Poetry in a Global Age


Book Description

Ideas, culture, and capital flow across national borders with unprecedented speed, but we tend not to think of poems as taking part in globalization. Jahan Ramazani shows that poetry has much to contribute to understanding literature in an extra-national frame. Indeed, the globality of poetry, he argues, stands to energize the transnational turn in the humanities. Poetry in a Global Age builds on Ramazani’s award-winning A Transnational Poetics, a book that had a catalytic effect on literary studies. Ramazani broadens his lens to discuss modern and contemporary poems not only in relation to world literature, war, and questions of orientalism but also in light of current debates over ecocriticism, translation studies, tourism, and cultural geography. He offers brilliant readings of postcolonial poets like Agha Shahid Ali, Lorna Goodison, and Daljit Nagra, as well as canonical modernists such as W. B. Yeats, Wallace Stevens, T. S. Eliot, and Marianne Moore. Ramazani shows that even when poetry seems locally rooted, its long memory of forms and words, its connections across centuries, continents, and languages, make it a powerful imaginative resource for a global age. This book makes a strong case for poetry in the future development of world literature and global studies.




Make It the Same


Book Description

The world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.




A Transnational Poetics


Book Description

Poetry is often viewed as culturally homogeneous—“stubbornly national,” in T. S. Eliot’s phrase, or “the most provincial of the arts,” according to W. H. Auden. But in A Transnational Poetics, Jahan Ramazani uncovers the ocean-straddling energies of the poetic imagination—in modernism and the Harlem Renaissance; in post–World War II North America and the North Atlantic; and in ethnic American, postcolonial, and black British writing. Cross-cultural exchange and influence are, he argues, among the chief engines of poetic development in the twentieth and twenty-first centuries. Reexamining the work of a wide array of poets, from Eliot, Yeats, and Langston Hughes to Elizabeth Bishop, Lorna Goodison, and Agha Shahid Ali, Ramazani reveals the many ways in which modern and contemporary poetry in English overflows national borders and exceeds the scope of national literary paradigms. Through a variety of transnational templates—globalization, migration, travel, genre, influence, modernity, decolonization, and diaspora—he discovers poetic connection and dialogue across nations and even hemispheres.




Poetry in a World of Things


Book Description

We have become used to looking at art from a stance of detachment. In order to be objective, we create a “mental space” between ourselves and the objects of our investigation, separating internal and external worlds. This detachment dates back to the early modern period, when researchers in a wide variety of fields tried to describe material objects as “things in themselves”—things, that is, without the admixture of imagination. Generations of scholars have heralded this shift as the Renaissance “discovery” of the observable world. In Poetry in a World of Things, Rachel Eisendrath explores how poetry responded to this new detachment by becoming a repository for a more complex experience of the world. The book focuses on ekphrasis, the elaborate literary description of a thing, as a mode of resistance to this new empirical objectivity. Poets like Petrarch, Spenser, Marlowe, and Shakespeare crafted highly artful descriptions that recovered the threatened subjective experience of the material world. In so doing, these poets reflected on the emergence of objectivity itself as a process that was often darker and more painful than otherwise acknowledged. This highly original book reclaims subjectivity as a decidedly poetic and human way of experiencing the material world and, at the same time, makes a case for understanding art objects as fundamentally unlike any other kind of objects.




First World War Poetry


Book Description

A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.




A Book of Women Poets from Antiquity to Now


Book Description

A monument to the literary genius of women throughout the ages, A Book of Women Poets from Antiquity to Now is an invaluable collection. Here in one volume are the works of three hundred poets from six different continents and four millennia. This revised edition includes a newly expanded section of American poets from the colonial era to the present. "[A] splendid collection of verse by women" (TIME) throughout the ages and around the world; now revised and expanded, with 38 American poets.




Ain't I a Woman!


Book Description

Spanning the centuries from Sappho's Greece to tenth-century Japan, from nineteenth-century Chile to Zindziswa Mandela's twentieth-century South Africa, the voices of these women poets express themes of love, injustice, motherhood, and loss, and the oppressions of race and sex. The sequence of the poems moves from youth to old age, and they bear witness to the triumphs as well as the pain and frustration of women in many times and in many places. Among the many poets whose work is included are Anna Akhmatova, Maya Angelou, Judith Kazantzis, Gabriela Mistral, Marge Piercy, Irina Ratushinskaya and Alice Walker. Illona Linthwaite began gathering this collection several years ago, initially for a theatrical performance. Here, in this unique exchange between women of many races, affirming their differences and what they have in common, are more than 150 poems which assert the black abolitionist Sojourner Truth's challenge, "Ain't I a Woman!" In addition to the poems, there are biographies of the 91 contributors.




Coming to Age


Book Description

This exquisitely giftable anthology of poems about age and aging reveals the wisdom of trailblazing writers who found power and growth later in life. At eighty-two, the novelist Penelope Lively wrote: "Our experience is one unknown to most of humanity, over time. We are the pioneers." Coming to Age is a collection of dispatches from the great poet-pioneers who have been fortunate enough to live into their later years. Those later years can be many things: a time of harvesting, of gathering together the various strands of the past and weaving them into a rich fabric. They can also be a new beginning, an exploration of the unknown. We speak of "growing old." And indeed, as we too often forget, aging is growing, growing into a new stage of life, one that can be a fulfillment of all that has come before. To everything there is a season. Poetry speaks to them all. Just as we read newspapers for news of the world, we read poetry for news of ourselves. Poets, particularly those who have lived and written into old age, have much to tell us. Bringing together a range of voices both present and past, from Emily Dickinson and W. H. Auden to Louise Gluck and Li-Young Lee, Coming to Age reveals new truths, offers spiritual sustenance, and reminds us of what we already know but may have forgotten, illuminating the profound beauty and significance of commonplace moments that become more precious and radiant as we grow older.




A Book of Luminous Things


Book Description

Nobel laureate poet Czeslaw Milosz personal selection of 300 of the world's greatest poems written throughout the ages and around the world.




Action Poetry


Book Description