Media Representations of Police and Crime


Book Description

This unique book explores the social processes which shape fictional representations of police and crime in television dramas. Exploring ten leading British and European police dramas from the last twenty-five years, Colbran, a former scriptwriter, presents a revealing insight into police dramas, informed by media and criminological theory.




Bureaucratic Propaganda


Book Description




The War on Cops


Book Description

Violent crime has been rising sharply in many American cities after two decades of decline. Homicides jumped nearly 17 percent in 2015 in the largest 50 cities, the biggest one-year increase since 1993. The reason is what Heather Mac Donald first identified nationally as the “Ferguson effect”: Since the 2014 police shooting death of Michael Brown in Ferguson, Missouri, officers have been backing off of proactive policing, and criminals are becoming emboldened. This book expands on Mac Donald’s groundbreaking and controversial reporting on the Ferguson effect and the criminal-justice system. It deconstructs the central narrative of the Black Lives Matter movement: that racist cops are the greatest threat to young black males. On the contrary, it is criminals and gangbangers who are responsible for the high black homicide death rate. The War on Cops exposes the truth about officer use of force and explodes the conceit of “mass incarceration.” A rigorous analysis of data shows that crime, not race, drives police actions and prison rates. The growth of proactive policing in the 1990s, along with lengthened sentences for violent crime, saved thousands of minority lives. In fact, Mac Donald argues, no government agency is more dedicated to the proposition that “black lives matter” than today’s data-driven, accountable police department. Mac Donald gives voice to the many residents of high-crime neighborhoods who want proactive policing. She warns that race-based attacks on the criminal-justice system, from the White House on down, are eroding the authority of law and putting lives at risk. This book is a call for a more honest and informed debate about policing, crime, and race.




The Politics of Force


Book Description

"Twenty years ago, when The Politics of Force was first published, the issue of police brutality was rarely covered in the news. This book was inspired by events following the Los Angeles Police Department's brutal treatment of Rodney King, a Black motorist whose beating by LAPD officers was captured from the balcony of a nearby resident, George Holliday, who happened to have a video camera (this, of course, was in the era before digital phones). First aired by a local television station, scenes from that videotape were shown repeatedly on national news outlets for weeks, giving rise to an unprecedented public reaction. "When George Holliday's video surfaced," one Black journalist observed, "it signaled to a lot of citizens just how bad police violence visited upon marginalized communities actually was" (Smith 2015). The officers' subsequent trial and acquittal, and the uprising in Los Angeles that followed, kept the issues of race and policing in the news for many weeks. That tumult was eventually replaced by relative silence on the issue, occasionally punctuated by news coverage of other violent police-citizen encounters, such as the brutal NYPD assault on Haitian immigrant Abner Louima in 1997 and the death of Guinean immigrant Amadou Diallo in 1999, hit with 19 bullets fired by NYPD officers. But as is the case with other policy problems not championed by elites, coverage of police brutality was limited, sporadic, and largely tied to the occasional incident that became a major news story. Then, in the summer of 2014, 18-year-old Michael Brown was shot by a white police officer in Ferguson, Missouri. Though what exactly lead up to Brown's death may have been unclear, the aftermath was captured on a bystander' cell phone video. It showed Brown's body left uncovered and unattended, face-down in the street, while neighbors grew agitated and police seemed to mill casually about. Suddenly, the issue again became national news. Brown's death and the intense social media activity and protest it evoked within and beyond Ferguson prompted another, more prolonged and more searing national argument about police brutality"--




Cop Watch


Book Description

In Cop Watch, renowned social psychologist Hans Toch takes stock of the vast changes in police procedures that have occurred over the last half-century by examining the evolving role of spectators to police-citizen interactions. In this unflinching examination of the power of the crowd and society to shape police practice, Toch provides a uniquely compelling look at the struggles and complexities of policing in a volatile world.




Policing and the Media


Book Description

An understanding of the dynamics of news construction and a critical awareness of popular media representations of policing is central to an understanding of the history and development of policing in the UK. At the same time it provides a fascinating media case study of the complex interaction of representation and reality in the key criminal justice agency. This book provides an accessible account of the relationship between policing and the media. It focuses on the interplay between policing realities, public perception and media reflections, with particular emphasis on debates on such subjects as news management, and the implications for the police and wider criminal justice system of televised overage of court proceedings.




