UNDOC, Current Index
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Page : 344 pages
File Size : 47,95 MB
Release : 1991
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Page : 344 pages
File Size : 47,95 MB
Release : 1991
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Page : 9 pages
File Size : 50,18 MB
Release : 1991
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Author : J. Paul Getty Museum
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Page : 380 pages
File Size : 50,71 MB
Release : 1988
Category : Drawing
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Author : Riva Castleman
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Page : 262 pages
File Size : 23,12 MB
Release : 1985
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ISBN : 9780870705960
Author : The J. Paul Getty Museum
Publisher : Getty Publications
Page : 170 pages
File Size : 11,83 MB
Release : 1994-03-24
Category : Art
ISBN : 0892362561
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 21 of the J. Paul Getty Museum Journal includes articles by John Walsh, Barbara C. Anderson, Ariel Herrmann, Jill Finsten, Lynn F. Jacobs, And Peter J. Holliday.
Author : Rachel Rivenc
Publisher : Getty Publications
Page : 378 pages
File Size : 32,17 MB
Release : 2018-03-13
Category : Art
ISBN : 1606065378
Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.
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Page : 18 pages
File Size : 35,79 MB
Release : 1991
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Page : 4 pages
File Size : 15,24 MB
Release : 1991
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Page : 4 pages
File Size : 31,8 MB
Release : 1991
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Page : 9 pages
File Size : 49,18 MB
Release : 1991
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