Indian Art History


Book Description

Papers presented at the Seminar "Historiography of Indian Art : Emergent Methodological Concerns", held at New Delhi during 19-21 September 2006.




The History of Indian Art


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The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art


Book Description

In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art




Bad Dreams


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CONTENTS.




From Dasarajna to Kuruksetra


Book Description

Is it true that the ancient Indians had no sense of History? The book begins with this question, and points out how the ways of perceiving the past could be culture-specific and how the concept of historical traditions can be useful in studying the various ways of memorising and representing the past, even if those ways do not necessarily correspond to the methodology of the Occidental discipline called 'History'. Ancient India had several historical traditions, and the book focuses on one of them, the itihasa. It also shows how the Mahabharata is the best illustration of this tradition, and how a historical study of the contents of the text, with comparison with and corroboration from other contemporary sources and traditions, may help us restore the text in its original context in the bardic historical tradition about the Later Vedic Kurus. Is the Mahabharata then an authentic history? This book does not claim so. However, it shows how the text had originated as a critical reflection on a great period of transition, how it dealt with the conflicting philosophies of the transitional period, how it propounded its thesis by creating new kinds of heroes such as Yudhisthira and Krsna, and how the text was reworked when it was canonized by the brahmanas




Fuzzy and Neutrosophic Analysis of Periyar's Views on Untouchability


Book Description

For the first time, the social problem of untouchability, which is peculiar to India, is being studied mathematically.We have used Fuzzy Cognitive Maps and Neutrosophic Cognitive Maps to analyze the views of the revolutionary Periyar E. V. Ramasamy (17.09.1879 24.12.1973) who relentlessly worked for more than five decades to secure the rights of the oppressed people who were considered untouchables. This thought-provoking book will be of great interest to human rights activists, socio-scientists, historians, and above all, mathematicians.From UNESCO citation: Periyar, The Prophet of the New Age, The Socrates of South East Asia, Father of the Social reform Movement and Arch Enemy of Ignorance, Superstition, Meaningless Customs and Baseless Manners.