Yé-Yé Girls of '60s French Pop


Book Description

Yé-Yé means Yeah Yeah! and is best known as a style of '60s pop music heard in France and Québec.




Everybody Had an Ocean


Book Description

Los Angeles in the 1960s gave the world some of the greatest music in rock 'n' roll history: "California Dreamin'" by the Mamas and the Papas, "Mr. Tambourine Man" by the Byrds, and "Good Vibrations" by the Beach Boys, a song that magnificently summarized the joy and beauty of the era in three-and-a-half minutes. But there was a dark flip side to the fun fun fun of the music, a nexus between naïve young musicians and the fringe elements that exploited the decade's peace-love-and-flowers ethos, all fueled by sex, drugs, and overnight success. One surf music superstar unwittingly subsidized the kidnapping of Frank Sinatra Jr. The transplanted Texas singer Bobby Fuller might have been murdered by the Mob in what is still an unsolved case. And after hearing Charlie Manson sing, Neil Young recommended him to the president of Warner Bros. Records. Manson's ultimate rejection by the music industry likely led to the infamous murders that shocked a nation. Everybody Had an Ocean chronicles the migration of the rock 'n' roll business to Southern California and how the artists flourished there. The cast of characters is astonishing—Brian and Dennis Wilson of the Beach Boys, Jan and Dean, eccentric producer Phil Spector, Cass Elliot, Sam Cooke, Ike and Tina Turner, Joni Mitchell, and scores of others—and their stories form a modern epic of the battles between innocence and cynicism and joy and terror. You'll never hear that beautiful music in quite the same way.




The Velvet Mafia


Book Description

"Concentrating on the friendship between impresario Larry Parnes, Beatles manager Brian Epstein, and showbiz solicitor David Jacobs, the book details how they shaped the Swinging 60s, along with their associates including songwriter Lionel Bart (author of the hit musical Oliver!), record producer Joe Meek, Sir Joseph Lockwood (the head of EMI), Vicki Wickham (manager of Dusty Springfield and assistant producer on the influential TV show Ready Steady Go), songwriter and record label head Norman Newell, Simon Napier-Bell (manager of Marc Bolan), Kit Lambert (manager of the Who), playwright Joe Orton, and Robert Stigwood (manager of the Bee Gees and Cream). Drawing on rare and unpublished archive material, personal diaries, and new interviews from some of the survivors of that turbulent decade, The Velvia Mafia shows how--in the period leading up to the partial decriminalisation of homosexuality and the founding of the Gay Liberation movement--LGBT professionals in the music industry were working together, supporting each other and changing history."--Publisher description




The Magazine Girls 1960s - 1980s


Book Description

The Magazine Girls captures a flash-bulb moment in counter-culture in a time of raw excitement, great creativity, opportunity and sheer magical zeitgeist. This unique multi-narrative memoir presents a rare perspective on publishing just as the media youth market was set to boom. Through seven personal stories, it charts, from the 1960s and into the 1990s, the lives and times of young women who, as teenage school leavers, found themselves working on the top teen magazines of the day: Rave, Mirabelle, Valentine, Loving, Petticoat, and 19. Opportunities abounded in the 1960s and the girls were soon writing about and mixing with a new kind of aristocracy - the bands, the fashion designers, photographers, make-up artists and models. Famous names they interviewed included David Bowie, David Cassidy, Marc Bolan, Elton John, the Who and Bob Marley, amongst others. They were to mature into high-profile fashion and beauty editors, PRs, stylists, features and showbusiness writers, working on best-selling women’s magazines such as Woman’s Own, Woman, and Good Housekeeping, Hello! and national newspapers. The Magazine Girls strikes a chord, not only with those who lived through those extraordinary decades but also with younger generations of today who wish they’d been there.




Rock 'n' Roll Unravelled


Book Description




Transformation and Tradition in 1960s British Cinema


Book Description

Over half a century on, the 1960s continue to generate strong intellectual and emotional responses - both positive and negative - and this is no less true in the arena of film. Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in that dramatic decade. Transformation and Tradition in 1960s British Cinema is the first scholarly volume on this period of British cinema for more than twenty-five years. It provides a major reconsideration of the period by focusing on the central tensions and contradiction between novelty/revolution and continuity/tradition during what remains a highly contentious period of cultural production and consumption.




The San Francisco Tape Music Center


Book Description

DVD, entitled Wow and flutter, contains recordings of concerts at the festival, held Oct. 1-2. 2004, RPI Playhouse, Rensselaer Polytechnic Institute, Troy, N.Y.




Popular Music, Stars and Stardom


Book Description

A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty‑first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music.




She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music


Book Description

She's So Fine explores the music, reception and cultural significance of 1960s girl singers and girl groups in the US and the UK. Using approaches from the fields of musicology, women's studies, film and media studies, and cultural studies, this volume is the first interdisciplinary work to link close musical readings with rigorous cultural analysis in the treatment of artists such as Martha and the Vandellas, The Crystals, The Blossoms, Brenda Lee, Dusty Springfield, Lulu, Tina Turner, and Marianne Faithfull. Currently available studies of 1960s girl groups/girl singers fall into one of three categories: industry-generated accounts of the music's production and sales, sociological commentaries, or omnibus chronologies/discographies. She's So Fine, by contrast, focuses on clearly defined themes via case studies of selected artists. Within this analytical rather than historically comprehensive framework, this book presents new research and original observations on the 60s girl group/girl singer phenomenon.




Laurel Canyon


Book Description

A “richly anecdotal” account of the secluded LA neighborhood’s legendary music scene, a tale of groupies, cocaine, and California dreaming (Salon). Finalist, SCBA Book Award for Nonfiction A Los Angeles Times Bestseller In the late sixties and early seventies, an impromptu collection of musicians colonized a eucalyptus-scented canyon deep in the Hollywood Hills of Los Angeles and melded folk, rock, and savvy American pop into a sound that conquered the world as thoroughly as the songs of the Beatles and the Rolling Stones had before them. Decades later, the music made in Laurel Canyon continues to pour from radios, earbuds, and concert stages around the world. In Laurel Canyon, veteran journalist Michael Walker draws on interviews with those who were there to tell the inside story of this unprecedented gathering of some of the era’s leading musical lights—including Joni Mitchell; Jim Morrison; Crosby, Stills, and Nash; John Mayall; the Mamas and the Papas; Carole King; the Eagles; and Frank Zappa, to name just a few—who turned Los Angeles into the music capital of the world and forever changed the way popular music is recorded, marketed, and consumed. “An exhaustively researched and richly anecdotal book that will fascinate both rock aficionados and cultural historians.” —Salon “Captures all the magic and lyricism of an almost mythological geographical spot in the history of pop music . . . the story of a more melodious time in rock and roll where the great talents of the ‘60s and ‘70s cloistered together in a sort of enchanted valley populated by an all-star cast of characters.” —Steven Gaines, author of Philistines at the Hedgerow