Where Are You From?


Book Description

This intriguing book looks at issues of immigration, postmodern identity and difference through the lives of South Asians in Britain.




South Asian Racialization and Belonging after 9/11


Book Description

This collection of essays interrogates literary and cultural narratives in the contexts of the incidents following 9/11. The collected essays underscore the new and (re)emerging racial, political, and socio-cultural discourse on identity related to terrorism and identity politics. Specifically, the collection examines South Asian American identities to understand culture, policy making, and the implicit gendered racialization, sexualization, and socio-economic classification of minority identities within the discourse of globalization. The essays included here relocate the discourse of race and cultural studies to an examination of transnational labor diasporas, reopen debate on critical constructions of U.S. racial and cultural formations, and question the reconfiguration of gendered and sexualized discourses of the South Asian diaspora within the context of national security and terrorism. This book provides a multifaceted account of South Asian racialization and belonging by drawing from disciplines across the humanities and the social sciences. The scholars included here employ methods of ethnographic studies as well as literary, culture, film, and feminist analysis to examine a wide range of South Asian cultural sites: novels, short stories, cultural texts, documentaries, and sports. The rich intellectual, theoretical, methodological, and narrative tapestry of South Asians that emerges from this inquiry enables us to trace new patterns of South Asian cultural consumption post-9/11 as well as expand notions and histories of “terror.” This volume makes an important contribution to renewing scholarship in the key areas of representations of race, labor, diaspora, class, and culture while implicating that there needs to be a simultaneous and critical dialogue on the scope and reconnections within postcolonial studies.




Navigating the Everyday as Middle-Class British-Pakistani Women


Book Description

This ethnographic study of middle-class British-Pakistani women in Manchester explores the sense of belonging they create through recognition and social status. Belonging in these communities is enacted through the performance of different identities—class, ethnicity, nationality, generation, age, religion, and gender—that earn them social power and status among family and friends. To prove they are “model migrants,” worthy of respect and recognition, these women perform various and intersecting identities to maximize status and social capital in diverse situations. Far from being passive victims of racial, religious, or cultural discrimination, middle-class British-Pakistani women challenge prejudice against Muslims and British-Pakistanis through certain practices, objects, performances, and relationships, serving as ambassadors for their religious and ethnic identity through their conduct and interaction with others in daily life.




Aspiring to Home


Book Description

What does it mean to belong? How are twenty-first-century diasporic subjects fashioning identities and communities that bind them together? Aspiring to Home examines these questions with a focus on immigrants from India, Pakistan, and Bangladesh. Advancing a theory of locality to explain the means through which immigrants of varying regional, religious, and linguistic backgrounds experience what it means to belong, Bakirathi Mani shows how ethnicity is produced through the relationship between domestic racial formations and global movements of class and capital. Aspiring to Home focuses on popular cultural works created by first- and second-generation South Asians from 1999–2009, including those by author Jhumpa Lahiri and filmmaker Mira Nair, as well as public events such as the Miss India U.S.A. pageant and the Broadway musical Bombay Dreams. Analyzing these diverse productions through an interdisciplinary framework, Mani weaves literary readings with ethnography to unravel the constraints of form and genre that shape how we read diasporic popular culture.




Backlash: South Asian Immigrant Voices on the Margins


Book Description

This book presents yet another compelling argument about the lives and struggles of new immigrant youth in public schools and demands the attention of educators, policy- makers and academics. In the post September 11th political, economic and social climate there are silenced and forgotten young immigrants in our schools.




Identities in South Asia


Book Description

"This book examines how identities are formed and expressed in political, social and cultural contexts across South Asia. It is a comprehensive intervention on how, why and what identities have come to be, and takes a closer look at the complexities of their interactions. Drawing on an interdisciplinary approach, combining methodologies from history, literary studies, politics, and sociology, this book: - Explores the multiple ways in which personal and collective identities manifest and engage, are challenged and resisted across time and space.; - Highlights how the shared history of colonialism and partition, communal violence, bloodshed and pogrom are instrumental in understanding present-day developments in identity politics.; - Sheds light on a number of current themes such as borders and nations, race and ethnicity, identity politics and fundamentalism, language and regionalism, memory and community, and resistance and assertion. A key volume in South Asian Studies, this book will be of great interest to scholars and researchers of modern South Asian history, politics, sociology, literary studies and social exclusion"--




Unseeing Empire


Book Description

In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in U.S. public culture and to reflect on their desires to be represented.




Whatever Happened to Class?


Book Description

Class explains much in the differentiation of life chances and political dynamics in South Asia; scholarship from the region contributed much to class analysis. Yet class has lost its previous centrality as a way of understanding the world and how it changes. This outcome is puzzling; new configurations of global economic forces and policy have widened gaps between classes and across sectors and regions, altered people's relations to production, and produced new state-citizen relations. Does market triumphalism or increased salience of identity politics render class irrelevant? Has rapid growth in aggregate wealth obviated long-standing questions of inequality and poverty? Explanations for what happened to class vary, from intellectual fads to global transformations of interests. The authors ask what is lost in the move away from class, and what South Asian experiences tell us about the limits of class analysis. Empirical chapters examine formal and informal-sector labor, social movements against genetic engineering, and politics of the "new middle class." A unifying analytical concern is specifying conditions under which interests of those disadvantaged by class systems are immobilized, diffused, coopted -- or autonomously recognized and acted upon politically: the problematic transition of classes in themselves to classes for themselves.