Speech Police


Book Description

"David Kaye's book is crucial to understanding the tactics, rhetoric and stakes in one of the most consequential free speech debates in human history." -- Cory Doctorow, author of Radicalized, Walkaway and Little Brother The internet was designed to be a kind of free-speech paradise, but a lot of the material on it turned out to incite violence, spread untruth, and promote hate. Over the years, three American behemoths--Facebook, YouTube and Twitter--became the way most of the world experiences the internet, and therefore the conveyors of much of its disturbing material. What should be done about this enormous problem? Should the giant social media platforms police the content themselves, as is the norm in the U.S., or should governments and international organizations regulate the internet, as many are demanding in Europe? How do we keep from helping authoritarian regimes to censor all criticisms of themselves? David Kaye, who serves as the United Nations' special rapporteur on free expression, has been has been at the center of the discussions of these issues for years. He takes us behind the scenes, from Facebook's "mini-legislative" meetings, to the European Commission's closed-door negotiations, and introduces us to journalists, activists, and content moderators whose stories bring clarity and urgency to the topic of censorship. Speech Police is the most comprehensive and insightful treatment of the subject thus far, and reminds us of the importance of maintaining the internet's original commitment to free speech, free of any company's or government's absolute control, while finding ways to modulate its worst aspects.




The Rowman & Littlefield Handbook of Policing, Communication, and Society


Book Description

The Rowman & Littlefield Handbook of Policing, Communication, and Society brings together well-regarded academics and experienced practitioners to explore how communication intersects with policing in areas such as cop-culture, race and ethnicity, terrorism and hate crimes, social media, police reform, crowd violence, and many more. By combining research and theory in criminology, psychology, and communication, this handbook provides a foundation for identifying and understanding many of the issues that challenge police and the public in today’s society. It is an important and comprehensive analysis of the enormous changes in the roles of gender in society, digital technology, social media, and organizational structures have impacted policing and public perceptions about law enforcement.




Policing and Media


Book Description

This book examines the relationship between police, media and the public and analyses the shifting techniques and technologies through which they communicate. In a critical discussion of contemporary and emerging modes of mediatized police work, Lee and McGovern demonstrate how the police engage with the public through a fluid and quickly expanding assemblage of communications and information technologies. Policing and Media explores the rationalities that are driving police/media relations and asks; how these relationships differ (or not) from the ways they have operated historically; what new technologies are influencing and being deployed by policing organizations and police public relations professionals and why; how operational policing is shaping and being shaped by new technologies of communication; and what forms of resistance are evident to the manufacture of preferred images of police. The authors suggest that new forms of simulated and hyper real policing using platforms such as social media and reality television are increasingly positioning police organisations as media organisations, and in some cases enabling police to bypass the traditional media altogether. The book is informed by empirical research spanning ten years in this field and includes chapters on journalism and police, policing and social media, policing and reality television, and policing resistances. It will be of interest to those researching and teaching in the fields of Criminology, Policing and Media, as well as police and media professionals.




TV Cops


Book Description

The police drama has been one of the longest running and most popular genres in American television. In TV Cops, Jonathan Nichols-Pethick argues that, perhaps more than any other genre, the police series in all its manifestations--from Hill Street Blues to Miami Vice to The Wire--embodies the full range of the cultural dynamics of television. Exploring the textual, industrial, and social contexts of police shows on American television, this book demonstrates how police dramas play a vital role in the way we understand and engage issues of social order that most of us otherwise experience only in such abstractions as laws and crime statistics. And given the current diffusion and popularity of the form, we might ask a number of questions that deserve serious critical attention: Under what circumstances have stories about the police proliferated in popular culture? What function do these stories serve for both the television industry and its audiences? Why have these stories become so commercially viable for the television industry in particular? How do stories about the police help us understand current social and political debates about crime, about the communities we live in, and about our identities as citizens?