Women


Book Description

"Women: Portraits 1960-2000 is a compilation of portraits taken by American photographer Susan Wood of some of the most prominent and influential women of the 20th century. Her notable subjects include Diane von Furstenberg, Martha Stewart, Nora Ephron, Alice Waters, Jayne Mansfield, and Gloria Vanderbilt among many others. Susan Wood's work represents a number of milestones in American photography over a period of more than 40 years. She was involved with the original "Mad Men" of Madison Avenue and during that time won a Clios, the most sought-after award in advertising. Mademoiselle chose her as one of their top Ten Women of the Year and her work appeared in many other periodicals including Vogue, Life, Look, Harper's Bazaar, and New York magazine. Susan Wood was a founding member of the Women's Forum and was involved in the fight for women's rights and equality in the 1960s and 1970s. She was also friends with many of the vanguard of the feminist movement including Betty Friedan and Gloria Steinem. Although her most famous magazine cover is an epochal photograph of John Lennon and Yoko Ono for Look, Susan is also noted for her movie stills. Under contract to Paramount Pictures, United Artists and 20th Century Fox, Ms. Wood was on set during the filming of movies that defined the 1960s such as Easy Rider and Hatari. She has been represented by Getty Images since 2004." --




100 Pioneering Women


Book Description

100 Pioneering Women presents a selection of images of remarkable women, who have defied the expectations of their gender and made extraordinary contributions to British life over the past four centuries. An introduction from the Gallery's Senior Curator of Eighteenth Century Collections considers the representation of women in the Collection and the efforts being made to redress historical imbalances through the acquisition of portraits of notable women from the last four centuries. Extended captions provide context about each sitter's life and work and remind us of the impact of women in spheres as diverse as politics, science and medicine, the arts, engineering and law. This book features some of the National Portrait Gallery's most famous sitters - Elizabeth I, writer and women's rights advocate Mary Wollstonecraft, scientist Dorothy Hodgkin and architect and businesswoman Zaha Hadid - as well as paintings and photographs of lesser - known women whose influence is equally significant. A recently acquired portrait of anti-FGM campaigner and psychotherapist Leyla Hussein, a bromide cabinet card of Helena Normanton, the first woman to practise as a barrister in England, and a self-portrait by Angelica Kauffmann, one of the founding members of the Royal Academy, are also included in this highly illustrated publication.







Portraits of Celebrated Women


Book Description




Original Sisters


Book Description

From the internationally acclaimed artist, a stunning collection of portraits of ground-breaking women—Joan of Arc, Josephine Baker, Greta Thunberg, Misty Copeland, and many more history-making women whose names have been forgotten and are finally being brought to light. • With a Foreword by Roxane Gay. “This book, as a whole, offers the reader possibility and promise … You will be introduced to many of these women for the first time, because history is rarely kind to women until it is forced to be. You will learn about artists and activists, rulers and rebels.” —Roxane Gay, from the Foreword Original Sisters was born from the COVID-19 quarantine. In early March 2020, locked down in her home-studio in Toronto and longing for inspiration, artist Anita Kunz started researching women on the Internet. She wasn’t sure what she was looking for, but she soon found an array of astonishing people who had done amazing things—some of whom she had heard of, but most of whom she had not. And then she began to paint their pictures and write down their stories. The result is a jaw-dropping feat of historic and artistic research. The wide variety of lives, occupations, time periods, and achievements is absolutely mind-bending. From Joan of Arc to Josephine Baker, from Hippolyta to Greta Thunberg, from Anne Frank to Misty Copeland: these women made and changed history. But there are just as many whom you’ve never heard of, who were never recognized in their lifetimes, whose achievements need to be brought to light. They include the anti-Nazi activist Sophie Scholl, who was executed at age twenty-one by the Third Reich, and Alice Ball, a young African American scientist who discovered a treatment for leprosy but died tragically before she could receive credit for it. This is not only a breathtaking art book. Original Sisters also recounts a secret history that must be told so that it is a secret no more.




The Mirror and the Palette


Book Description

A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.




The Painted Face


Book Description

The meaning of a painted portrait and even its subject may be far more complex than expected, Tamar Garb reveals in this book. She charts for the first time the history of French female portraiture from its heyday in the early nineteenth century to its demise in the early twentieth century, showing how these paintings illuminate evolving social attitudes and aesthetic concerns in France over the course of the century. The author builds the discussion around six canonic works by Ingres, Manet, Cassatt, Cézanne, Picasso, and Matisse, beginning with Ingres’s idealized portrait of Mme de Sennones and ending with Matisse’s elegiac last portrait of his wife. During the hundred years that separate these works, the female portrait went from being the ideal genre for the expression of painting’s capacity to describe and embellish “nature,” to the prime locus of its refusal to do so. Picasso’s Cubism, and specifically Ma Jolie, provides the fulcrum of this shift.




Women Together


Book Description

In 29 essays about extraordinary couples and 40 compelling duotone photos, Holmlumd and Warwick celebrate the profound power of commitment in lesbian relationships.




Portraits of Famous American Women


Book Description

The portrait is one of the most pure collaborative efforts in the art world. The artist is the creator, but she or he is wholly dependent on the sitter for inspiration and stimulus. When the subject is famous, the artist must often compromise true expression for the vanity of the person being painted. Though that would seemingly make the portrait less appealing artistically, in truth the collaborative nature of the portrait often makes it artistically unique, a blending of the artist's style with the desires of the sitter. This work takes a fresh look at the portraits of 13 American women (Marian Anderson, Clara Barton, Mary McLeod Bethune, Pearl Buck, Mary Cassatt, Isadora Duncan, Marianne Moore, Georgia O'Keeffe, Eleanor Roosevelt, Gertrude Stein, Harriet Beecher Stowe, Harriet Tubman and Martha Washington) and the artists who created them. In examining the work of such artists as Abraham Walkowitz, John Graham, Betsy Graves Reyneau, Michael Alexander Werboff, and Brenda Putnam, one comes to see the unique combination of the personality of the sitter and the style of the artist.




The Atlas of Beauty


Book Description

Based on the author's online photography project, this stunning collection features portraits of 500 women from more than 50 countries, accompanied by revelatory captions that capture their personal stories. Since 2013 photographer Mihaela Noroc has traveled the world with her backpack and camera taking photos of everyday women to showcase the diversity of beauty all around us. The Atlas of Beauty is a collection of her photographs celebrating women from all corners of the world, revealing that beauty is everywhere, and that it comes in many different sizes and colors. Noroc's colorful and moving portraits feature women in their local communities, ranging from the Amazon rainforest to London city streets, and from markets in India to parks in Harlem, visually juxtaposing the varied physical and social worlds these women inhabit. Packaged as a gift-worthy, hardcover book, The Atlas of Beauty presents a fresh perspective on the global lives of women today.