Promo Monkey: Monkey See, Monkey Two


Book Description

“If the music biz is legit, then roller derby is an Olympic event.” In this bitingly hilarious memoir, Promo Monkey: Monkey See, Monkey TWO, RayMan Ramsay gives readers a backstage pass into the heart, soul (and, often, bowels) of the music industry. On April Fool’s Day in 1968, a wise-cracking, opinionated 19-year-old Ramsay landed a warehouse job at Quality Records/TPC. Music became part of his DNA. Ramsay ultimately spent 36 years in the business, hustling as a promotions rep and manager in the Vancouver and B.C. markets for Quality/TPC and RCA/BMG. In Promo Monkey, each chapter (Ramsay calls them “chatters” in his signature style, laden with puns, jokes and double entendres) breaks the music industry open, giving readers a peek inside at artists, acts and their “peeps,” through missives on artists such as Sammy Davis Jr., Otis Redding and Kenny Rogers, along with his trials and triumphs as a promo rep. Written in “Wryman” vernacular (and sometimes, dialect), he also unleashes screeds on punk rock, The Beach Boys and Chuck Berry, while dedicating plenty of airtime to icons such as David Bowie, The Beatles, and The Rolling Stones. Ramsay’s at his best, p’raps (as he’d put it), when unleashing rhapsodies about Canadian artists such as the late John Bottomley and Doug & the Slugs, as well as the many hardworking colleagues and industry pros he laboured and laughed with throughout the years on one very wild and musical ride.




Promo Monkey: My Life as a BellHop in the Waldorf Hysteria


Book Description

“...to the Creative Spirit that let me in, and to all my Music Buds who took the journey back then, and by guile, gall, hand, heart, and mind, sound or otherwise, had the will, persistence, tenacity, and desire to succeed back when it was still fun, yeah.” Promo Monkey: My Life as a BellHop in the Waldorf Hysteria is written in the key of R2 major. This alphabetical encyclopedia is a reflection on the real experiences and impressions of RayMan Ramsay during his career as Promo Rep/Manager at Quality Records/TPC Distribution and RCA/BMG Canada/Vancouver. Though he may take some flak for the way he portrays history, he has chosen to err on the side of passion rather than caution, and damn the tomatoes! Funny, clever, and entertaining, this book takes an in-depth and intimate look at the “Biz.” Because it’s always about the music. Always.




Monkey See, Monkey Murder


Book Description

Hack Ward thought he had found a niche market for his skills as a private investigator when Hollywood came to Detroit. When washed up director Will Peyton gets pegged to direct a low-brow family comedy starring a chimp and a perpetual bad-girl pop star, Hack gets brought in by Peyton to keep an eye on starlet Haley Goslin. It's not because Peyton is concerned about her image; it's because Peyton is in love with the younger woman and doesn't want her fooling around on him. It isn't long, however, before events on the set start turning sinister. Hack is on hand the day the chimp has a psychotic episode and attacks Haley. Saving her life sets off a chain of events that bring Hack and Haley closer together and puts them in more and more danger. On the morning she gets called into the set to shoot some additional footage, they have no idea they are getting called into a trap. When it comes to murder, which is the more dangerous animal? Chimp ... or man?




Giraffe's Jungle Boogie


Book Description

Giraffe decides to find a band to help with her dancing. She asks one elephant to play the triangle, two monkeys to play the cymbals, three flamingos to play the flute and four lions to play the banjo. However, when the elephant gets jealous of the others, Giraffe has to come up with a plan to get them all playing in harmony.




Catalog of Copyright Entries


Book Description




Night Monkey, Day Monkey


Book Description

Julia Donaldson's beloved rhyming picture book story about two monkeys who are as different as night and day - now with shiny cover foil! Night Monkey and Day Monkey don't think they have much in common. But when they each spend time in the other's opposite world, they learn to be the best of friends. From master storyteller, Julia Donaldson, and illustrated by Lucy Richards, this warm-hearted story about friendship and difference is pitch-perfect storytime reading. From the multi-award-winning author of a string of beloved contemporary classics, including The Gruffalo, The Gruffalo's Child, Stick Man, Room on the Broom, The Smeds and the Smoos, Zog and What the Ladybird Heard.




汉英歇后语词典


Book Description




Broadcast/cable Copywriting


Book Description

Introduces the special requirements and pitfalls of creating continuity, commercials, and off-air presentations, for students and professionals. Part I examines the copywriting marketplace, tools of the trade, audience, and regulatory and stylistic constraints. Part II probes radio's key elements, c




Believe in Magic


Book Description

'Heavenly is more than a record label, it's the absolute nectar of all that's brilliant in the culture of these island. I love the shit out of them and everything they stand for.' Irvine Welsh BELIEVE IN MAGIC tells the story of Heavenly Recordings in thirty vignettes, photography and ephemera, all of which relate to landmark records, moments and characters in the label's first three decades. A label responsible for creating satellite communities of fans around the world and at all the major festivals, Heavenly was set up by Jeff Barrett in 1990 after several years working for Factory and Creation as the acid house revolution was in full swing; early releases set the tone and tempo for the mood of the decade to come - their first single was produced by perhaps the most revered acid house DJ of them all, Andrew Weatherall; and this was quickly followed by era-defining singles from Saint Etienne, Flowered Up and Manic Street Preachers, music which perhaps captures the flavour of the early '90s better than any other. Heavenly was always tuned to an aesthetic that was sensitive to the anarchic spirt of the times; defiantly eclectic with a radar set to taste and a never-ending commitment to discovering new talent. In 1994 they set up The Heavenly Sunday Social, which became one of the most influential and mythologised clubs in recent British history, where the Chemical Brothers - then the Dust Brothers - made their name. For thirteen weeks, it was the hottest nightclub on the planet. For 180 demented acolytes in a basement room below the Albany pub. Over nearly 200 releases in thirty years Heavenly have consistently produced some of the most exciting music across all genres, and this book collects rare artwork and wild anecdotal evidence into a celebration of a label that is one of the most beloved institutions on the independent landscape. BELIEVE IN MAGIC includes contributions from Manic Street Preachers, Beth Orton, Doves, Don Letts, Edwyn Collins, Confidence Man, Mark Lanegan, King Gizzard and The Lizard Wizard.




The Beatles


Book Description

With several other discographies available on the group, it is inevitable that this volume contains much duplication. Its premise is to list in sequence information on every Beatles recording, arranged in seven different chronologies. The first of these, a 306-page overview, is a virtual day-by-day calendar pinpointing recording sessions, concert and TV appearances, interviews, and personal facts. Other chronologies treat U.S. and U.K. recording/release dates and are divided by, specialties, etc.; these essentially replicate the overview. Indexing is thorough, but contains errors and is not amenable to quick reference. Although less expensive, Wiener's work cannot match the comprehensiveness of Harry Castleman and Walter P. Podrazik's The End of the Beatles? (Pierian Pr., 1985). Paul G. Feehan, Univ. of Miami Lib., Coral Gables, Fla. -Library Journal.