Postcolonial Eyes


Book Description

Over the past two decades interest in travel has developed significantly. Critical engagement with imperialism, postcolonialism, diasporas, ethnography and cultural anthropology has led to increasingly sophisticated readings of the travel writing genre and a growing acknowledgement of itscomplex history. Postcolonial Eyes is the first study of its kind to identify a specifically Sub-Saharan African lineage within the broader tradition of travel writing. As well as exploring the reasons for Africans' exclusion from the genre, the book examines the important relationship betweenethnicity and travel and identifies the concerns and preoccupations that define African writers' approaches to travel.




Book History Through Postcolonial Eyes


Book Description

This surprising study draws together the disparate fields of postcolonial theory and book history in a challenging and illuminating way. Robert Fraser proposes that we now look beyond the traditional methods of the Anglo-European bibliographic paradigm, and learn to appreciate instead the diversity of shapes that verbal expression has assumed across different societies. This change of attitude will encourage students and researchers to question developmentally conceived models of communication, and move instead to a re-formulation of just what is meant by a book, an author, a text. Fraser illustrates his combined approach with comparative case studies of print, script and speech cultures in South Asia and Africa, before panning out to examine conflicts and paradoxes arising in parallel contexts. The re-orientation of approach and the freshness of view offered by this volume will foster understanding and creative collaboration between scholars of different outlooks, while offering a radical critique to those identified in its concluding section as purveyors of global literary power.




Under Postcolonial Eyes


Book Description




Under Postcolonial Eyes


Book Description

In the Western literary tradition, the "jew" has long been a figure of ethnic exclusion and social isolation--the wanderer, the scapegoat, the alien. But it is no longer clear where a perennial outsider belongs. This provocative study of contemporary British writing points to the figure of the "jew" as the litmus test of multicultural society. Efraim Sicher and Linda Weinhouse examine the "jew" as a cultural construction distinct from the "Jewishness" of literary characters in novels by, among others, Salman Rushdie, Anita Desai, Doris Lessing, Monica Ali, Caryl Philips, and Zadie Smith, as well as contemporary art and film. Here the image of the "jew" emerges in all its ambivalence, from postcolonial migrant and modern everyman to more traditional representations of the conspirator and malefactor. The multicultural discourses of ethnic and racial hybridity reflect dissolution of national and personal identities, yet the search for transnational, cultural forms conceals both the acceptance of marginal South Asian, Caribbean, and Jewish voices as well as the danger of resurgent antisemitic tropes. Innovative in its contextualization of the "jew" in the multiculturalism debate in contemporary Britain, Under Postcolonial Eyes: Figuring the "jew" in Contemporary British Writing analyzes the narrative of identities in a globalized culture and offers new interpretations of postmodern classics.




The Postcolonial Eye


Book Description

Informed by theories of the visual, knowledge and desire, The Postcolonial Eye is about the 'eye' and the 'I' in contemporary Australian scenes of race. Specifically, it is about seeing, where vision is taken to be subjective and shaped by desire, and about knowing one another across the cultural divide between white and Indigenous Australia. Writing against current moves to erase this divide and to obscure difference, Alison Ravenscroft stresses that modern Indigenous cultures can be profoundly, even bewilderingly, strange and at times unknowable within the terms of 'white' cultural forms. She argues for a different ethics of looking, in particular, for aesthetic practices that allow Indigenous cultural products, especially in the literary arts, to retain their strangeness in the eyes of a white subject. The specificity of her subject matter allows Ravenscroft to deal with the broad issues of postcolonial theory and race and ethnicity without generalising. This specificity is made visible in, for example, Ravenscroft's treatment of the figuring of white desire in Aboriginal fiction, film and life-stories, and in her treatment of contemporary Indigenous cultural practices. While it is located in Australian Studies, Ravenscroft's book, in its rigorous interrogation of the dynamics of race and whiteness and engagement with European and American literature and criticism, has far-reaching implications for understanding the important question of race and vision.




