Re-creating the American Past


Book Description

Although individually and collectively Americans have many histories, the dominant view of our national past focuses on the colonial era. The reasons for this are many and complex, touching on stories of the country's origins and of the founding fathers, the privileged position in history granted the thirteen original colonies, and the ways in which the nation has adjusted to change and modernity. But no matter the cause, the result is obvious: images and forms derived from and related to America's colonial past are the single most popular form of cultural expression. Often conceived solely in architectural terms, from the red-brick and white-trimmed buildings that recall eighteenth-century James River estates to the clapboarded saltboxes that recall early New England, Colonial Revival is in fact better understood as a process of remembering. In Re-creating the American Past, architectural historian Richard Guy Wilson and a host of other scholars examine how and why Colonial Revival has persisted in modern times. The volume contains essays that explore Colonial Revival expressions in architecture, landscape architecture, historic preservation, decorative arts, and painting and sculpture, as well as the social, intellectual, and cultural background of the phenomena. Based on the University of Virginia's landmark 2000 conference "The Colonial Revival in America," Re-creating the American Past is a comprehensive and handsome volume that recovers the origins, characteristics, diversity, and significance of the Colonial Revival, situating it within the broader history of American design, culture, and society.




The Architecture of Colonial America


Book Description

Excerpt from The Architecture of Colonial America It is the purpose of this volume to set forth a brief history and an analysis of the architecture of Colonial America, in such wise that they may be of interest and value both to the general reader and to the architect. The subject will be treated with reference to the close connexion existing between architecture and the social and economic circumstances of the period, so that some additional light may fall upon the daily conditions of life among our forefathers. At the same time, there will be a careful critical analysis of the origin and development of the several seventeenth and eighteenth century styles that have left us so wealthy an architectural heritage, an heritage based upon a groundwork of traditions brought across the Atlantic by the early craftsmen and artisans. Such an analysis, it is hoped, will materially contribute to a broader appreciation of our possessions and will not be without value in the interpretation of modern buildings in which the traditions of the past have been perpetuated. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Architecture of Colonial America


Book Description

A comprehensive survey of the architectural styles and trends of colonial America, from the early 17th century through the Revolutionary War era. The book covers a wide range of building types, including houses, churches, public buildings, and forts, and provides detailed descriptions and illustrations of each. The authors' extensive research and expertise make this book an indispensable resource for anyone interested in the history of American architecture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Historic Real Estate


Book Description

A detailed study of early historical preservation efforts between the 1780s and the 1850s In Historic Real Estate, Whitney Martinko shows how Americans in the fledgling United States pointed to evidence of the past in the world around them and debated whether, and how, to preserve historic structures as permanent features of the new nation's landscape. From Indigenous mounds in the Ohio Valley to Independence Hall in Philadelphia; from Benjamin Franklin's childhood home in Boston to St. Philip's Episcopal Church in Charleston, South Carolina; from Dutch colonial manors of the Hudson Valley to Henry Clay's Kentucky estate, early advocates of preservation strove not only to place boundaries on competitive real estate markets but also to determine what should not be for sale, how consumers should behave, and how certain types of labor should be valued. Before historic preservation existed as we know it today, many Americans articulated eclectic and sometimes contradictory definitions of architectural preservation to work out practical strategies for defining the relationship between public good and private profit. In arguing for the preservation of houses of worship and Indigenous earthworks, for example, some invoked the "public interest" of their stewards to strengthen corporate control of these collective spaces. Meanwhile, businessmen and political partisans adopted preservation of commercial sites to create opportunities for, and limits on, individual profit in a growing marketplace of goods. And owners of old houses and ancestral estates developed methods of preservation to reconcile competing demands for the seclusion of, and access to, American homes to shape the ways that capitalism affected family economies. In these ways, individuals harnessed preservation to garner political, economic, and social profit from the performance of public service. Ultimately, Martinko argues, by portraying the problems of the real estate market as social rather than economic, advocates of preservation affirmed a capitalist system of land development by promising to make it moral.




Through Colonial Doorways


Book Description

"Through Colonial Doorways" by Anne Hollingsworth Wharton recounts the colonial history of the United States covers the European colonization of the Americas from the early 16th century until their incorporation into the United States of America. From the late 16th century, England, France, Spain, and the Netherlands all embarked on colonization of eastern North America. It shows how by the 1770s, 13 British colonies held 2.5 million people along the Atlantic coast east of the Appalachians.




Colonial Williamsburg, 1926-1940


Book Description

Architectural preservation is often intended as a visual display of a group's identification with their heritage. Most scholars and Americans accept the restoration of Colonial Williamsburg, the colonial capital of Virginia, as an accurate representation of a heritage of democracy and as a site designed for heritage education. The Restoration is considered a conventional Colonial Revival - part of a broader movement which celebrates patriotism and America's humble beginnings. However, upon closer examination, it becomes clear that Colonial Williamsburg is instead a celebration of classicism and European design, intended for an elite group of architectural connoisseurs. As the sole patron, John D. Rockefeller, Jr. imbued the project with his taste for European architecture. Instead of reflecting the heritage of early Americans, Colonial Williamsburg reflects an era when wealthy patrons used their status to disseminate personal taste in the arts and in architecture.