Portraits of the Archbishops of Canterbury (Classic Reprint)


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Excerpt from Portraits of the Archbishops of Canterbury The idea of this book was suggested by the Guardroom at Lambeth, round which hang the portraits of Arch bishops of Canterbury from Arundel to Longley, the series being complete from Warham onwards. In the gallery leading to the Guardroorn are the portraits of the three last Archbishops, the picture of Dunstan, and the miniature of Sancroft, a case containing archiepiscopal coins, and another case containing the impressions made from archiepiscopal seals. In the absence of any reliable portraits before the time of Warham, the earlier Arch bishops can only be represented by the effigies on their tombs, coins, and seals, and by such pictures as those of Dunstan and Arundel, which, though of very doubtful authenticity as portraits, are included since they form part of the collection at Lambeth. The picture. Of Alphege is taken from an illuminated ms. By Osbem, who wrote within eighty years of the Archbishop's death. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







Rowan's Rule


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A fascinating, fair-minded depiction of Archbishop Rowan Williams. /Rowan Williams is a complex and controversial figure. Widely revered for his personal qualities, he is also an intellectual giant who towers over almost all his predecessors as Archbishop of Canterbury. Among other achievements, he has trounced the atheist Richard Dawkins, and published over twenty well-regarded books, including several volumes of poetry and a major study of Dostoevsky. / Yet he is also one of the most reviled church leaders in modern history. Long before facing calls to step down after his lecture on sharia law in early 2008, he had been accused of heresy on account of his pro-gay views. He has disappointed many of his own supporters as well. So how has high office changed Rowan Williams? Has he been bullied and manipulated? Or is he perhaps playing a long game, obliged to rate church unity above the pursuit of his own vision at a time when the Anglican Communion has never looked more unstable? / Rupert Shortt, already the author of an acclaimed introduction to the Archbishop's thought, offers answers to these and other questions in this authoritative biography. He explores how the events of the Archbishop's remarkable life have shaped his beliefs and practices today. Of particular interest is the riveting account of Williams's experience near the World Trade Center towers on the morning of September 11, 201. Written with Williams's cooperation, Rowan's Rule not only elucidates his ideas but gives a compelling portrait of a private and in some ways surprisingly vulnerable man.







Bookseller's catalogues


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Charles Dickens - The Man Behind the Classics: Autobiographical Novels, Stories, Memoirs, Letters & Biographies


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This unique collection of "Charles Dickens - The Man Behind the Classics: Autobiographical Novels, Stories, Memoirs, Letters & Biographies" has been designed and formatted to the highest digital standards. Contents: David Copperfield Sketches by Boz The Beadle. The Parish Engine. The Schoolmaster. The Curate. The Old Lady. The Half-pay Captain The Four Sisters The Election for Beadle The Broker's Man The Ladies' Societies Our Next-door Neighbour The Streets – morning The Streets – night Shops and their Tenants Scotland Yard Seven Dials Meditations in Monmouth-Street Hackney-coach Stands Doctors' Commons London Recreations The River Astley's Greenwich Fair Private Theatres Vauxhall Gardens by Day Early Coaches Omnibuses The Last Cab-driver A Parliamentary Sketch Public Dinners The First of May Brokers' and Marine-store Shops Gin-shops The Pawnbroker's Shop Criminal Courts A Visit to Newgate Thoughts about People A Christmas Dinner The New Year Miss Evans and the Eagle The Parlour Orator The Hospital Patient The Misplaced attachment of Mr. John Dounce The Mistaken Milliner The Dancing Academy Shabby-Genteel People Making a Night of It The Prisoners' Van The Boarding-house Mr. Minns and his Cousin Sentiment The Tuggses at Ramsgate Horatio Sparkins The Black Veil The Steam Excursion The Great Winglebury Duel Mrs. Joseph Porter A Passage in the Life of Mr. Watkins Tottle The Bloomsbury Christening The Drunkard's death Sketches Sunday Under Three Heads Reprinted Pieces The Uncommercial Traveller American Notes Pictures From Italy The Lazy Tour of Two Idle Apprentices Letters My Father as I Recall Him by Mamie Dickens Charles Dickens (1812-1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. Among his greatest works are A Christmas Carol, Oliver Twist, Great Expectations and A Tale of Two Cities.




The Athenaeum


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British and Irish Paintings in Public Collections


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This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.