Book Description

The Hudson Valley's role in the mid-1800s as the birthplace of American landscape architecture is explored through the romantically designed grounds of the valley's historic estates and the works of “the father of American landscape design,” Hudson Valley native Andrew Jackson Downing. Landscape gardening is a hidden but unequaled historic resource along the Hudson River, exhibiting some of the most significant designed 19th-century landscapes in America. Landscape Gardens on the Hudson is the first comprehensive study of the development of these landscapes and the important role they played in the cultural underpinnings of the young United States—a legacy that continues today with the design of America's urban parks and nearly every rural or suburban home. This garden design work in the 19th century stands at the center of historic events that decisively shaped the concept of scenic beauty in America and became a core value of the American dream. It was undeniably indigenous, because it reflected America's “genius of the place”—the genius loci of the Hudson River Valley. Fueled by sympathetic political, religious and nationalistic principles, America's cultural aspirations joined with the nation's physical assets, the landscape, to achieve a distinctive artistic expression. Most famously, this aesthetic found expression in the landscape paintings of the Hudson River School artists. Less well known is how this aesthetic determined the way Americans transformed the natural world around them.The sense of America as “Nature's Nation” was a central theme for romanticism in the early republic. In America, wild nature was an essential component of the “genius of the place.” America was seen as special, distinguished by its wilderness condition. “In the beginning,” wrote the English philosopher John Locke, “all the world was America.” This romantic sensibility expressed itself along the Hudson in the “Picturesque” landscape design approach, wherein art is hidden so that a fully natural and vernacular expression could prevail. These thoughts were exemplified at Washington Irving's Sunnyside and other cottage-style properties, and it reached a magnificent aesthetic crescendo with Olana, the unique and famed landscape creation by renowned Hudson River School painter Frederic Edwin Church. Olana has been rightly called by a recent commentator “one of the most perfectly realized Romantic landscape gardens in the world.” First, the predominantly English history of landscape gardening is traced as a prelude to landscape gardening in America. Then, the evolution of landscape design in New York's long colonial period is described at such historic sites as Philipse Manor (Yonkers), Livingston Manor (Clermont), Van Cortlandt Manor (Croton), and Schuyler House (Albany). After the Revolutionary War, with the blossoming of the Romantic period, landscape gardening achieved a regional culmination that was unique in America. A dozen of the finest examples on the Hudson are presented. The history and design of such well-known historic properties as David Hosack's Hyde Park (today's Vanderbilt Mansion), Irving's Sunnyside, the Livingstons' Montgomery Place, Samuel F. B. Morse's Locust Grove, and Olana are interpreted not as historic houses alone, but as landscape garden compositions. The historical commentary of Andrew Jackson Downing (1815–1852) is included at each site visited. Downing was a Hudson Valley native and America's leading landscape gardener in the antebellum years. His protégé, Calvert Vaux, coined the term “landscape architect” and later teamed with Frederick Olmsted on the design of Central Park (1858), a triumph of romantic landscape design and the inspiration for nearly every American public park created in the subsequent 150 years.The text is illustrated with over 140 period and contemporary images, including plans, photographs, bird's-eye views, paintings and engravings, many in color.