Propaganda Art in the 21st Century


Book Description

How to understand propaganda art in the post-truth era—and how to create a new kind of emancipatory propaganda art. Propaganda art—whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon—delivers a message. But, as Jonas Staal argues in this illuminating and timely book, propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propagandas. In Propaganda Art in the 21st Century, Staal offers an essential guide for understanding propaganda art in the post-truth era. Staal shows that propaganda is not a relic of a totalitarian past but occurs today even in liberal democracies. He considers different historical forms of propaganda art, from avant-garde to totalitarian and modernist, and he investigates the us versus them dichotomy promoted in War on Terror propaganda art—describing, among other things, a fictional scenario from the Department of Homeland Security, acted out in real time, and military training via videogame. He discusses artistic and cultural productions developed by such popular mass movements of the twenty-first century as the Occupy, activism by and in support of undocumented migrants and refugees, and struggles for liberation in such countries as Mali and Syria. Staal, both a scholar of propaganda and a self-described propaganda artist, proposes a new model of emancipatory propaganda art—one that acknowledges the relation between art and power and takes both an aesthetic and a political position in the practice of world-making.




Propaganda Prints


Book Description

Propaganda Prints reviews the history, cultural diversity and artistic legacy of art produced in the service of social and political change from ancient times to the present day. The author presents the arts of state control, of opposition, of revolution, of advertising, politics and self-promotion in their historical contexts, with three hundred images to evoke some of the dreams and concerns which have driven humanity through the last five thousand years. The Ancient Mesopotamians are there with the Romans, the Crusaders, the Normans, the Victorians, the Suffragettes, the Nazis and the Hippies. The American, French, Russian, Mexican, Chinese and Cuban revolutions all contribute as do many, far too many, wars. From Gutenberg's printing press to You Tube, from Alexander to Obama, this review of propaganda art reflects the best and the worst of us, and offers the pictures by way of consolation.




All Art Is Propaganda


Book Description

The essential collection of critical essays from a twentieth-century master and author of 1984. As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line." With an Introduction from Keith Gessen.




Star Wars Propaganda


Book Description

An exploration of Star Wars universe history through stunning propaganda-style artworks tied to some of the films. A Star Wars authority deepens and extends our appreciation of the Star Wars galaxy with this imaginative “history” featuring striking full-color artwork—created exclusively for this entertaining volume—that examines the persuasive messages used to intimidate and inspire the citizenry of the galaxy far, far away. . . . A Star Destroyer hovering over a planet, symbolizing Imperial domination. An X-wing delivering a message of resistance and hope on behalf of the Rebellion. A line of armed, faceless First Order stormtroopers promoting unity. These are all examples of propaganda used by the Empire to advocate strength and maintain fear, and by the Rebel Alliance to inspire hope and win support for the fight. Star Wars Propaganda takes fans into the beloved epic story as never before, bringing the battle between these two sides to life in a fresh and brilliant way. Star Wars Propaganda includes fifty dazzling pieces of art representing all seven episodes—including material related to Star Wars: The Force Awakens—specially produced for this companion volume. Each page combines an original image and a short description detailing its “history”: the in-world “artist” who created it (either willingly or through coercion), where in the Star Wars galaxy it appeared, and why that particular location was targeted. Written by a franchise expert and insider, Star Wars Propaganda is sure to become a keepsake for every fan and graphic artist as well. Praise for Star Wars Propaganda “A galactic history lesson, offering even the most devoted fans a deep dive into corners of the George Lucas films they may not have known. The artwork of ‘Propaganda’ is stellar.” —Wall Street Journal




Comic Art Propaganda


Book Description

As one of the most simple, effective and powerful forms of communication, it comes as no surprise that comic art has been misappropriated by governments, self-interest groups, do-gooders and sinister organisations to spread their messages. World War Two comic book propaganda with Superman, Batman, and Captain America bashing up cartoon enemies was so ubiquitous that there was barely a US comic untainted by the war effort. And theres no shortage of examples from the other side of the globe. This book examines every kind of propaganda, and how positive or pernicious messages have been conveyed in the pages of comic books over the last 100 years. Subject areas include racism and xenophobia, antidrugs comics, pro-drugs comics and religious comics. Plus, there is a look at social programming; how gender roles were re-enforced in comic book stereotyping, and how comics broke free to produce a whole slew of gay superheroes, no matter how ham-fistedly written. This book is a fascinating global, visual history of some of the most contentious, outrageous, unbelievably unusual and politically charged comics ever published. Written by renowned comics historian and author, Fredrik Strömberg.




