Prints and Printmakers of Texas


Book Description

This eclectic collection pulls together some of the best presentations made at the North American Print Conference held in Austin, Texas. Focusing on the printing arts in Texas, this group of leading scholars and authorities covered a wide range of subjects from early lithography and photography in Texas to today's armadillo posters and T-shirts. The high arts and popular culture alike are treated in this broad overview of prints and printmaking on the Texas frontier and in its urban centers. Contributors: * R. Pearce-Moses, "From Niépce to Now: Thirty Million Photographs in Texas" * R. Cox, "Dust Bowl Realism: Texas Printmakers and the FSA Photographers of the Great Depression" * F. Carraro, "Jerry Bywaters: A Texas Printmaker" * D. Farmer, "The Printmakers Guild and Women Printmakers in Texas, 1939-1965" * P. H. Brink, "The Galveston That Was: Requiem or Inspiration?" * N. Jacobson, "Armadillos, Peccadilloes, and the Maverick Posterists of Austin, Texas" * J. H. Fox, "TexStyle Art: The Evolution of Quality Silkscreened Imagery upon T-Shirts in Austin, Texas, 1968-1988" * K. B. Ragsdale, "W. D. Smithers: Pictorial Chronicler of the Big Bend Country of Texas" * B. Huseman, "The Beginnings of Lithography in Texas" * K. J. Adams, "Texas Impressions: Graphic Arts and the Republic of Texas, 1836-1845" * J. P. McGuire and D. Haynes, "William DeRyee, Carl G. von Iwonski, and Homeography, a Printing Process" * C. Brandimarte, "Immaterial Girls: Prints of Pageantry and Dance, 1900-1936" * R. Flukinger, "The Panoramic Photography of E. O. Goldbeck"




Forty Texas Printmakers


Book Description

Highlights the work and lives of 40 artists who have contributed toward the advancement of printmaking.




The Texas Printmakers


Book Description




Prints and Their Makers


Book Description

"An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"--







Adirondack Prints and Printmakers


Book Description

Since the late eighteenth century, the Adirondacks—first characterized as a "Dismal Wilderness" and then a "Sportsman's Paradise"—has challenged cartographers, scientists, sportsmen, travelers, and artists. In a volume that covers nearly three hundred years of artistic achievement, Adirondack Museum curator Caroline M. Welsh includes essays that were originally presented at the 1995 North American Print Conference at the Adirondack Museum. Comprehensive in scope and lavishly illustrated, the book embodies the artistic spectrum from the documentary to the aesthetic. Paintings of Adirondack scenery were frequently reproduced as prints. Lithographs after original paintings disseminated affordable fine art to a broad middle class, exemplifying a pervasive nineteenth-century faith that art. By 1850, this northern expanse became a sanctuary for artists. Inspired by the drama of the landscape, the purity of the light, and the grandeur of its rugged wilderness, artists flocked to the region. From Winslow Homer, Dr. Arpad Gerster, and the French naturalist Jacques Gerard Milbert to Canadian artist David Milne, Adirondack Prints and Printmakers underscores the importance of the wilderness landscape in American art and culture and the role that prints have played to document, promote, and celebrate the Adirondacks.




Engraved Prints of Texas


Book Description

A collection of illustrated black-and-white engravings depicting the history of Texas from 1554 to 1900 presented chronologically and featuring a brief introduction to the historical background of each era.










Paths to the Press


Book Description

In 1910, Bertha Jaques co-founded the Chicago Society of Etchers and helped launch a revival of American fine art printmaking. In the decades following, women artists produced some of the most compelling images in U.S. printmaking history and helped advance the medium technically and stylistically. Paths to the Press examines American women artists' contributions to printmaking in the U.S. during the early to mid twentieth century. It features work by internationally and nationally recognized figures such as Isabel Bishop, Louise Nevelson, and Elizabeth Catlett; well-known regional figures such as Chicago artist Bertha Jaques, New Mexico artist Gener Kloss, and Louisiana artist Caroline Durieux; and relatively unknown printmakers such as Chicago artist Fritzi Brod, San Franciscan Pele deLappe, and Texan Mary Bonner. The contributors include David Acton, Nancy E. Green, Melanie Herzog, Helen Langa, Bill North, Mark Pascale, and Mark B. Pohlad.