The Worlds of André Maurois


Book Description

The centennial of Andre Maurois's birth in 1885 has made this a most appropriate moment to produce a comprehensive work assessing his role as one of the leading literary figures in the Western world. Jack Kolbert's The Worlds of Andre Maurois draws heavily from his close personal association with Maurois as well as from painstaking analyses of each of Maurois' published works and of many of his unpublished and private papers. Maurois had the virtue of serving as a supreme communicator - a writer who could transform the most complex subject matter into readable, tidily organized, and above all lucid works of prose narrative. Unchallenged as the foremost biographer of 20th century literary figures, he also produced well-written and accurate histories of the three nations he knew best: France, England and the United States. For decades his novels and short stories enjoyed worldwide popularity. Climats may well be regarded as a novelistic classic and his science fiction continues to attract many readers. With a warm spirit of appreciation Jack Kolbert's monograph covers all of the major aspects of this fascinating literary figure: his human characteristics, his presence in French and international society, the persons who peopled his private and public worlds, his great biographies, novels, short stories, histories, essays, and articles of criticism. Kolbert's study on Maurois is probably the most comprehensive work on this subject to date.




Paratexts


Book Description

Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette shows how the special pragmatic status of paratextual declaration requires a carefully calibrated analysis of their illocutionary force. With clarity, precision and an extraordinary range of reference, Paratexts constitutes an encyclopedic survey of the customs and institutions as revealed in the borderlands of the text. Genette presents a global view of these liminal mediations and the logic of their relation to the reading public by studying each element as a literary function. Richard Macksey's foreword describes how the poetics of paratexts interact with more general questions of literature as a cultural institution, and situates Gennet's work in contemporary literary theory.




Fiction Writing Master Class


Book Description

Want to find your voice? Learn from the best! In your development as a writer, you've likely been told to develop your own unique writing style, as if it were as simple as pulling it out of thin air. But finding your voice isn't easy--it requires time, practice, and a thorough understanding of how great fiction is written. Fiction Writing Master Class analyzes the writing styles of twenty-one superior novelists including Charles Dickens, Edith Wharton, Franz Kafka, Flannery O'Connor, Ray Bradbury, and many others. This fascinating and insightful guide mines the writing secrets of these exceptional authors and shows you how to use them to develop a writing style that stands out in a crowd. You'll discover how to: • Create characters as memorable as Herman Melville's Captain Ahab • Master point of view with techniques from Fyodor Dostoevsky • Pick up the pace by keeping your sentences lean like Ernest Hemingway • Incorporate sensual details like James Bond creator Ian Fleming • Add suspense to your story by following the lead of horror master Stephen King And that's not all, Fiction Writing Master Class is your key to understanding and implementing the proven techniques of history's greatest authors, taking your writing to a whole new level of excellence in the process.




Manic Depression and Creativity


Book Description

From Plato, who originated the idea of inspired mania, to Beethoven, Dickens, Newton, Van Gogh, and today's popular creative artists and scientists who've battled manic depression, this intriguing work examines creativity and madness in mystery, myth, and history.




Revenge Versus Legality


Book Description

In the wake of Guantanamo Bay, extraordinary renditions, and secret torture centres in Eastern Europe and elsewhere, Revenge versus Legality addresses the relationship between law and wild or vigilante justice; between the power to enforce retribution and the desire to seek revenge. Taking up a variety of narratives from the eras of Romanticism, Realism, Modernism and the Contemporary period, and including new theories to explain the interactions that occur between legalistic courtroom justice and the vigilante variety, Revenge versus Legality analyzes some of the main obstacles to justice, ranging from judicial corruption, to racism and imperialism. The book culminates in a consideration of that form of crime or lawlessness that poses the most serious threat to the rule of law: vigilante justice masquerading as legality. With its mixture of politics, literature, law, and film, this lively and accessible book offers a timely reflection on the enduring phenomenon of revenge.




Intercourse


Book Description

Intercourse is a book that moves through the sexed world of dominance and submission. It moves in descending circles, not in a straight line, and as in a vortex each spiral goes down deeper. Its formal model is Dante's Inferno; its lyrical debt is to Rimbaud; the equality it envisions is rooted in the dreams of women, silent generations, pioneer voices, lone rebels, and masses who agitated, demanded, cried out, broke laws, and even begged. The begging was a substitute for retaliatory violence: doing bodily harm back to those who use or injure you. I want women to be done with begging. The public censure of women as if we are rabid because we speak without apology about the world in which we live is a strategy of threat that usually works. Men often react to women's words - speaking and writing - as if they were acts of violence; sometimes men react to women's words with violence. So we lower our voices. Women whisper. Women apologize. Women shut up. Women trivialize what we know. Women shrink. Women pull back. Most women have experienced enough dominance from men - control, violence, insult, contempt - that no threat seems empty. Intercourse does not say, forgive me and love me. It does not say, I forgive you, I love you. For a woman writer to thrive (or, arguably, to survive) in these current hard times, forgiveness and love must be subtext. No. I say no. Intercourse is search and assertion, passion and fury; and its form - no less than its content - deserves critical scrutiny and respect.---- PREFACE.