Pound/Lewis


Book Description

The friendship of Ezra Pound and Wyndham Lewis began in London in 1909, survived two European wars and the rise and fall of the totalitarian governments both men misguidedly supported, and lasted through Pound's years of confinement at St. Elizabeths, to Lewis's death in 1957. In Pound/Lewis, their correspondence of five decades is gathered for the first time; it proves a revealing reflection of their intense, always professional, mutual regard.







Wyndham Lewis


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Ezra Pound and the Visual Arts


Book Description

Gathers all the poet's art criticism from various sources, as well as his articles explaining the new approach of vortography, the English avantgarde movement.




BLAST


Book Description

This is the only book completely devoted to the popular BLAST (Basic Local Alignment Search Tool), and one that every biologist with an interest in sequence analysis should learn from.




Vortex


Book Description

Describes the movement in art and literature spearheaded by Ezra Pound, T.S. Eliot, and Wyndham Lewis, which they called Vorticism.




ABC of Reading


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Ezra Pound's classic book about the meaning of literature.




Parallel Lives


Book Description

Parallel Lives covers the century from the birth of Sigmund Freud in 1856 to the death of Sylvia Plath in 1963. Written by the esteemed biographer and literary critic Jeffrey Meyers, the book includes European, American, and Russian authors and artists, film directors and actors, children and soldiers, friends and lovers, rivals and enemies. Drawing on the bifocal principle of dual composition in Plutarch, these brief lives are arranged in pairs to interact with each other and illuminate their subjects’ similarities, characters, and friendships. The linked structure of Parallel Lives allows several major figures—Sigmund Freud, Evelyn Waugh, Edmund Wilson, Vladimir Nabokov, Ernest Hemingway, and Seamus Heaney—to appear in multiple chapters. The most violent friendship ended when Verlaine shot Rimbaud and went to prison, and Rimbaud crawled back from Africa to die miserably in France. The most brilliant friendship broke up when Wilson attacked Nabokov’s edition of Alexander Pushkin. The most moving connection was Audrey Hepburn’s tender and sympathetic attachment to her soul-sister Anne Frank. Using mirror images reveals a new way to perceive these illustrious men and women. Each chapter shifts the focus back and forth between two subjects, comparing them, changing perspective, reevaluating similarities and contrasts. With vivid details and dramatic events, Meyers emphasizes the backgrounds, intellectual influences, and personality traits of his paired subjects. By examining the complex motives for irrational behavior ranging from deep affection to intense hostility, warm encouragement to bitter rivalry (sometimes together in the same chapter), Parallel Lives offers insights into the dynamics of complementary characters.




Terrorism and Modern Literature


Book Description

Is terrorism's violence essentially symbolic? Does it impact on culture primarily through the media? What kinds of performative effect do the various discourses surrounding terrorism have? Such questions have not only become increasingly important in terrorism studies, they have also been concerns for many literary writers. This book is the first extensive study of modern literature's engagement with terrorism. Ranging from the 1880s to the 1980s, the terrorism examined is as diverse as the literary writings on it: chapters include discussions of Joseph Conrad's novels on Anarchism and Russian Nihilism; Wyndham Lewis's avant-garde responses to Syndicalism and the militant Suffragettes; Ezra Pound's poetic entanglement with Segregationist violence; Walter Abish's fictions about West German urban guerrillas; and Seamus Heaney's and Ciaran Carson's poems on the 'Troubles' in Northern Ireland. In each instance, Alex Houen explores how the literary writer figures clashes or collusions between terrorist violence and discursive performativity. What is revealed is that writing on terrorism has frequently involved refiguring the force of literature itself. In terrorism studies the cultural impact of terrorism has often been accounted for with rigid, structural theories of its discursive roots. But what about the performative effects of violence on discourse? Addressing the issue of this mutual contagion, Terrorism and Modern Literature shows that the mediation and effects of terrorism have been historically variable. Referring to a variety of sources in addition to the literature—newspaper and journal articles, legislation, letters, manifestos—the book shows how terrorism and the literature on it have been embroiled in wider cultural fields. The result is not just a timely intervention in debates about terrorism's performativity. Drawing on literary/critical theory and philosophy, it is also a major contribution to debates about the historical and political dimensions of modernist and postmodernist literary practices.




Annual Report


Book Description