The Northern Counties from AD 1000


Book Description

Informative, vivid and richly illustrated, this volume explores the history of England's northern borders – the former counties of Northumberland, Cumberland, Durham, Westmorland and the Furness areas of Lancashire – across 1000 years. The book explores every aspect of this changing scene, from the towns and poor upland farms of early modern Cumbria to life in the teeming communities of late Victorian Tyneside. In their final chapters the authors review the modern decline of these traditional industries and the erosion of many of the region's historical characteristics.




William Wordsworth's Golden Age Theories During the Industrial Revolution


Book Description

Wordsworth's romantic critique of industrial life and society was backward-looking. His 'Golden Age ideal' of pastoral life and rural relationships falls within the scope of English 'populism' as found among the middle ranks of small independent producers and their idealogues. Furthermore his rural education and up-bringing in the remote North of England explain his long-term shift from radical and whig reformer to tory placeman in the years 1789 to 1832 as well as his relative demise as a poet.




A History of the English Parish


Book Description

A 'grass roots' cultural history of the English parish from the earliest times to Queen Victoria.




Romanesque Patrons and Processes


Book Description

The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d’Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality. No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume – both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons – a serious theme in a collection that opens with ‘Function, condition and process in eleventh-century Anglo-Norman church architecture’ and ends with a consideration of ‘The death of the patron’.




Beatrix Potter


Book Description

In this remarkable biography, Linda Lear offers a new look at the extraordinary woman who gave us some of the most beloved children's books of all time. Potter found freedom from her conventional Victorian upbringing in the countryside. Nature inspired her imagination as an artist and scientific illustrator, but The Tale of Peter Rabbit brought her fame, financial success, and the promise of happiness when she fell in love with her editor Norman Warne. After his tragic and untimely death, Potter embraced a new life as the owner of Hill Top Farm in the English Lake District and a second chance at happiness. As a visionary landowner, successful farmer and sheep-breeder, she was able to preserve the landscape that had inspired her art. Beatrix Potter: A Life in Nature reveals a lively, independent and passionate woman, whose art was timeless, and whose generosity left an indelible imprint on the countryside.




The 1702 Chair of Chemistry at Cambridge


Book Description

A history of the 1702 chair in chemistry at the University of Cambridge.




Landscapes, Documents and Maps


Book Description

The last half century has seen many studies of the origin of the English village. As a cross-disciplinary enquiry this book integrates materials from geography, history, economic history, archaeology, place-name studies, anthropology and even church architecture. These provide varied foundations, but the underlying subject matter always engages with landscape studies. Beginning with a rigorous examination of evidence hidden within the surviving village and hamlet plans seen on eighteenth and nineteenth century maps, the first half of the book shows how these can be classified, mapped, analysed and then interpreted as important parts of former medieval landscapes. Many specific case-studies are built into the argument, all being drawn from the author's lifetime work on northern England, and accessible language is employed. From this base, the argument develops, with the objective of integrating landscape studies with the descriptive and analytical practices of history, and drawing these together by using the cartographic methods of historical geography. This foundation leads gently into deeper waters; to the landed estates in which all settlements developed and the farming and social systems of which they were a part; to the land holding arrangements that were integrated into the physical plans, providing methods of sharing out the agricultural resources of arable, meadow, woodland and common grazings; and finally to the social divisions present within a changing society. A wholly new theme is found in the argument that certain types of land tenure were associated with a class of officer, land agent or dreng , who in northern England was often linked with the provision of tenants for new villages. It is clear from the evidence amassed that the deliberate founding of new villages and the establishment of new plans on older sites was taking place in the centuries between about AD 900 and 1250. Finally, the study moves beyond the North of England to review the European roots of planned villages and hamlets, and concludes with a challenging hypothesis about their origin in the whole of England. This provides pointers towards future enquiry.




The Ghost of Galileo


Book Description

In 1643/4 the once-famous Francis Cleyn painted the unhappy young heir of Corfe Castle, John Bankes, and his tutor, Dr Maurice Williams. The painter is now almost forgotten,the painting much neglected, and the sitters themselves have left little to mark their lives, but on the table of the painting lies a book, open to an immediately identifiable and very significant page. The representation omits the author's name and the book's title; it sits there as a code, as only viewers who had encountered the original and the characteristic figures on its frontispiece would have known its significance. The book is Galileo's Dialogue on the two chief world systems (1632), the defence of Copernican cosmology that incited the infamous clash between its author and the Church, and its presence in this painting is no accident, but instead a statement of learning, attitudes, and cosmopolitan engagement in European discourse by the painting's English subjects. Grasping hold of the clue, John Helibron deciphers the significance of this contentious book's appearance in a painting from Stuart England to unravel the interlocking threads of art history, political and religious history, and the history of science. Drawing on unexploited archival material and a wide range of printed works, he weaves together English court culture and Italian connections, as well as the astronomical and astrological knowledge propagated in contemporary almanacs and deployed in art, architecture, plays, masques, and political discourse. Heilbron also explores the biographies of Sir John Bankes (father of the sitter), Sir Maurice, and the painter, Francis Cleyn, setting them into the narrative of their rich and cultured history.