Proceedings at the Reception and Dinner in Honor of George Peabody, Esq., of London
Author : Danvers (Mass.)
Publisher :
Page : 252 pages
File Size : 28,16 MB
Release : 1856
Category : Danvers (Mass.)
ISBN :
Author : Danvers (Mass.)
Publisher :
Page : 252 pages
File Size : 28,16 MB
Release : 1856
Category : Danvers (Mass.)
ISBN :
Author :
Publisher :
Page : 252 pages
File Size : 44,26 MB
Release : 1856
Category :
ISBN :
Author : Philip Whitwell Wilson
Publisher :
Page : 130 pages
File Size : 47,85 MB
Release : 1926
Category : Capitalists and financiers
ISBN :
Author : Franklin Parker
Publisher : Vanderbilt University Press
Page : 308 pages
File Size : 36,1 MB
Release : 1995
Category : Biography & Autobiography
ISBN : 9780826512567
A biography of George Peabody
Author : George Peabody Library
Publisher :
Page : 1226 pages
File Size : 35,91 MB
Release : 1889
Category : Dictionary catalogs
ISBN :
Author : Joseph Sabin
Publisher : BoD – Books on Demand
Page : 578 pages
File Size : 33,75 MB
Release : 2021-10-27
Category : Fiction
ISBN : 3752519932
Reprint of the original, first published in 1873.
Author : Joseph Sabin
Publisher :
Page : 582 pages
File Size : 25,24 MB
Release : 1873
Category :
ISBN :
Author : Joseph Sabin
Publisher :
Page : 586 pages
File Size : 13,51 MB
Release : 1873
Category : America
ISBN :
Author : Joseph Sabin
Publisher :
Page : 590 pages
File Size : 29,66 MB
Release : 1873
Category : America
ISBN :
Author : Bruce P. Gleason
Publisher : University of Oklahoma Press
Page : 265 pages
File Size : 28,20 MB
Release : 2016-10-13
Category : History
ISBN : 0806156538
Stemming from the tradition of rallying troops and frightening enemies, mounted bands played a unique and distinctive role in American military history. Their fascinating story within the U.S. Army unfolds in this latest book from noted music historian and former army musician Bruce P. Gleason. Sound the Trumpet, Beat the Drums follows American horse-mounted bands from the nation's military infancy through its emergence as a world power during World War II and the corresponding shift from horse-powered to mechanized cavalry. Gleason traces these bands to their origins, including the horn-blowing Celtic and Roman cavalries of antiquity and the mounted Middle Eastern musicians whom European Crusaders encountered in the Holy Land. He describes the performance, musical selections, composition, and duties of American mounted bands that have served regular, militia, volunteer, and National Guard regiments in military and civil parades and concerts, in ceremonies, and on the battlefield. Over time the composition of the bands has changed—beginning with trumpets and drums and expanding to full-fledged concert bands on horseback. Woven throughout the book are often-surprising strands of American military history from the War of 1812 through the Civil War, action on the western frontier, and the two world wars. Touching on anthropology, musicology, and the history of the United States and its military, Sound the Trumpet, Beat the Drums is an unparalleled account of mounted military bands and their cultural significance.