Pacific Presences


Book Description

Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their disp.




Real Presences


Book Description

Renowned scholar George Steiner explores the power and presence of the unseen in art. “It takes someone of [his] stature to tackle this theme head-on” (The New York Times). There is a philosophical school of thought that believes the presence of God in art, literature, and music—in creativity in general—is a vacant metaphor, an eroded figure of speech, a ghost in humanity’s common parlance. George Steiner posits the opposite—that any coherent understanding of language and art, any capacity to communicate meaning and feeling, is premised on God. In doing so, he argues against the kind of criticism that obscures, instead of elucidates, meaning. From the power of language to vital philosophical tenets, Real Presences examines the role of meaning and of the spiritual in art throughout history and across cultures.




Presence


Book Description

A psychologist's journey to understand one of the most unusual experiences known to humankind: the universal, disturbing feeling that someone or something is there when we are alone. These experiences of sensing a Presence when no one else is there have been given many names—the Third Man, guardian angels, shadow figures, “social” hallucinations—and they have inspired, unsettled, and confounded in equal measure. While the contexts in which they occur are diverse, they are united by a distinct and uncanny feeling of visitation by another. But what does this feeling mean, and where does it come from? When and why do presences emerge? And how can we even begin to understand a phenomenon that can be transformative for those who experience it, and yet so hard to put into words? The answers to these questions lie in this tour-de-force through contemporary psychology, psychiatry, neuroscience, and philosophy. Presence follows Ben Alderson-Day's attempts—as a psychologist and a researcher—to understand how this experience is possible. What is a voice when it isn’t heard, and how otherwise do we know or feel that someone is in our presence? Is it a hallucination connected to psychosis, a change in the working of the brain, or something else? The journey to understand takes us to meet explorers, mediums, and robots, and step through real, imagined, and virtual worlds. Presence is the story of who we carry with us, at all times, as parts of ourselves.




Presence


Book Description

MORE THAN HALF A MILLION COPIES SOLD: Learn the simple techniques you'll need to approach your biggest challenges with confidence. Have you ever left a nerve-racking challenge and immediately wished for a do over? Maybe after a job interview, a performance, or a difficult conversation? The very moments that require us to be genuine and commanding can instead cause us to feel phony and powerless. Too often we approach our lives' biggest hurdles with dread, execute them with anxiety, and leave them with regret. By accessing our personal power, we can achieve "presence," the state in which we stop worrying about the impression we're making on others and instead adjust the impression we've been making on ourselves. As Harvard professor Amy Cuddy's revolutionary book reveals, we don't need to embark on a grand spiritual quest or complete an inner transformation to harness the power of presence. Instead, we need to nudge ourselves, moment by moment, by tweaking our body language, behavior, and mind-set in our day-to-day lives. Amy Cuddy has galvanized tens of millions of viewers around the world with her TED talk about "power poses." Now she presents the enthralling science underlying these and many other fascinating body-mind effects, and teaches us how to use simple techniques to liberate ourselves from fear in high-pressure moments, perform at our best, and connect with and empower others to do the same. Brilliantly researched, impassioned, and accessible, Presence is filled with stories of individuals who learned how to flourish during the stressful moments that once terrified them. Every reader will learn how to approach their biggest challenges with confidence instead of dread, and to leave them with satisfaction instead of regret. "Presence feels at once concrete and inspiring, simple but ambitious — above all, truly powerful." —New York Times Book Review




Presences and Absences – Transdisciplinary Essays


Book Description

This volume discusses the question of presence and/or absence from a transdisciplinary perspective, and intends to provide insights into how a wide range of disciplines addresses this issue which has been at the centre of philosophical, theoretical and critical debates in the past decades. As the essays in the volume prove, apparently diverse areas can have a lot in common and talk to each other in sometimes surprising ways. The topics discussed include modals in various languages and black slave funeral sermons, pragmatic markers and the Australian Stolen Generation, the transcendental in poems by Ann Bradstreet, Arthur Symons and Philip Larkin, short stories by Katherine Mansfield, generic presences in Virginia Woolf and contemporary journalism, haunting presences in fin-de-siècle ghost stories and in a contemporary horror film, mythical structures in John Cowper Powys and Margaret Atwood, and gender politics in Pat Barker and Sarah Waters. The analyses, as they talk to each other, create multiple dialogues without imposing closures and ultimate interpretations on the plethora of possible meanings emerging from the juxtaposition of these essays. This transdisciplinary volume, written in an erudite but reader-friendly language, will be of great interest to both the academic world, as well as a broader readership interested in how linguistic phenomena in general, cultural myths of all kinds, various cinematic, literary and journalistic genres from diverse periods can be approached and opened up to new readings and meanings from the perspective of presences and absences.




