Project Censored's State of the Free Press 2022


Book Description

As the United States grapples with the ongoing COVID-19 pandemic, the nation’s living legacy of systemic racism, and partisan threats to the foundations of democracy, the integrity of news and Project Censored's survey of underreported news stories has never been more important. This 2022 edition of Project Censored's State of the Free Press offers a comprehensive survey of the most important but underreported news stories of 2021 and a comparative analysis of the current state of corporate and independent news media, and its effect on democracy. The establishment media sustains a decrepit post-truth era, as examined the lowlight features: "Junk Food News"-frivolous stories that distract the public from actual news-and-"News Abuse"-important stories covered in ways that undermine public understanding. The alternative media provokes a burgeoning critical media literacy age, as evaluated in the highlight feature: "Media Democracy in Action"-relevant stories responsibly reported on by independent organizations. Finally, in an homage to the history of the annual report, the editors reinstate the "Déjà vu News" feature-revisited stories from previous editions. State of the Free Press 2022 endows readers with the critical thinking and media literacy skills required to hold the corporate media to account for distorting or censoring news coverage, and thus, to revitalize our democracy. State of the Free Press 2022 is a joint production of The Censored Press and Seven Stories Press.




Censored 2019


Book Description

“For more thanforty years, Project Censored has been our watchdog on the establishment media, casting its eye on how the information that we receive––and don’t receive––shapes our democracy. We need it more than ever today!” —Christopher Finan, Executive Director, National Coalition Against Censorship (NCAC) THESE ARE JUST A FEW OF THE STORIES PRESENTED IN CENSORED 2019: --“Open-Source” Intelligence Secrets Sold to Highest Bidders --ICE Intends to Destroy Records of Inhumane Treatment of Immigrants --Indigenous Communities around World Helping to Win Legal Rights of Nature --FBI Racially Profiling “Black Identity Extremists” --The Limits of Negative News and Importance of Constructive Media DID YOU KNOW THAT SINCE 1998 THE US GOVERNMENT SPENT $21 TRILLION IT CAN’T ACCOUNT FOR? Or that Internet co-ops are mobilizing poor communities to resist net neutrality rollbacks? How about the health risks of wireless tech that cell phone companies have covered up, or the opiate crisis that Big Pharma knowingly unleashed? Haven’t heard the news? Neither did the rest of the world. That’s because these and countless other news items are suppressed or ignored by our nation’s “free press” every day. For the past forty-three years, Project Censored has been unearthing the buried stories that corporate media deem unfit to print—and debunking the “fake news” governments and corporations use to consolidate their power—to promote well-informed citizen action and critical media literacy. This year’s Project Censored yearbook features: -- “Vetting Free Speech” by Sally Gimson, Layli Foroudi, and Sean Gallagher -- “#TimesUp: Breaking the Barriers of Sexual Harassment in Corporate Media for You and #MeToo” by Julie Frechette -- “Data Activism through Community Mapping and Data Visualization” by Dorothy Kidd -- “How Mainstream Media Evolved into Corporate Media” by Peter Phillips -- “Campus–Newsroom Collaborations” by Patricia W. Elliott -- “The Public and Its Problems” by Susan Maret Plus Junk Food News, News Abuse, and Media Democracy in Action. In a time of decline in the rule of law and democratic safeguards, Project Censored offers a constructive alternative to the “fake news” blues, holding the corporate media to account for its negative bias, propaganda for wealth and power, and outright censorship.




Project Censored's State of the Free Press 2021


Book Description

The new and improved "Censored," detailing the top censored stories and media analysis of 2020. Our nation's oldest news-monitoring group, Project Censored, refreshes its longstanding yearbook series, Censored, with State of the Free Press 2021. This edition offers a more succinct and comprehensive survey of the most important but underreported news stories of 2020; in addition to a comparative analysis of the current state of corporate and independent news media, and its effect on democracy. The establishment media sustains a decrepit post-truth era, as examined the lowlight features: "Junk Food News"-frivolous stories that distract the public from actual news-and-"News Abuse"-important stories covered in ways that undermine public understanding. The alternative media provokes a burgeoning critical media literacy age, as evaluated in the highlight feature: "Media Democracy in Action"-relevant stories responsibly reported on by independent organizations. Finally, in an homage to the history of the annual report, the editors reinstate the "Déjà vu News" feature-revisited stories from previous editions. State of the Free Press 2021 endows readers with the critical thinking and media literacy skills required to hold the corporate media to account for distorting or censoring news coverage, and thus, to revitalize our democracy.




Censored 2020


Book Description

In the midst of Trump's attacks on the media, comes this look at the rigorous, independent reporting of the year's most underreported news stories. While the country's president displays a brazen disregard for the First Amendment and routinely demonizes the press as "the enemy of the people," Censored 2020 looks beyond Donald Trump's dizzying contempt for the truth to clarify the corporate media's complicity in misinforming the American public--while also providing a clear vision of a better future, based on rigorous, trustworthy independent reporting that presents a fuller picture of truth. With a discerning eye, Censored 2020 focuses the public's attention on the most important but underreported news stories of 2018-2019. These stories expose the corporate news media's systemic blind spots while highlighting the crucial role played by independent journalists in providing the kind of news necessary for informed, engaged citizens. The book also examines this year's lowlights in "junk food news" and "news abuse"--further revealing how corporate news often functions as propaganda--as well as highlights of exemplary organizations that champion "Media Democracy in Action." Additional chapters address the importance of constructive journalism, the untold story of Kashmir, news coverage of LGBTQ issues in the Trump era, "fake news" as a Trojan horse for censorship, and online memes as a form of political communication.




