Pope: Everyman's Poetry


Book Description

Chief satirist of the Augustan age, as seen in The rape of the Lock, Pope spoke out against society and his profession, in poetry of bitter invective and biting humour.




Godless Fictions in the Eighteenth Century


Book Description

Documents eighteenth-century literary representations of atheism, arguing that opposition to atheism generated unique forms of religious belief.




Pope


Book Description

This collection of essays represents some of the best critical thinking on Pope in recent years. Professor Hammond examines the main issues in the debate, in particular why Pope's writing has been so resistant to modern methodologies, such as deconstruction. The essays focus on particular poems or themes and exemplify different theoretical perspectives, both traditional and modern. The editor's notes clarify the differences that exist, and what those differences can teach the student about theory in practice.




Writing and constructing the self in Great Britain in the long eighteenth century


Book Description

This volume explores the notion of the ‘self’ as it was elaborated and expressed by philosophers, novelists, churchmen, poets and diarists in the Enlightenment. The questions raised by the twelve essays and the introduction, explore the unity, diversity and fragility of a recognisably modern self.




The Alexander Pope Encyclopedia


Book Description

Alexander Pope (1688-1744) was the most important English poet of the 18th century, as well as an essayist, satirist, and critic. Many of his sayings are still quoted today. His Essay on Criticism shaped the aesthetic views of English Neoclassicism, while his Essay on Man reflected the moral views of the Enlightenment. He participated fully in the critical debates of his time and was one of the few poets who supported himself through his writing. This reference conveniently summarizes his life and works. Included are several-hundred alphabetically arranged entries on Pope's works, subjects that interested him, historical events that impacted Pope's life and work, cultural terms and categories, Pope's family members and acquaintances, major scholars and critics, and various other topics related to his writings. The entries reflect current scholarship and cite works for further reading. The encyclopedia also provides a chronology and concludes with a selected, general bibliography. Because of Pope's central importance to the Enlightenment, this book is also a useful companion to 18th-century literary and intellectual culture.




The Skeptical Sublime


Book Description

This book argues that philosophical skepticism helps define the aesthetic experience of the sublime in late seventeenth- and eighteenth-century British literature, especially the poetry of Alexander Pope. Skeptical doubt appears in the period as an astonishing force in discourse that cannot be controlled--"doubt's boundless Sea," in Rochester's words--and as such is consistently seen as affiliated with the sublime, itself emerging as an important way to conceive of excessive power in rhetoric, nature, psychology, religion, and politics. This view of skepticism as a force affecting discourse beyond its practitioners' control links Noggle's discussion to other theoretical accounts of sublimity, especially psychoanalytic and ideological ones, that emphasize the sublime's activation of unconscious personal and cultural anxieties and contradictions. But because The Skeptical Sublime demonstrates the sublime's roots in the epistemological obsessions of Pope and his age, it also grounds such theories in what is historically evident in the period's writing. The skeptical sublime is a concrete, primary instance of the transformation of modernity's main epistemological liability, its loss of certainty, into an aesthetic asset--retaining, however, much of the unsettling irony of its origins in radical doubt. By examining the cultural function of such persistent instability, this book seeks to clarify the aesthetic ideology of major writers like Pope, Swift, Dryden, and Rochester, among others, who have been seen, sometimes confusingly, as both reactionary and supportive of the liberal-Whig model of taste and civil society increasingly dominant in the period. While they participate in the construction of proto-aesthetic categories like the sublime to stabilize British culture after decades of civil war and revolution, their appreciation of the skepticism maintained by these means of stabilization helps them express ambivalence about the emerging social order and distinguishes their views from the more providentially assured appeals to the sublime of their ideological opponents.




The Cambridge Companion to Alexander Pope


Book Description

Alexander Pope was the greatest poet of his age and the dominant influence on eighteenth-century British poetry. His large oeuvre, written over a thirty-year period, encompasses satires, odes and political verse and reflects the sexual, moral and cultural issues of the world around him, often in brilliant lines and phrases which have become part of our language today. This is the first overview to analyse the full range of Pope's work and to set it in its historical and cultural context. Specially commissioned essays by leading scholars explore all of Pope's major works, including the sexual politics of The Rape of the Lock, the philosophical enquiries of An Essay on Man and the Moral Essays, and the mock-heroic of The Dunciad in its various forms. This volume will be indispensable not only for students and scholars of Pope's work, but also for all those interested in the Augustan age.




The Major Works


Book Description

First published with revisions as an Oxford World's Classics paperback: 2006.




Literary Relations


Book Description

The English literary tradition has been constituted as a patriarchal family. Great fathers are supposed to pass on a place to worthy sons, and the status of women's writing within the canon is contested. This book shows how kinship and mentoring relationships between writers helped to form the national tradition. Writers featured include Dryden, Congreve, Johnson, Burney, the Fieldings, the Wordsworths, and Austen.