Anne Phoenix


Book Description

Unfamiliar today, The saints legacies... by Anne Fenwick (pseudonym Anne Phoenix) was a modest but unquestionable best seller. First published in 1629, it went through no fewer than thirteen editions between then and 1688. Most of the many thousands of Stuart readers would not have known that it was such a rare specimen: a work of godly practical divinity written by a woman. Anne Fenwick was a charismatic puritan, known for her zealous and radical non-conformist activities. She was arrested and tried before the Durham High Commission, after being targeted by the notoriously anti-puritan Bishop Neile, escaped from house arrest by May 1624 and became a noted author of religious writings. In 1629 one of her manuscripts, A collection of certaine promises out of the word of God, was published without her knowledge by the printer Robert Swayne, but the more definitive edition reproduced here was published by Michael Sparke in 1631. This edition was published with her consent and includes her prefatory letter, in which she explains the circumstances of the initial publication, and notes that she passed her own 'perfect copy' of the book to Swayne. It is reasonable to assume that this edition represents the version most faithful to the author's own manuscript and intentions. The knowledge that there was space for such a woman within the early Stuart puritan community - simultaneously prophetess, scriptual exegete and published writer - offers insight into the dramatic explosion of women's preaching and writing in the 1640s and 1650s.







The Practical Renaissance


Book Description

What sort of information did people in early modern England seek? In The Practical Renaissance Donna Seger explores the diffusion and reception of prescriptive publications over the 16th and 17th centuries. Published in an age of dynamic religious and political change, these texts demonstrate the universal desire for health and wealth, a fortified body and an orderly household. Showing how classical and continental information had been "Englished" over time, this book shows how new publications supplanted these traditional ideas with more empirical and authoritative knowledge. Published in an age of dynamic religious and political change, these texts, which include plague tracts, husbandry handbooks, printed recipe books, and navigation manuals, demonstrate the universal desire for health and wealth, a fortified body and an orderly household. Divided into three parts, the opening chapters explore factors which affected the diffusion of practical knowledge via prescriptive texts. Part two focuses on the interaction between new discoveries and traditional authority, and the final section considers debates in the 'medical marketplace', the term 'knowledge-mongerer' and the commodification of knowledge at this time. A thorough exploration into the popular and pragmatic expressions of the period, The Practical Renaissance offers a new window into the movement in which knowledge and information became power.







Katherine Philips (1631/2–1664): Printed Poems 1667


Book Description

Katherine Philips was a major seventeenth-century poet and playwright who became widely known for her innovative use of Donnean poetics to express passionate female friendship, her occasional verses on private friends and public figures, and her moral and political acuity. She had the mixed fortune of being enshrined in posthumous volumes that both celebrated and misrepresented her achievement. Fortunately recent research has clarified our understanding of who Philips was and how she conducted her literary career.




Texts from the Querelle, 1616-1640


Book Description

Misogyny and its opposite, philogyny, have been perennial topics in Western literature from its earliest days to the present day, but only at certain historic periods have pro-woman authors challenged fundamental negative assumptions about women by engaging in formal debate with misogynists and juxtaposing these two attitudes toward women in pairs or series of texts devoted exclusively to discussing womankind. This dialectic of attack on and defence of the female sex, known as the querelle des femmes (debate about women), was especially popular among authors and readers during the sixteenth and earlier seventeenth centuries in England. At least 36 texts exclusively devoted to attacking and/or defending women were published in the hundred years between 1540 and 1640. The works included in these two volumes exemplify the content and the methods of debate in England during those two centuries. Volume two includes texts from 1616 through to 1640.




