Poster Workshop 1968-1971


Book Description

From 1968 to 1971, anyone could drop in to the basement in Camden Town and commission a poster from the Poster Workshop. In walked workers on strike, tenants associations, civil rights groups and liberation movements from all over the world. Inspired by the Atelier Populaire, set up in Paris in May 1968, the posters were made quickly to respond to what was needed, on a great number of themes: Vietnam, Northern Ireland, housing, workers rights, and revolution. The Poster Workshop thrived on the energy generated by the belief that huge changes were possible, through movements for equality, civil rights, freedom and revolution. It was an expression of that time - of excitement, change and hope.




Deep Sea 2003: Conference poster papers and workshop papers


Book Description

Includes the keynote addresses and papers presented on the conference themes that covered: environment, ecosystem biology, habitat, diversity and oceanography; population biology and resource assessment; harvesting and conservation strategies for resource management; technology requirements; monitoring, compliance and controls; a review of existing policies and instruments; and governance and management. It also provides the perspectives of participating experts and the conference Steering Committee. The general conclusions of the conference contain the elements that must be addressed and undertaken if deep-sea fish resources are to be sustained and their habitat protected to ensure productivity and safeguard deep-sea biodiversity. The second volume of the proceedings includes posters and corresponding papers presented at the conference as well as papers from workshops held prior to the main conference.




What It Means to Be a Designer Today


Book Description

AIGA’s Eye on Design presents a provocative collection of essays and interviews that cover a wide-reaching examination of the profession of design today and its impacts on society and culture. Eye on Design is an editorial platform from AIGA that has, for the last decade, covered the ins and outs of the design industry. From documenting bold new work from global designers to chronicling the field's most critical issues, their reported stories, op-eds, interviews, and conversations help designers make sense of the world and place their profession within a broader context. Weaving together original and previously published content from some of the most important writers in today’s design conversation, this book for designers encapsulates wide-reaching topics that strive to answer an essential question: What does it mean to be a designer today? Organized into three parts—Reflections, Questions, and Ideas—this book covers the most pressing issues and provocations that designers face in our current world, including: The evolution of personal branding Teaching design history The cult of minimalism The perils of hero worship Designers’ role in conspicuous consumption The meaning of visual sustainability And more Contributors include the book's editors, Liz Stinson and Jarrett Fuller, and such outstanding design writers as Rick Poynor, Anne Quito, Briar Levit, Cliff Kuang, and many more. Accessible, engaging, and conversational, What It Means to Be a Designer Today is an enduring resource and vibrant gift book that speaks to design students and educators, working designers of all levels, and anyone interested in graphic design.




Chicana and Chicano Art


Book Description

"This is the first book solely dedicated to the history, development, and present-day flowering of Chicana and Chicano visual arts. It offers readers an opportunity to understand and appreciate Chicana/o art from its beginnings in the 1960s, its relationship to the Chicana/o Movement, and its leading artists, themes, current directions, and cultural impact." "The visual arts have both reflected and created Chicano culture in the United States. For college students - and for all readers who want to learn more about this subject - this book is an ideal introduction to an art movement with a social conscience." --Book Jacket.




NUCLEAR WAR IN THE UK.


Book Description

For almost five decades, the United Kingdom made plans for a nuclear attack that never came. To help their citizens, civil servants, and armed forces prepare, those in power designed and published a variety of booklets, posters, and how-to guides. Most infamous among these was the Protect and Survive campaign, but just as fascinating are lesser-known materials prepared for the United Kingdom Warning and Monitoring Organisation and the Royal Observer Corps, many of which are reproduced here for the first time. From terrifying images issued by central government, to local councils' sometimes amateurish survival guides, 'Nuclear War in the UK' is a look at the way Britain's authorities reacted to the Soviet nuclear threat.




Eyeball Cards


Book Description

From the hiss and crackle of Britain?s CB radio heyday, only Eyeball cards remain. These are the mysterious business cards of ?breakers? exchanged when British CB enthusiasts would meet up in person after chatting on the airwaves. These alternate identities are sometimes amusing, occasionally mundane, dark or bawdy, but always personal creations ? flotsam from a more innocent analogue world. This book is the first to document this late 70s and early 80s sub culture and presents hundreds of the funniest, strangest and most intriguing Eyeball cards from across the UK




Alternative Art, New York, 1965-1985


Book Description

A sweeping history of the New York art scene during the 1960s, 1970s, and 1980s reveals a powerful "alternative" art culture that profoundly influenced the mainstream. Simultaneous. (Fine Arts)




Wobbly Sounds


Book Description

Cheap, disposable, often with poor audio quality but with great visuals, flexi discs were vinyl's poorer cousin in the pre-digital age. Given away with magazines or sent out by advertisers, they were a splashy way of getting your message heard. Pressed onto laminated card or thin, wobbly plastic, these discs extolled the virtues of washing powders, beers, and banks.This book brings together over 150 of the most remarkable British flexi discs from the 1950s to the early 1990s, chronicling the varied and sometimes bizarre uses of these flimsy records, and the result is a fascinating archive of post-war design and advertising ingenuity. Wobbly Sounds is part of the Four Corners Irregulars, a series about modern British visual culture.




Art in Chicago


Book Description

For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage. Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it.




Contemporary Polish Posters in Full Color


Book Description

The traditions of Polish graphic art and the influences of folk culture, nationalism, and European art movements are evidenced in a collection of posters created by Polish artists from 1961 to 1977