The Many Presences of Christ


Book Description

Essays discussing the meaning of Christ's presence.




Presence


Book Description

Presence reconsiders the notion of 'presence' in objects. The first book to address the issue directly, it contains a series of case studies covering a broad geographical and chronological range from ancient Greece and the Incas to industrial America and contemporary India, as well as examples from the canon of western European art. The studies reveal the widespread evidence for this striking form of response and allow readers to see how 'presence' is evoked and either embraced or repressed in differing historical and cultural contexts.




Crafting Presence


Book Description

Essays are central to students’ and teachers’ development as thinkers in their fields. In Crafting Presence, Nicole B. Wallack develops an approach to teaching writing with the literary essay that holds promise for writing students, as well as for achieving a sense of common purpose currently lacking among professionals in composition, creative writing, and literature. Wallack analyzes examples drawn primarily from volumes of The Best American Essays to illuminate the most important quality of the essay as a literary form: the writer’s “presence.” She demonstrates how accounting for presence provides a flexible and rigorous heuristic for reading the contexts, formal elements, and purposes of essays. Such readings can help students learn writing principles, practices, and skills for crafting myriad presences rather than a single voice. Crafting Presence holds serious implications for writing pedagogy by providing new methods to help teachers and students become more insightful and confident readers and writers of essays. At a time when liberal arts education faces significant challenges, this important contribution to literary studies, composition, and creative writing shows how an essay-centered curriculum empowers students to show up in the world as public thinkers who must shape the “knowledge economy” of the twenty-first century.




History and Presence


Book Description

A Choice Outstanding Academic Title of the Year Beginning with metaphysical debates in the sixteenth century over the nature of Christ’s presence in the host, the distinguished historian and scholar of religion Robert Orsi imagines an alternative to the future of religion that early moderns proclaimed was inevitable. “Orsi’s evoking of the full reality of the holy in the world is extremely moving, shot through with wonder and horror.” —Caroline Walker Bynum, Common Knowledge “This is a meticulously researched, humane, and deeply challenging book. The men and women studied in this book do not belong to ‘a world we have lost.’ They belong to a world we have lost sight of.” —Peter Brown, Princeton University “[A] brilliant, theologically sophisticated exploration of the Catholic experience of God’s presence through the material world... On every level—from its sympathetic, honest, and sometimes moving ethnography to its astute analytical observations—this book is a scholarly masterpiece.” —A. W. Klink, Choice “Orsi recaptures God’s breaking into the world ... The book does an excellent job of explaining both the difficulties and values inherent in recognizing God in the world.” —Publishers Weekly “This book is classic Orsi: careful, layered, humane, and subtle...a thought-provoking, expertly arranged tour of precisely those abundant, excessive phenomena which scholars have historically found so difficult to think.” —Sonja Anderson, Reading Religion




Hidden Presences


Book Description

Hidden Presences explores the inheritances of Hellenistic literary epigram from the sepulchral sub-genre of inscribed epigram. Divorced from the stone and the burial site, the literary form enjoys a new freedom, but exhibits this independence in a deliberate but creative use of out-of-date themes (notably roadside placement of the monument), subversive use of the inscribed epigrams' attempt to betray the "hidden presence" of the deceased, and exploitation of sepulchral conceits surrounding cenotaph. Indeed, this study shows not only that the fourth- and third-century poets at the headwaters of the literary tradition were interested in inscriptional precedents, but also that this interest was exercised down to the time of the epigrammatist Meleager. The poets within the variative community of literary epigram therefore carry on a literary conversation not simply between themselves, but between themselves and the inscribed tradition, and among themselves about the inscribed tradition.