Projecting a New Empire


Book Description

Die Studien zur Geschichte und Kultur des Vorderen Orients erscheinen als Supplement der Zeitschrift Der Islam, gegründet 1910 von Carl Heinrich Becker, einem der Väter der modernen Islamwissenschaft. Ganz im Sinne Beckers ist das Ziel der Studien die Erforschung der vergangenen Gesellschaften des Vorderen Orients, ihrer Glaubenssysteme und der zugrundeliegenden sozialen und ökonomischen Verhältnisse, von der Iberischen Halbinsel bis nach Zentralasien, von den ukrainischen Steppen zum Hochland des Jemen. Über die grundlegende philologische Arbeit an der literarischen Überlieferung hinaus nutzen die Studien die archivalischen, sowie materiellen und archäologischen Überlieferungen als Quelle für die gesamte Bandbreite der historisch arbeitenden Geistes- und Sozialwissenschaften.




The New Woman and the Empire


Book Description




The Empire Project


Book Description

The British Empire, wrote Adam Smith, 'has hitherto been not an empire, but the project of an empire' and John Darwin offers a magisterial global history of the rise and fall of that great imperial project. The British Empire, he argues, was much more than a group of colonies ruled over by a scattering of British expatriates until eventual independence. It was, above all, a global phenomenon. Its power derived rather less from the assertion of imperial authority than from the fusing together of three different kinds of empire: the settler empire of the 'white dominions'; the commercial empire of the City of London; and 'Greater India' which contributed markets, manpower and military muscle. This unprecedented history charts how this intricate imperial web was first strengthened, then weakened and finally severed on the rollercoaster of global economic, political and geostrategic upheaval on which it rode from beginning to end.




Outskirts of Empire


Book Description

Outskirts of Empire: Studies in British Power Projection investigates the substructure of Britain’s interests in the Near East and beyond during the nineteenth and twentieth centuries. Essays address themes in British power projection in a geographically wide area encompassing parts of the Ottoman Empire, Morocco and Abyssinia, illuminating interlinking elements of Britain’s power and presence through commerce, religion, consular activity, expatriates, travel and exploration and technology. Through careful investigation of the interface of these themes the book develops a deeper sense of Britain’s presence in the Near East and contiguous areas and highlights the network of Britons who were required to sustain that presence.




Projecting Imperial Power


Book Description

The nineteenth century is notable for its newly proclaimed emperors, from Franz I of Austria and Napoleon I in 1804, through Agustín of Mexico, Pedro I of Brazil, Napoleon III of France, Maximilian of Mexico, and Wilhelm I of Germany, to Victoria, empress of India, in 1876. These monarchs projected an imperial aura through coronations, courts, medals, costumes, portraits, monuments, international exhibitions, festivals, religion, architecture, and town planning. They relied on ancient history for legitimacy while partially espousing modernity. Projecting Imperial Power is the first book to consider together these newly proclaimed emperors in six territories on three continents across the whole of the long nineteenth century. The first emperors' successors—Pedro II of Brazil, Franz Joseph of Austria, and Wilhelm II of Germany—expanded their panoply of power, until Pedro was forced to abdicate in 1889 and the First World War brought the Austrian and German empires to an end. Britain invented an imperial myth for its Indian empire in the twentieth century, but George VI still had to relinquish the title of emperor in 1947. Using a wide range of sources, Projecting Imperial Power explains the imperial ambition behind the cities of Berlin, Paris, Vienna, and New Delhi. It discusses the contested place of the emperors and their empires in national cultural memory by examining how the statues that were erected in huge numbers in the second part of the period are treated today.




666 and his Project 666


Book Description

666 and his Project 666" (Book I of 3 -"666 has come!) is one of those few books who really make history and deserve to be read, buy and posses by you, men, women and readers from all peoples and nations existing now in the world because it have been written by 666 and reveal his true story. The holy true about 666 is not when 666 is coming, neither whom is 666 which true identity is now revelead in this book to the whole world; 666 is the Swedish citizen, Miguel Angel Sosa Vásquez which also used the writer and literary pseudonym "Michel Smiely 666". The holy true about 666 is that 666 has come, that 666 is not that "Antichrist", "Satan" and "Devil reincarnated" that the Holy Bible predicts will destroy the mankind in Armageddon and that 666 existence now in the world is a product of the will and decision of the really true God that exist in the Universe which also is the great spiritual father of 666, the God that have created the men not to persecute, punishing or destroy men but to love, protect and guarantee the existence and happiness of the mankind in the Universe. This true God have command now his beloved son 666 to fullfil the holy mission to save the mankind from his own destruction by constructing a Paradise on earth with his marvelous Project 666 which is the creation of a new economic, social, political and religious system with 666 that will guarantee freedom, equality, justice, peace, love and happiness to the mankind with a global economy, constitution, government, army and religion. All this and much more implies the historic 666 existence now in the world. Are you ready to know, meet, support and follow 666?.




Projections of Power


Book Description

Throughout its history, the United States has been both imperialistic and anticolonial: imperialistic in its expansion across the continent and across oceans to colonies such as the Philippines, and anticolonial in its rhetoric and ideology. How did this contradiction shape its interactions with European colonists and Southeast Asians after the United States joined the ranks of colonial powers in 1898? Anne L. Foster argues that the actions of the United States functioned primarily to uphold, and even strengthen, the colonial order in Southeast Asia. The United States participated in international agreements to track and suppress the region’s communists and radical nationalists, and in economic agreements benefiting the colonial powers. Yet the American presence did not always serve colonial ends; American cultural products (including movies and consumer goods) and its economic practices (such as encouraging indigenous entrepreneurship) were appropriated by Southeast Asians for their own purposes. Scholars have rarely explored the interactions among the European colonies of Southeast Asia in the early twentieth century. Foster is the first to incorporate the United States into such an analysis. As she demonstrates, the presence of the United States as a colonial power in Southeast Asia after the First World War helps to explain the resiliency of colonialism in the region. It also highlights the inexorable and appealing changes that Southeast Asians perceived as possibilities for the region’s future.




Projecting Empire


Book Description

Popular cinema is saturated with images and narratives of empire. With "Projecting Empire", Chapman and Cull have written the first major study of imperialism and cinema for over thirty years. This welcome text maps the history of empire cinema in both Hollywood and Britain through a serious of case studies of popular films including biopics, adventures, literary adaptations, melodramas, comedies and documentaries, from the 1930s and "The Four Feathers" to the present, with "Indiana Jones" and "Three Kings". The authors consider industry-wide trends and place the films in their wider cultural and historical contexts. Using primary sources that include private papers, they look at the presence of particular auteurs in the cinema of Imperialism, including Korda, Lean, Huston and Attenborough, as well as the actors who brought the stories to life, such as Elizabeth Taylor and George Clooney. At a time when imperialism has a new significance in the world, this book will fulfil the needs of students and interested filmgoers alike.




The New Empire


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Iconography of the New Empire


Book Description

This book makes a postcolonial reading of the American invasion and colonization of the Philippines in 1898. It considers how nineteenth-century American popular culture, specifically political cartoons and caricatures, influenced American foreign policy. These sources, drawn from several U.S. libraries and archives, show how race and gender ideologies significantly influenced the move of the U.S. to annex the Philippines. The book not only includes a significant collection of political cartoons and caricatures about Filipinos, it also offers an alternative interpretation of the reasons why the U.S. ventured into colonial expansion in Asia.