Prehistoric Art in Europe


Book Description

Until around 10,000 BC art in Europe appears to have been in advance of the rest of the world and throws light on the total history of early man. The great masterpieces of cave-painting at Lascaux are well known, and one tradition of early sculpture is from the first surprizingly classical. With the shelter paintings of the Spanish Levant and the clay modelling and painted pottery of eastern Europe in the fourth and third millennia BC fresh artistic problems were tackled. Later still evolved the high technical accomplishment of the metal-workers, and this study concludes with an account of the new departures of Celtic La Tene art of the last four centuries BC.




Prehistoric Art


Book Description

Drawing on the most up-to-the-minute research on prehistoric art, an anthropologist presents a global survey, starting with the first explosion of imagery that occurred approximately 40,000 years ago but also including the creations of essentially "prehistoric" peoples living as recently as the early 20th century. 226 illustrations.




Cave Paintings and the Human Spirit


Book Description

Whitley, one of the world's leading experts on cave paintings, rewrites the understanding of shamanism and its connection with artistic creativity, myth, and religion by interweaving archaeological evidence with the latest findings of cutting-edge neuroscience.




Rock Art and the Prehistory of Atlantic Europe


Book Description

Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.




The First Signs


Book Description

"Archaeologist Genevieve von Petzinger looks past the horses, bison, ibex, and faceless humans in the ancient paintings and instead focuses on the abstract geometric images that accompany them. She offers her research on the terse symbols that appear more often than any other kinds of figures--signs that have never really been studied or explained until now"--




Interpretation of prehistoric cave art in Europe


Book Description

Essay from the year 2019 in the subject Archaeology, grade: A, Kenyatta University, language: English, abstract: This essay offers a critical analysis of various explanations that have been suggested for the meaning of European Paleolithic rock art. Rock or cave art has been recorded in Europe, Americas, Africa, Australia and Asia. In Europe, some of the recorded forms of rock art date back some 36000 years ago. However, archaeological findings show that it is until 18000 years ago that the European rock art flourished. This period is linked to the end of the Last Glacial Maximum (22000-19000 years ago) as climatic conditions began to improve i.e. the most critical point of the Ice Age. Nonetheless, Upper Paleolithic rock art disappeared during the transition period between Paleolithic-Mesolithic (12000 years) as Ice Age environmental conditions faded. After over a century of research on cave art, there still exists no consensus on the meanings of these prehistoric arts. Currently, the widely accepted view on interpretation of the Upper Paleolithic art is that most cave images are manifestations of Shamanic rituals mediated through visionary experience of altered states of consciousness. However, the question on how and why art come it being in Upper Paleolithic during the Ice Age remains largely unanswered. Berghaus argued that there is no single answer to the question but rather several layers of answers highlighting the issues and relationships between art and rituals as well as behavioral, social and cognitive issues within the human evolutionary environment.




Salt in Prehistoric Europe


Book Description

Salt was a commodity of great importance in the ancient past, just as it is today. Its roles in promoting human health and in making food more palatable are well-known; in peasant societies it also plays a very important role in the preservation of foodstuffs and in a range of industries. Uncovering the evidence for the ancient production and use of salt has been a concern for historians over many years, but interest in the archaeology of salt has been a particular focus of research in recent times. This book charts the history of research on archaeological salt and traces the story of its production in Europe from earliest times down to the Iron Age. It presents the results of recent research, which has shown how much new evidence is now available from the different countries of Europe. The book considers new approaches to the archaeology of salt, including a GIS analysis of the oft-cited association between Bronze Age hoards and salt sources, and investigates the possibility of a new narrative of salt production in prehistoric Europe based on the role of salt in society, including issues of gender and the control of sources. The book is intended for both academics and the general reader interested in the prehistory of a fundamental but often under-appreciated commodity in the ancient past. It includes the results of the author’s own research as well as an up-to-date survey of current work.







The Oxford Illustrated History of Prehistoric Europe


Book Description

Provides a comprehensive account of prehistoric Europe from the coming of the Stone Age to the fall of the Roman Empire, providing information on the changing landscape of Europe and responses and adaptations to these changes.




ArtCurious


Book Description

A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.