Unlearning Liberty


Book Description

For over a generation, shocking cases of censorship at America’s colleges and universities have taught students the wrong lessons about living in a free society. Drawing on a decade of experience battling for freedom of speech on campus, First Amendment lawyer Greg Lukianoff reveals how higher education fails to teach students to become critical thinkers: by stifling open debate, our campuses are supercharging ideological divisions, promoting groupthink, and encouraging an unscholarly certainty about complex issues. Lukianoff walks readers through the life of a modern-day college student, from orientation to the end of freshman year. Through this lens, he describes startling violations of free speech rights: a student in Indiana punished for publicly reading a book, a student in Georgia expelled for a pro-environment collage he posted on Facebook, students at Yale banned from putting an F. Scott Fitzgerald quote on a T shirt, and students across the country corralled into tiny “free speech zones” when they wanted to express their views. But Lukianoff goes further, demonstrating how this culture of censorship is bleeding into the larger society. As he explores public controversies involving Juan Williams, Rush Limbaugh, Bill Maher, Richard Dawkins, Larry Summers—even Dave Barry and Jon Stewart—Lukianoff paints a stark picture of our ability as a nation to discuss important issues rationally. Unlearning Liberty: Campus Censorship and the End of American Debate illuminates how intolerance for dissent and debate on today’s campus threatens the freedom of every citizen and makes us all just a little bit dumber.




Red Lines


Book Description

A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing. Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe to feel the pulse of a vocation under attack. A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists--all presented in graphic form. This engaging account makes it clear that cartoon censorship doesn't just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims.




Media Capture


Book Description

Who controls the media today? There are many media systems across the globe that claim to be free yet whose independence has been eroded. As demagogues rise, independent voices have been squeezed out. Corporate-owned media companies that act in the service of power increasingly exercise soft censorship. Tech giants such as Facebook and Google have dramatically changed how people access information, with consequences that are only beginning to be felt. This book features pathbreaking analysis from journalists and academics of the changing nature and peril of media capture—how formerly independent institutions fall under the sway of governments, plutocrats, and corporations. Contributors including Emily Bell, Felix Salmon, Joshua Marshall, Joel Simon, and Nikki Usher analyze diverse cases of media capture worldwide—from the United Kingdom to Turkey to India and beyond—many drawn from firsthand experience. They examine the role played by new media companies and funders, showing how the confluence of the growth of big tech and falling revenues for legacy media has led to new forms of control. Contributions also shed light on how the rise of right-wing populists has catalyzed the crisis of global media. They also chart a way forward, exploring the growing need for a policy response and sustainable models for public-interest investigative journalism. Providing valuable insight into today’s urgent threats to media independence, Media Capture is essential reading for anyone concerned with defending press freedom in the digital age.




World trends in freedom of expression and media development


Book Description

In the face of such challenges, this new volume in the World Trends in Freedom of Expression and Media Development series offers a critical analysis of new trends in media freedom, pluralism, independence and the safety of journalists.




Let’s Agree to Disagree


Book Description

In an age defined by divisive discourse and disinformation, democracy hangs in the balance. Let’s Agree to Disagree seeks to reverse these trends by fostering constructive dialogue through critical thinking and critical media literacy. This transformative text introduces readers to useful theories, powerful case studies, and easily adoptable strategies for becoming sharper critical thinkers, more effective communicators, and critically media literate citizens.




Slanted


Book Description

USA TODAY BESTSELLER! New York Times bestselling author Sharyl Attkisson takes on the media’s misreporting on Black Lives Matter, coronavirus, Joe Biden, Silicon Valley censorship, and more. When the facts don’t fit their Narrative, the media abandons the facts, not the Narrative. Virtually every piece of information you get through the media has been massaged, shaped, curated, and manipulated before it reaches you. Some of it is censored entirely. The news can no longer be counted on to reflect all the facts. Instead of telling us what happened yesterday, they tell us what’s new in the prepackaged soap opera they’ve been calling the news. For the past four years, five-time Emmy Award–winning investigative journalist and New York Times bestselling author Sharyl Attkisson has been collecting and dissecting alarming incidents tracing the shocking devolution of what used to be the most respected news organizations on the planet. For the first time, top news executives and reporters representing every major national television news outlet—from ABC, CBS, NBC, and CNN to FOX and MSNBC—speak frankly, confiding in Attkisson about the death of the news as they once knew it. Their concern transcends partisan divides. Most frightening of all, a broad campaign in the media has convinced many Americans not only to accept but to demand censorship over journalism. It is a stroke of genius on the part of those seeking to influence public opinion: undermine public confidence in the news, then insist upon “curating” information and divining the “truth.” The thinking is done for you. They’ll decide which pesky facts shouldn’t cross your desk by declaring them false, irrelevant, debunked, unsafe, or out-of-bounds. We have reached a state of utter absurdity, where journalism schools teach students that their own, personal truth or chosen narratives matter more than reality. In Slanted, Attkisson digs into the language of propagandists, the persistence of false media narratives, the driving forces behind today's dangerous blend of facts and opinion, the abandonment of journalism ethics, and the new, Orwellian definition of what it means to report the news.