Printed Writings 1500-1640


Book Description

The three series of Printed Writings (1500-1640, 1641-1700, and 1701-1750) provide a comprehensive, if not entirely complete, collection of separately published writings by women. In reprinting these writings it is intended to remedy one of the major obstacles to the advancement of feminist criticism of the early modern period, namely the unavailability of the very texts upon which the field is based. The volumes in the facsimile library reproduce carefully chosen copies of these texts, incorporating a short introduction providing an overview of the life and work of a writer along with a survey of important scholarship. Printed Writings 1641-1700, Series II, Part One consists of seven volumes of writings grouped by genre. The set comprises the following titles: Volume 1: Life Writings I Volume 2: Life Writings II Volume 3: Mother's Advice Books Volume 4: Writings on Medicine Volume 5: Educational and Vocational Books Volume 6: Almanacs Volume 7: Miscellaneous Plays




Women's Writing in English


Book Description

In this introduction to the diversity and scope of the writing by women in England from the beginning of the sixteenth century to the restoration of the monarchy in 1660, Patricia Demers discusses the creative realities of women writers' accomplishments and the cultural conditions under which they wrote. There were deep suspicions and restrictions surrounding the education of women during this period, and thus the contributions of women to literature, and to the print industry itself, are largely unknown. This wide-ranging examination of the genres of early modern women's writing embraces translation (from Latin, Greek, and French) in the fields of theological discourse, romance and classical tragedy, original meditations and prayers, letters and diaries, poetry, closet drama, advice manuals, and prophecies and polemics. A close study of six major authors – Mary Sidney, Aemilia Lanyer, Elizabeth Tanfield Cary, Lady Mary Wroth, Margaret Cavendish, and Katherine Philips – explores their work as poets, dramatists, and romantic fiction writers. Demers invites readers to savour the subtlety and daring with which these women authors made writing an expressly social craft.




The Monument of Matrones Volume 2 (Lamp 4)


Book Description

As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a 'domesticall librarie plentifullie stored and replenished'. This 1500-page book is one of a long line of books of secular prayer reaching from the Middle Ages through the sixteenth-century English compilations of prayer and meditations that grew out of the English Reformation. It is unique because it is addressed specifically to women and contains prayers and meditations written by women as well as for them. The Monument helped define women's roles in the Anglican Church and is intertwined with the whole nature of the Protestant Reformation and the place of women in it. The work is divided into seven numbered parts which Bentley titles 'Lamps'. This structural theme is based on a fusion of the imagery of the wise and foolish virgins and their lamps in Matthew 25:1-13 with the vision of the seven lampstands (or seven-branched candlestick) in Rev.1:20-2:1. In this facsimile edition Volume 1 contains Lamps 1-3, Volume 2 contains Lamp 4, and Volume 3 contains Lamps 5-7. The Introductory Note that appears in each of the three volumes provides an overview of the contents of The Monument which will help the reader to appreciate the riches of this immense book. It is also significant in identifying, for the first time, the compiler Thomas Bentley as the churchwarden of St Andrew Holborn, City of London. The copy reproduced in this edition is the British Library copy; where necessary, pages from The Huntington Library copy have been substituted.




The Monument of Matrones Volume 3 (Lamps 5–7)


Book Description

As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a 'domesticall librarie plentifullie stored and replenished'. This 1500-page book is one of a long line of books of secular prayer reaching from the Middle Ages through the sixteenth-century English compilations of prayer and meditations that grew out of the English Reformation. It is unique because it is addressed specifically to women and contains prayers and meditations written by women as well as for them. The Monument helped define women's roles in the Anglican Church and is intertwined with the whole nature of the Protestant Reformation and the place of women in it. The work is divided into seven numbered parts which Bentley titles 'Lamps'. This structural theme is based on a fusion of the imagery of the wise and foolish virgins and their lamps in Matthew 25:1-13 with the vision of the seven lampstands (or seven-branched candlestick) in Rev.1:20-2:1. In this facsimile edition Volume 1 contains Lamps 1-3, Volume 2 contains Lamp 4, and Volume 3 contains Lamps 5-7. The Introductory Note that appears in each of the three volumes provides an overview of the contents of The Monument which will help the reader to appreciate the riches of this immense book. It is also significant in identifying, for the first time, the compiler Thomas Bentley as the churchwarden of St Andrew Holborn, City of London. The copy reproduced in this edition is the British Library copy; where necessary, pages from The Huntington Library copy have been substituted.