Posthuman Blues


Book Description

Posthuman Blues, Vol. I is first volume of the edited version of the popular weblog maintained by author Mac Tonnies from 2003 until his tragic death in 2009. Tonnies' blog was a pastiche of his original fiction, reflections on his day-to-day life, trenchant observations of current events, and thoughts on an eclectic range of material he culled from the Internet. What resulted was a remarkably broad portrait of a thoughtful man and the complex times in which he lived, rendered with intelligence, imagination, and a wickedly absurdist sense of humor.




Posthuman Blues


Book Description

"You there. Reading this. You don't have to you know. But I have succumbed to the narcotic tentacles of blogging and will be posting a daily mishmash of uncategorical mental rubbish to appease my strange and obscure urges to populate the info-sphere with my creative spoor." So begins this first volume of Posthuman Blues, the edited version of the popular weblog maintained by author Mac Tonnies from 2003 until his tragic death in 2009. Tonnies' blog was a pastiche of his original fiction, reflections on his day-to-day life, trenchant observations of current events, and thoughts on an eclectic range of material that he culled from the Internet. The result was a remarkably broad portrait of a thoughtful man and the complex times in which he lived, rendered with intelligence, imagination, and a wickedly absurdist sense of humor. "Posthuman Blues is of a piece with the Lost Generation of the 1920s and the Beat Generation of the 1950s. Tonnies spoke for his generation with passion, eloquence, and a rare insight." - A. J. Gulyas, author of Extraterrestrials and the American Zeitgeist "This book has the inventiveness and prose of a novel, but it's good, honest observation and speculation. From lambasting fakery to closing in on the true paranormal, Mac Tonnies takes us on a wild trip. Tonnies was mysterious, maybe because he always had an eye and ear for the mystery underlying our strange existence." - John Shirley, author of Gurdjieff: An Introduction to his Life and Ideas and the A Song Called Youth trilogy "Mind-stretching!" - Clifford Pickover, Ph.D.




Re-Entering the Dollhouse


Book Description

Premiering on Fox in 2009, Joss Whedon's Dollhouse was an innovative, contentious and short-lived science fiction series whose themes were challenging for viewers from the outset. A vast global corporation operates establishments (Dollhouses) that program individuals with temporary personalities and abilities. The protagonist assumes a different identity each episode--her defining characteristic a lack of individuality. Through this obtuse premise, the show interrogated free will, morality and sex, and in the process its own construction of fantasy and its audience. A decade on, the world is--for better or worse--catching up with Dollhouse's provocative vision. This collection of new essays examines the series' relevance in the context of today's social and political issues and media landscape.




Prisoner of Infinity


Book Description

Using UFOs and the work of "experiencer" Whitley Strieber as its departure point, Prisoner of Infinity explores how beliefs are created and perceptions are managed in the face of the inexplicably complex forces of our existence. While keeping the question of a nonhuman and/or paranormal element open, the book maps how all-too-human agendas (such as the CIA's MK Ultra program) have co-opted the ancient psychological process of myth-making, giving rise to dissociative Hollywood versions of reality. Prisoner of Infinity examines modernday accounts of UFOs, alien abductions, and psychism to uncover a century-long program of psychological fragmentation, collective indoctrination, and covert cultural, social, and mythic engineering.




Posthuman Buddhism and the Digital Self


Book Description

In Posthuman Buddhism and the Digital Self, Les Roberts extends his earlier work on spatial anthropology to consider questions of time, spaciousness and the phenomenology of self. Across the book’s four main chapters – which range from David Bowie’s long-standing interest in Buddhism, to street photography of 1980s Liverpool, to the ambient soundscapes of Derek Jarman’s Blue, or to the slow, contemplative cinema of Tsai Ming-Liang – Roberts lays the groundwork for the concept of ‘dwellspace’ as a means by which to unpick the shifting spatial, temporal and experiential modalities of everyday mediascapes. Understood as a particular disposition towards time, Roberts’s foray into dwellspace proceeds from a Pascalian reflection on the self/non-self in which being content in an empty room vies with the demands of having content in an empty room. Taking the idea of posthuman Buddhism as a heuristic lens, Roberts sets in motion a number of interrelated lines of enquiry that prompt renewed focus on questions of boredom, distraction and reverie and cast into sharper relief the psychosocial and creative affordances of ambience, spaciousness and slowness. The book argues that the colonisation of ‘empty time’ by 24/7 digital capitalism has gone hand-in-hand with the growth of the corporate mindfulness industry, and with it, the co-option, commodification and digitisation of dwellspace. Posthuman Buddhism is thus in part an exploration of the dialectics of dwellspace that orbits around a creative self-praxis rooted in the negation and dissolution of the self, one of the foundational cornerstones of Buddhist theory and practice.




What is Posthumanism?


Book Description

What does it mean to think beyond humanism? Is it possible to craft a mode of philosophy, ethics, and interpretation that rejects the classic humanist divisions of self and other, mind and body, society and nature, human and animal, organic and technological? Can a new kind of humanities-posthumanities-respond to the redefinition of humanity's place in the world by both the technological and the biological or "green" continuum in which the "human" is but one life form among many? Exploring how both critical thought along with cultural practice have reacted to this radical repositioning, Cary Wolfe-one of the founding figures in the field of animal studies and posthumanist theory-ranges across bioethics, cognitive science, animal ethics, gender, and disability to develop a theoretical and philosophical approach responsive to our changing understanding of ourselves and our world. Then, in performing posthumanist readings of such diverse works as Temple Grandin's writings, Wallace Stevens's poetry, Lars von Trier's Dancer in the Dark, the architecture of Diller+Scofidio, and David Byrne and Brian Eno's My Life in the Bush of Ghosts, he shows how this philosophical sensibility can transform art and culture. For Wolfe, a vibrant, rigorous posthumanism is vital for addressing questions of ethics and justice, language and trans-species communication, social systems and their inclusions and exclusions, and the intellectual aspirations of interdisciplinarity. In What Is Posthumanism? he carefully distinguishes posthumanism from transhumanism (the biotechnological enhancement of human beings) and narrow definitions of the posthuman as the hoped-for transcendence of materiality. In doing so, Wolfe reveals that it is humanism, not the human in all its embodied and prosthetic complexity, that is left behind in posthumanist thought.