The Postcolonial Eye


Book Description

Informed by theories of the visual, knowledge and desire, The Postcolonial Eye is about the 'eye' and the 'I' in contemporary Australian scenes of race. Specifically, it is about seeing, where vision is taken to be subjective and shaped by desire, and about knowing one another across the cultural divide between white and Indigenous Australia. Writing against current moves to erase this divide and to obscure difference, Alison Ravenscroft stresses that modern Indigenous cultures can be profoundly, even bewilderingly, strange and at times unknowable within the terms of 'white' cultural forms. She argues for a different ethics of looking, in particular, for aesthetic practices that allow Indigenous cultural products, especially in the literary arts, to retain their strangeness in the eyes of a white subject. The specificity of her subject matter allows Ravenscroft to deal with the broad issues of postcolonial theory and race and ethnicity without generalising. This specificity is made visible in, for example, Ravenscroft's treatment of the figuring of white desire in Aboriginal fiction, film and life-stories, and in her treatment of contemporary Indigenous cultural practices. While it is located in Australian Studies, Ravenscroft's book, in its rigorous interrogation of the dynamics of race and whiteness and engagement with European and American literature and criticism, has far-reaching implications for understanding the important question of race and vision.




Native American Postcolonial Psychology


Book Description

"This book presents a theoretical discussion of problems and issues encountered in the Native American community from a perspective that accepts Native knowledge as legitimate. Native American cosmology and metaphor are used extensively in order to deal with specific problems such as alcoholism, suicide, family, and community problems. The authors discuss what it means to present material from the perspective of a people who have legitimate ways of knowing and conceptualizing reality and show that it is imperative to understand intergenerational trauma and internalized oppression in order to understand the issues facing Native Americans today."--pub. website.




James in Postcolonial Perspective


Book Description

James confronts the exploitive wealthy; it also opposes Pauline hybridity. K. Jason Coker argues that postcolonial perspectives allow us to understand how these themes converge in the letter. James opposes the exploitation of the Roman Empire and a peculiar Pauline form of hybridity that compromises with it; refutes Roman cultural practices, such as the patronage system and economic practices, that threaten the identity of the letter’s recipients; and condemns those who would transgress the boundaries between purity and impurity, God and “world.”




Postcolonial Politics and Theology


Book Description

Postcolonial Politics and Theology seeks to reform and reimagine the field of political theology—uprooting it from the colonial soil—using the comparative lenses of postcolonial politics and theology to bring attention to the realities of the Global South. Kwok Pui-lan traces the history of the political impacts of Western theological development, especially developments in the U.S. context, and the need to shift these interlocking fields toward non-Western traditions in theory and practice. A special focus of the book is on the changing sociopolitical realities of American Empire and Sino-American competition, illustrated in Donald Trump's slogan of "Make America Great Again" and Xi Jinping’s hope for a “China Dream.” The shifting of U.S. and Asian relationships highlights the need to move our theological and political categories away from a vision of strongman domination and toward a postmodern, postcolonial, and transnational world, especially exemplified in the Asia Pacific context. Throughout, Kwok overturns the idea of centering one cultural framework and marginalizing others in favor of living into a multiplicity of deeply contextual theologies. She explores how these theologies are being developed in global, postcolonial contexts, through struggles for democracy and civil disobedience in Hong Kong, by efforts to reclaim selfhood and sexual identity from exploitative colonial desire, through the work of interreligious solidarity and peacebuilding, and in the practice of earth care in the face of ecological crisis.




Postcolonial contraventions


Book Description

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book analyses black Atlantic studies, colonial discourse analysis and postcolonial theory, providing paradigms for understanding imperial literature, Englishness and black transnationalism. Its concerns range from the metropolitan centre of Conrad's Heart of Darkness to fatherhood in Du Bois's The Souls of Black Folk; from the marketing of South African literature to cosmopolitanism in Achebe; and from utopian discourse in Parry to Jameson's theorisation of empire.