Forests Are Gold


Book Description

Forests Are Gold examines the management of Vietnam's forests in the tumultuous twentieth century—from French colonialism to the recent transition to market-oriented economics—as the country united, prospered, and transformed people and landscapes. Forest policy has rarely been about ecology or conservation for nature’s sake, but about managing citizens and society, a process Pamela McElwee terms “environmental rule.” Untangling and understanding these practices and networks of rule illuminates not just thorny issues of environmental change, but also the birth of Vietnam itself.




Perspectives Art and Propaganda in the Twentieth-Century


Book Description

The relationship of art to politics has always been an uneasy one, and never more so than in the 20th century. Governments have sought to control, censor, or bend art to their own purposes; artists have resisted and subverted such efforts. But what happens when artists work on behalf of a political program? When does art become propaganda? Is art tainted, diminished, or elevated by its political content?Toby Clark argues that propaganda art appears in many guises, and that the desire to persuade is not always at odds with aesthetic aims. He examines these many forms: the state propaganda of Nazi Germany, Fascist Italy, and Stalin's Soviet Union; democratic governments' representation of enemies in wartime; and anti-government protest art around the world, uncovering the complex rhetoric, high beauty, and ambiguous role of art that dwells in the political realm.




Posters, Propaganda, and Persuasion in Election Campaigns Around the World and Through History


Book Description

How effective are election campaign posters? Providing a unique political history, this book traces the impact that these posters - as well as broadsides, banners, and billboards - have had around the world over the last two centuries. It focuses on the use of this campaign material in the United States, as well as in France, Great Britain, Germany, South Africa, Japan, Mexico, and many other countries. The book examines how posters evolved and discusses their changing role in the twentieth century and thereafter; how technology, education, legislation, artistic movements, advertising, and political systems effected changes in election posters and other campaign media, and how they were employed around the world. This comprehensive and original overview of this campaign material includes the first extensive review of the research literature on the topic. Posters, Propaganda, and Persuasion will be useful to scholars and students interested in communications, politics, history, advertising and marketing, art history, and graphic design.




Neo Rauch: PROPAGANDA


Book Description

One of the most influential figurative painters of his generation, Neo Rauch presents bold, new work in PROPAGANDA. Rauch is widely celebrated for his captivating compositions that bring together figurative painting and surrealism into an entirely new kind of visual encounter. They often hint at broader narratives and histories—seemingly reconnecting with artistic traditions of realism—but they remain dreamlike and impossible to reduce to a single story. Though his art is highly refined and executed with great technical skill, Rauch himself stresses the intuitive, deeply personal nature of how he works. As the artist notes, “My process is far less a reflection than it is drawing from the sediments of my past, which occurs in an almost trance-like state.” Eight large-scale canvases and seven smaller, more intimately scaled works continue the artist’s exploration of figuration and the ambiguous nature of meaning in visual art. In some of the larger works, the saturation of the canvas with characters, objects, and, forms, all rendered at different scales and in conflicting arrangements, creates a collage-like quality—a figurative scrapbook of Rauch’s personal iconography. The publication features a short story by acclaimed novelist and playwright Daniel Kehlmann, which was inspired by the paintings in this book. The fantastical text moves between present-day New York and an unknown time of enchanted forests, knights, and witches, exploring the many layers found in Rauch’s canvases. Published on the occasion of the artist’s solo exhibition at David Zwirner, Hong Kong in 2019, Neo Rauch: PROPAGANDA is available in both English-only and bilingual English/traditional Chinese editions.




The Fine Art of Propaganda


Book Description