in Inciting Poetics provide provocative answers to the book’s opening question, “What are poetics now?” Authored by some of the most important contemporary poets and critics, the essays present new theoretical and practical approaches to poetry and poetics that address current topics and approaches in the field as well as provide fresh readings of a number of canonical poets. The four sections—“What is Poetics?,” “Critical Interventions,” “Cross-Cultural Imperatives,” and “Digital, Capital, and Institutional Frames”—create a basis on which both experienced readers and newcomers can build an understanding of how to think and write about poetry. The diverse voices throughout the collection are both informative and accessible and offer a rich exploration of multiple approaches to thinking and writing about poetry today.




Ancient Philosophical Poetics


Book Description

Reveals how ancient philosophers approached questions about the nature of poetry, its ethical and social impact and access to truth.




The Poetics of Indeterminacy


Book Description

She traces this tradition from its early "French connection" in the poetry of Rimbaud and Apollinaire as well as in Cubist, Dada, and early Surrealist painting; through its various manifestations in the work of Gertrude Stein, William Carlos Williams, and Ezra Pound; to such postmodern "landscapes without depth" as the French/English language constructions of Samuel Beckett, the elusive dreamscapes of John Ashbery, and the performance works of David Antin and John Cage.".




Language between God and the Poets


Book Description

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In the Arabic eleventh-century, scholars were intensely preoccupied with the way that language generated truth and beauty. Their work in poetics, logic, theology, and lexicography defined the intellectual space between God and the poets. In Language Between God and the Poets, Alexander Key argues that ar-Raghib al-Isfahani, Ibn Furak, Ibn Sina (Avicenna), and Abd al-Qahir al-Jurjani shared a conceptual vocabulary based on the words ma‘na and haqiqah. They used this vocabulary to build theories of language, mind, and reality that answered perennial questions: how to structure language and reference, how to describe God, how to construct logical arguments, and how to explain poetic affect.




Questions of Poetics


Book Description

Object Lessons -- Subject Formations -- Notes -- Bibliography -- Index




American Poets and Poetry [2 volumes]


Book Description

The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.




Wittgenstein's Ladder


Book Description

Austere and uncompromising, the philosopher Ludwig Wittgenstein had no use for the avant-garde art works of his own time. He refused to formulate an aesthetic, declaring that one can no more define the "beautiful" than determine "what sort of coffee tastes good". And yet many of the writers of our time have understood, as academic theorists generally have not, that Wittgenstein is "their" philosopher. How do we resolve this paradox? Marjorie Perloff, our foremost critic of twentieth-century poetry, argues that Wittgenstein has provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Wittgenstein's ladder is an apt figure for this radical aesthetic, and not just in its ordinariness as an object. The movement "up" this ladder can never be more than what Wittgenstein's contemporary, Gertrude Stein, called "Beginning again and again". Wittgenstein shows us, too, that we cannot climb the same ladder twice: the use of language, the context in which words and sentences appear, defines their meaning, which changes with every repetition. Wittgenstein's aesthetic brooks no theory, no essentialism, no metalanguage - only a practice, a mode of operation, fragmentary and elliptical.