Catalogue of the Astor Library


Book Description










The Poems of Shelley: Volume Four


Book Description

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the fourth volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were written between late autumn 1820 and late summer 1821. They include Adonais, Shelley’s lament on the death of John Keats, widely recognised as one of the finest elegies in English poetry, as well as Epipsychidion, a poem inspired by his relationship with the nineteen-year-old Teresa Viviani (‘Emilia’), the object of an intense but temporary fascination for Shelley. The poems of this period show the extent both of Shelley’s engagement with Keats’s volume Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820) — a copy of which he first read in October 1820 — and of his interest in Italian history, culture and politics. Shelley’s translations of some of his own poems into Italian and his original compositions in the language are also included here. In addition to accompanying commentaries, there are extensive bibliographies to the poems, a chronological table of Shelley’s life and publications, and indexes to titles and first lines. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley’s poetry available to students and scholars.




Cantos and Strophes in Biblical Hebrew Poetry II


Book Description

This volume deals with the poetic framework and material content of the Second and Third Books of the Psalter (Psalms 42-72 and 73-89). It is a continuation of the Psalms Project started in OTS 53 (2006). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers. A quantitative structural approach also helps to identify the focal message of the poems. Introductions to the design of biblical poetry and the rhetorical centre of the psalms conclude this massive study. The third volume, dealing with the Fourth and Fifth Books of the Psalter (Psalms 90-106 and 107-151), is in preparation.




Index of English Literary Manuscripts


Book Description

This volume, the third in the series, discusses the works of 11 British 18th-century writers, providing information on the nature of the MS, date, variant title(s), state of completion, provenance and location, date and first form of publication, any scholarly use of the MS, and the existence of any published facsimiles. Information is drawn from material in libraries, record offices and private collections throughout the world. The listing of each author's manuscripts is preceded by an introduction. The book records many hitherto unrecorded manuscripts.




The New Cambridge Bibliography of English Literature: Volume 4, 1900-1950


Book Description

More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.