Posthuman Blues, Vol. Ii


Book Description

"There's an itch in my mind, but I can only find it occassionally. It's like rummaging through a box of ancient refuse and incomprehensible knick-knacks and suddenly feeling the two-pronged bite of a snake between your fingers; you recoil. shrinking, but your curiosity is irreversibly piqued. You want to empty the box into the light of day regardless of the danger - or maybe even because of it." So writes author Mac Tonnies in the early pages of the second volume of Posthuman Blues, a compilation of his best and most thought-provoking work from the popular weblog of the same name, which he ran from 2003 until his tragic death in 2009. This volume covers the years 2005 and 2006. The result is a pastiche of original fiction, poetry, art, photography, observations about day-to-day life in the American midwest during the first decade of the 21st century, and trenchant commentary on current events and subjects that he found of interest, many of which were related to the paranormal, futurism and posthumanism. It presents a compelling portrait of a thoughtful man and the complex times in which he lived, rendered with intelligence, imagination, and a wickedly absurdist sense of humor.




Matters of Care


Book Description

To care can feel good, or it can feel bad. It can do good, it can oppress. But what is care? A moral obligation? A burden? A joy? Is it only human? In Matters of Care, María Puig de la Bellacasa presents a powerful challenge to conventional notions of care, exploring its significance as an ethical and political obligation for thinking in the more than human worlds of technoscience and naturecultures. Matters of Care contests the view that care is something only humans do, and argues for extending to non-humans the consideration of agencies and communities that make the living web of care by considering how care circulates in the natural world. The first of the book’s two parts, “Knowledge Politics,” defines the motivations for expanding the ethico-political meanings of care, focusing on discussions in science and technology that engage with sociotechnical assemblages and objects as lively, politically charged “things.” The second part, “Speculative Ethics in Antiecological Times,” considers everyday ecologies of sustaining and perpetuating life for their potential to transform our entrenched relations to natural worlds as “resources.” From the ethics and politics of care to experiential research on care to feminist science and technology studies, Matters of Care is a singular contribution to an emerging interdisciplinary debate that expands agency beyond the human to ask how our understandings of care must shift if we broaden the world.




Cosmic Apprentice


Book Description

In the pursuit of knowledge, Dorion Sagan argues in this dazzlingly eclectic, rigorously crafted, and deliciously witty collection of essays, scientific authoritarianism and philosophical obscurantism are equally formidable obstacles to discovery. As science has become more specialized and more costly, its questing spirit has been constrained by dogma. And philosophy, perhaps the discipline best placed to question orthodoxy, has retreated behind dense theoretical language and arcane topics of learning. Guided by a capacious, democratic view of science inspired by the examples set by his late parents—Carl Sagan, who popularized the study of the cosmos, and Lynn Margulis, an evolutionary biologist who repeatedly clashed with the scientific establishment—Sagan draws on classical and contemporary philosophy to intervene provocatively in often-charged debates on thermodynamics, linear and nonlinear time, purpose, ethics, the links between language and psychedelic drugs, the search for extraterrestrial intelligence, and the occupation of the human body by microbial others. Informed by a countercultural sensibility, a deep engagement with speculative thought, and a hardheaded scientific skepticism, he advances controversial positions on such seemingly sacrosanct subjects as evolution and entropy. At the same time, he creatively considers a wide range of thinkers, from Socrates to Bataille and Descartes to von Uexküll, to reflect on sex, biopolitics, and the free will of Kermit the Frog. Refreshingly nonconformist and polemically incisive, Cosmic Apprentice challenges readers to reject both dogma and cliché and instead recover the intellectual spirit of adventure that should—and can once again—animate both science and philosophy.




Art and Posthumanism


Book Description

A sustained engagement between contemporary art and philosophy relating to our place in, and responsibility to, the nonhuman world How do contemporary art and theory contemplate the problem of the “bio” of biopolitics and bioart? How do they understand the question of “life” that binds human and nonhuman worlds in their shared travail? In Art and Posthumanism, Cary Wolfe argues for the reconceptualization of nature in art and theory to turn the idea of the relationship between the human and the planet upside down. Wolfe explores a wide range of contemporary artworks—from Sue Coe’s illustrations of animals in factory farms and Eduardo Kac’s bioart to the famous performance pieces of Joseph Bueys and the video installations of Eija-Liisa Ahtila, among others—examining how posthumanist theory can illuminate, and be illuminated by, artists’ engagement with the more-than-human world. Looking at biological and social systems, the question of the animal, and biopolitics, Art and Posthumanism explores how contemporary art rivets our attention on the empirically thick, emotionally charged questions of “life” and the “living” amid ecological catastrophe. One of the foremost theorists of posthumanism, Wolfe pushes that philosophy out of the realm of the purely theoretical to show how a posthumanist engagement with particular works and their conceptual underpinnings help to develop more potent ethical and political commitments.