Portraits from Fading Cultures


Book Description

292 pages of portraits of tribal and minority peoples throughout the world




Photoceramic portraits - Un unsuspected cultural heritage


Book Description

Photoceramic developed in France in 1854 as a decorating technique for pottery. Soon, it was employed to realize accurate enamel portrait miniatures for the living and to represent the dead by adorning their gravestones and tombs with evocative portraits. Even though photoceramics may be regarded as a minor art when compared to funerary masterpieces of great artists, nonetheless it is an important piece of a country’s cultural heritage. Images allow to retrace habits and customs of the past and present, and even changes in fashion or lifestyle, and are an important legacy to future generations.




Enduring Culture


Book Description

Portraits of people, ceremonies and villages in the American Southwest taken in the early part of the century are contrasted with current photographs of similar images. Early photographers thought that they were documenting a dying race and culture. Keegan demonstrates the vitality of Native American culture and shows how the same customs and ceremonies are being continued.




Death, Dying, Culture: An Interdisciplinary Interrogation


Book Description

This inter- and multi-disciplinary volume examines how culture impacts care for the dying, the overall experience of dying, and ways the dead are re




The Routledge Handbook of Material Culture in Early Modern Europe


Book Description

The Routledge Handbook of Material Culture in Early Modern Europe marks the arrival of early modern material culture studies as a vibrant, fully-established field of multi-disciplinary research. The volume provides a rounded, accessible collection of work on the nature and significance of materiality in early modern Europe – a term that embraces a vast range of objects as well as addressing a wide variety of human interactions with their physical environments. This stimulating view of materiality is distinctive in asking questions about the whole material world as a context for lived experience, and the book considers material interactions at all social levels. There are 27 chapters by leading experts as well as 13 feature object studies to highlight specific items that have survived from this period (defined broadly as c.1500–c.1800). These contributions explore the things people acquired, owned, treasured, displayed and discarded, the spaces in which people used and thought about things, the social relationships which cluster around goods – between producers, vendors and consumers of various kinds – and the way knowledge travels around those circuits of connection. The content also engages with wider issues such as the relationship between public and private life, the changing connections between the sacred and the profane, or the effects of gender and social status upon lived experience. Constructed as an accessible, wide-ranging guide to research practice, the book describes and represents the methods which have been developed within various disciplines for analysing pre-modern material culture. It comprises four sections which open up the approaches of various disciplines to non-specialists: ‘Definitions, disciplines, new directions’, ‘Contexts and categories’, ‘Object studies’ and ‘Material culture in action’. This volume addresses the need for sustained, coherent comment on the state, breadth and potential of this lively new field, including the work of historians, art historians, museum curators, archaeologists, social scientists and literary scholars. It consolidates and communicates recent developments and considers how we might take forward a multi-disciplinary research agenda for the study of material culture in periods before the mass production of goods.




Faded Portraits


Book Description

A fictionalized memoir of family life in former colonial Dutch East Indies, Faded Portraits is the story of the once powerful DePaulys, and especially of Aunt Sophie, the matriarch, whose efforts to preserve the family heritage- the "purity" of the Dutch bloodline and culture- prove inevitably tragic. The forms to which aunt Sophie clings, and which she seeks to impose on her family, represent an arrogant blindness to the personal needs of others and to the cruelties of the colonial system, and underscore the struggles of displaced people who must accept the eclipse of their way of life. The book is reminiscent of the literature of the American South- of the novels of William Faulkner, Flannery O'Connor, John Crowne Ransom, Robert Penn Warren. That too was "colonial" literature, wistfully determined to record an era that was passing.




Portraiture


Book Description

This fascinating new book explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? Issues of identity, modernity, and gender are considered within a cultural and historical context.Shearer West uncovers much intriguing detail about a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from 'stars' such as David and Victoria Beckham to ordinary people. In the process, she shows us how to communicate with the past in an exciting new way.




The Portrait's Subject


Book Description

"Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"--




Identity, Culture, and the Science Performance, Volume 1


Book Description

Identity, Culture, and the Science Performance, Volume 1: From the Lab to the Streets is the first of two volumes dedicated to the diverse sociocultural work of science-oriented performance. A dynamic volume of scholarly essays, interviews with scientists and artists, and creative entries, it examines explicitly public-facing science performances that operate within and for specialist and non-specialist populations. The book's chapters trace the theatrical and ethical contours of live science events, re-enact historical stagings of scientific expertise, and demonstrate the pedagogical and activist potentials in performing science in community settings. Alongside the scholarly chapters, From the Lab to the Streets features creative work by contemporary science-integrative artists and interviews with popular science communicators Sahana Srinivasan (host of Netflix's Brainchild) and Raven Baxter (“Raven the Science Maven”) and artists from performance ensembles The Olimpias and Superhero Clubhouse. In exploring the science performance as a vital but flawed method of public engagement, it offers a critique of the racist, ableist, sexist, and heteronormative ideologies prevalent across the history of science, as well as highlighting science performances that challenge and redress these ideologies. Along with its complementary volume From the Curious to the Quantum, this book documents the varied ways in which identity categories and cultural constructs are formed and reformed through science performances.




The Photographic Image in Digital Culture


Book Description

What does a new technology of images mean for the ways in which we encounter and use images in everyday life: in advertising, entertainment, news, evidence? And within our domestic and private worlds for our sense of self and indentity; our view of the body and our sexuality? The Photographic Image in Digital Culture explores the technological transformation of the image and its implications for photography. Contributors investigate such issues as the relationship of technological change to visual culture; the new discourses of `techno-culture'; medicine's new vision of the body, and interactive pornography. They also examine the cultural meanings of new surveillance images; shifts in the domestic consumption of images and their relationship to memory, history and biography; the social uses of video and computer games and the changing role of photography as document and as art.