Private Voices: The Diaries of Elizabeth Gaskell and Sophia Holland


Book Description

These two diaries, by the nineteenth-century novelist Elizabeth Gaskell and her cousin Sophia Holland, provide us with uniquely personal and revealing accounts of Victorian womanhood and motherhood. This is the first critical edition of the Gaskell diary and the first ever publication of the Holland diary. The Gaskells were among the first generation of parents to experience the benefits and burdens of an abundance of child-care literature. Both Elizaeth and Sophia reveal themselves here as anxious to be seen as conscientious and well-informed mothers, but as confused as contemporary parents by the conflicting advice to be found within the pages of the so-called 'experts'. As a piece of social history, these diaries documen the challenges, dilemmas and rewards of Victorian parenthood. As a pieceof literature, there is no doubt that, in cultivating the powers of observation to be found in her diary, Elizabeth was laying the foundation for the wider social vision to be found in her novels. Both works have been carefully edited and annotated from their original manuscripts by J A V Chapple and are accompanied by an illuminating introduction by Anita Wilson.




The Mind of the Child


Book Description

In the 1840s novelists such as Brontë and Dickens began to explore the inner world of the child. Simultaneously the first psychiatric studies of childhood were appearing. Moving between literature and science, Sally Shuttleworth explores issues such as childhood fears, imaginary lands, sexuality, and the relation of the child to animal life.




Elizabeth Gaskell


Book Description

Assembles fourteen original essays on Gaskell, the Victorian novelist of social problem fiction




Women's Diaries as Narrative in the Nineteenth-Century Novel


Book Description

Using private diary writing as her model, Catherine Delafield investigates the cultural significance of nineteenth-century women's writing and reading practices. Beginning with an examination of non-fictional diaries and the practice of diary-writing, she assesses the interaction between the fictional diary and other forms of literary production such as epistolary narrative, the periodical, the factual document and sensation fiction. The discrepancies between the private diary and its use as a narrative device are explored through the writings of Frances Burney, Elizabeth Gaskell, Anne Brontë, Dinah Craik, Wilkie Collins and Bram Stoker. The ideological function of the diary, Delafield suggests, produces a conflict in fictional narrative between that diary's received use as a domestic and spiritual record and its authority as a life-writing opportunity for women. Delafield considers women as writers, readers, and subjects and contextualizes her analysis within nineteenth-century reading practice. She demonstrates ways in which women could becomes performers of their own story through a narrative method which was authorized by their femininity and at the same time allowed them to challenge the myth of domestic womanhood.




Resisting the Marriage Plot


Book Description

Fiction has long been used to cast vision for social change, but the role of Christian faith in such works has often been overlooked. In this STA volume, Dalene Joy Fisher examines how the works of Jane Austen, Anne Brontë, Elizabeth Gaskell, and Mary Wollstonecraft challenge cultural expectations of women and marriage, exploring how Christianity can be a transformative force of liberation.




An Elizabeth Gaskell Chronology


Book Description

This chronology will set Elizabeth Gaskell in her historical, social and literary contexts. It will focus on her career as a writer but will also underline her interactive roles as wife, mother, practical and tolerant Christian, radical sympathizer. Graham Handley discusses her early life, her marriage, the beginnings of her writing, the years of achievement, her social, humanitarian concerns, love of travel and its influence, with the balance of domesticity and creativity which is the key to her character.




Further Letters of Mrs. Gaskell


Book Description

The reputation of Elizabeth Gaskell is undergoing a renaissance as we enter the new millennium. The variety of her work and the range of her acquaintance makes her one of the most interesting literary figures of her century. This new collection of her letters illustrates the richness and diversity of her involvement in a remarkable range of social and literary activities. Out of the 270 letters included in this volume only 40 have been previously published.




Motherhood Memoirs: Mothers Creating/Writing Lives


Book Description

The authors in this collection examine and critique motherhood memoir, alongside the texts of their own lives, while seeking to transform mothering practice— highlighting revolutionary praxis within books, or, when none is available, creating new visions for social change. Many essays interrogate the tensions of maternal narrative—the negotiation of the historical location of writer and readers, narrative and linguistic constraints, and the slippery ground of memory—as well as the borders constructed between the “objective” scholar and the reader who engages with and identifies with texts through her intellect and her emotional being.




Women, Literature and Finance in Victorian Britain


Book Description

Women, Literature and Finance in Victorian Britain: Cultures of Investment defines the cultures that emerged in response to the democratization of the stock market in nineteenth-century Britain when investing provided access to financial independence for women. Victorian novels represent those economic networks in realistic detail and are preoccupied with the intertwined economic and affective lives of characters. Analyzing evidence about the lives of real investors together with fictional examples, including case studies of four authors who were also investors, Nancy Henry argues that investing was not just something women did in Victorian Britain; it was a distinctly modern way of thinking about independence, risk, global communities and the future in general.




Serial Forms


Book Description

Serial Forms: The Unfinished Project of Modernity, 1815–1848 proposes an entirely new way of reading the transition into the modern. It is the first book in a series of three which will take the reader up to the end of the First World War, moving from a focus on London to a global perspective. Serial Forms sets out the theoretical and historical basis for all three volumes. It suggests that, as a serial news culture and a stadial historicism developed together between 1815 and 1848, seriality became the dominant form of the nineteenth century. Through serial newsprint, illustrations, performances, and shows, the past and the contemporary moment enter into public visibility together. Serial Forms argues that it is through seriality that the social is represented as increasingly politically urgent. The insistent rhythm of the serial reorganizes time, recalibrates and rescales the social, and will prepare the way for the 1848 revolutions which are the subject of the next book. By placing their work back into the messy print and performance culture from which it originally appeared, Serial Forms is able to produce new and exciting readings of familiar authors such as Scott, Byron, Dickens, and Gaskell. Rather than offering a rarefied intellectual history or chopping up the period into ‘Romantic’ and ‘Victorian’, Clare Pettitt tracks the development of communications technologies and their impact on the ways in which time, history and virtuality are imagined.