An Essay on Pope's Odyssey


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Pope's Odyssey of Homer


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Pope; the Iliad of Homer, Books I. VI. XXII. XXIV


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A rendition of Homer's Iliad by Alexander Pope, featuring the first, sixth, twenty-second, and twenty-fourth books. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Pope's Odyssey of Homer


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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1907 edition. Excerpt: ...filled with demi-gods; Ev'n she had sunk, but Jove's imperial bride Winged her fleet sail, and pushed her o'er the tide. "'High in the air the rock its summit shrouds In brooding tempests and in rolling clouds; Loud storms around and mists eternal rise, Beat its bleak brow, and intercept the skies. When all the broad expansion, bright with day, Glows with the autumnal or the summer ray, The summer and the autumn glow in vain, The sky for ever lowers, for ever clouds remain. Impervious to the step of man it stands, Though borne by twenty feet, though armed with twenty hands; Smooth as the polish of the mirror rise The slippery sides, and shoot into the skies; Full in the centre of this rock displayed, A yawning cavern casts a dreadful shade: Nor the fleet arrow from the twanging bow, Sent with full force, could reach the depth below. Wide to the west the horrid gulf extends, And the dire passage down to hell descends. O fly the dreadful sight, expand thy sails, Ply the strong oar, and catch the nimble gales; Here Scylla bellows from her dire abodes, Tremendous pest, abhorred by man and gods: Hideous her voice, and with less terrors roar The whelps of lions in the midnight hour. Twelve feet deformed and foul the fiend dispreads; Six horrid necks she rears, and six terrific heads; Her jaws grin dreadful with three rows of teeth; Jaggy they stand, the gaping den of death; Her parts obscene the raging billows hide; Her bosom terribly o'erlooks the tide. When stung with hunger she embroils the flood. The sea-dog and the dolphin are her food; She makes the huge leviathan her prey, And all the monsters of the watery way; The swiftest racer of the azure plain Here fills her sails, and spreads her oars in vain; Fell Scylla rises, in her fury...




POPES HOMERS ILIAD BKS I VI XX


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Pope's Iliad


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This volume presents a selection from Pope's celebrated translation of Homer's Iliad, edited and arranged so as to concentrate on the central core of the story and thus to be readable as a continuous narrative. Also included is a section of the best of Pope's notes to his own translation;these illuminate his principles as a translator and transmit his intelligent and penetrating assessments of the Iliad's poetic qualities. It will enable students of English literature to sample a neglected poem written by Pope at the height of his powers, once thought to contain some of his finest writing and deepest poetic thoughts about Man and Nature. Students of the Classics, on the other hand, will be able to study in detail the response of one of its most distinguished admirers to the greatest poem of ancient Greece. Felicity Rosslyn's introduction discusses the main themes of the poem and establishes Pope's unique qualifications as a translator of Homer.




Pope's Iliad


Book Description

Excerpt from Pope's Iliad: An Examination The basic strategy of the three letters on Pope's Iliad is the enumeration of beauties and defects, a popular strategy. In literary criticism between Dryden and Johnson. It is a strategy with obvious shortcomings, but the quoted passages serve to deepen our understanding of many of the cliche's of neoclassical theory. The particularity of Mel moth's criticism of Pope's translation inevitably challenges our own interpretations and critical verdicts and thus serves not only the purposes of history but also those of literary theory. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.