Yooper Poetry


Book Description

Sometimes the best way to learn about a unique region is to listen to the stories told by those who've actually lived there. You learn things that no guidebook would ever tell you. You meet unforgettable characters who've strayed far off the beaten path. And you see clearly again how the power of memory is so strong that they can still recall incidents decades later. Michigan's Upper Peninsula has always been filled with remarkable sensations and indelible stories. With this anthology, the editor Raymond Luczak sought to include poets who not only live in the U.P., but also who used to live there. What did it mean to be a Yooper then? What about now? Even for those who no longer abide there, the U.P. is indeed a special place, and it isn't just thanks to Mother Nature. The Yooper mindset requires a particular kind of faith in resilience against persistent odds. The poets in this collection have never forgotten what it means to be a Yooper. Come partake in our celebration! Featuring Martin Achatz Jennifer Elen Bríd B. Harlan Deemer Chad Faries Deborah K. Frontiera Kathleen M. Heideman John Hilden Jonathan Johnson Kathleen Carlton Johnson Ellen Lord Raymond Luczak Gala Malherbe Beverly Matherne R. H. Miller Jane Piirto Dana Richter T. Kilgore Splake Suzanne Sunshower Russell Thorburn The editor Raymond Luczak, who spent nine years each in Ironwood and Houghton, Michigan, has never forgotten what it means to be a Yooper. It still runs deep in his veins, and it continues to inform his every step. When he began to wonder whether he was the only one who’d felt this way, he decided to find out by calling out to others who were of the U.P. diaspora as well as those who still resided there. He found a community who wanted to be part of the larger Yooper (and poetic) conversation about identity and connection. What he discovered in the poems submitted for his consideration was just how powerful some childhood memories can be. Many of the poems illustrated yet again the truth of that rephrased maxim—You can take a person out of the U.P., but you can’t take the U.P. out of them. Many poems throughout the anthology seem to call out to each other, as if they are having a deep conversation and nodding in agreement. Yooper Poetry: On Experiencing Michigan’s Upper Peninsula has assembled a community of some 19 poets who wanted to be part of the larger Yooper conversation about identity and connection that is still ongoing today, and the anthology remains very relevant to America’s future history. Who are we, and who are we to each other? The anthology offers many possible answers. RAYMOND LUCZAK is the author and editor of over 30 books, including U.P.-centric titles such as Far from Atlantis: Poems (Gallaudet University Press), Chlorophyll: Poems about Michigan's Upper Peninsula (Modern History Press), and Compassion, Michigan: The Ironwood Stories (Modern History Press). His poetry collection once upon a twin: poems (Gallaudet University Press) was a top ten U.P. Notable Book of the Year for 2021. His work has appeared in Poetry, Prairie Schooner, and elsewhere. A proud Yooper, he lives in Minneapolis, Minnesota.




Psalms of the Early Anthropocene


Book Description

These poems are rooted in Place, tugged between howling and praising. Kathleen M. Heideman is a writer, artist and environmentalist working in Michigan?s wild Upper Peninsula. She is the author of Explaining Pictures To A Dead Hare, She Used To Have Some Cows, and Time Upon Once, a book arts collaboration with Phebe Hanson and Rebecca Alm. Heideman is a past fellow of the National Science Foundation?s Antarctic Artists & Writers Program, and the recipient of artist residencies with watersheds, forests, private foundations and the National Park Service. According to Heideman, "These poems were born on a bed of jackpine needles in a weathered cabin on the Yellow Dog Plains of Michigan?s Upper Peninsula. While a nickel mine boomed in the near distance, these words were fed blueberries, bathed in starlight, swatted with a birch vihta, sand-scrubbed, and rinsed in icy water from a red handpump. Within hours, they were howling." Poet Jonathan Johnson (author of In The Land We Imagined Ourselves) writes, ?Kathleen Heideman?s poems are fierce in their affections for wilderness, painterly in their observations, and steadfast in their companionship. Now that the great Jim Harrison has left us, I can think of no poet who knows better or writes more truly the back-country character of Michigan?s Upper Peninsula. In Psalms of the Early Anthropocene the fox, the vole, the white pine, the mossy trail, the aspen and the otter all have a ?prodigal daughter? and their new speaker.?




Anthropocene Unseen


Book Description

The idea of the Anthropocene often generates an overwhelming sense of abjection or apathy. It occupies the imagination as a set of circumstances that counterpose individual human actors against ungraspable scales and impossible odds. There is much at stake in how we understand the implications of this planetary imagination, and how to plot paths from this present to other less troubling futures. With Anthropocene Unseen: A Lexicon, the editors aim at a resource helpful for this task: a catalog of ways to pluralize and radicalize our picture of the Anthropocene, to make it speak more effectively to a wider range of contemporary human societies and circumstances. Organized as a lexicon for troubled times, each entry in this book recognizes the gravity of the global forecasts that invest the present with its widespread air of crisis, urgency, and apocalyptic possibility. Each also finds value in smaller scales of analysis, capturing the magnitude of an epoch in the unique resonances afforded by a single word. The Holocene may have been the age in which we learned our letters, but we are faced now with circumstances that demand more experimental plasticity. Alternative ways of perceiving a moment can bring a halt to habitual action, opening a space for slantwise movements through the shock of the unexpected. Each small essay in this lexicon is meant to do just this, drawing from anthropology, literary studies, artistic practice, and other humanistic endeavors to open up the range of possible action by contributing some other concrete way of seeing the present. Each entry proposes a different way of conceiving this Earth from some grounded place, always in a manner that aims to provoke a different imagination of the Anthropocene as a whole. The Anthropocene is a world-engulfing concept, drawing every thing and being imaginable into its purview, both in terms of geographic scale and temporal duration. Pronouncing an epoch in our own name may seem the ultimate act of apex species self-aggrandizement, a picture of the world as dominated by ourselves. Can we learn new ways of being in the face of this challenge, approaching the transmogrification of the ecosphere in a spirit of experimentation rather than catastrophic risk and existential dismay? This lexicon is meant as a site to imagine and explore what human beings can do differently with this time, and with its sense of peril. Cymene Howe is Associate Professor in the Department of Anthropology and founding faculty of the Center for Energy and Environmental Research in the Human Sciences (CENHS) at Rice University. She is the author of Intimate Activism (Duke, 2013) and Ecologics: Wind and Power in the Anthropocene (Duke, 2019). Cymene was co-editor for the journal Cultural Anthropology and the Johns Hopkins Guide to Social Theory, and she co-hosts the weekly Cultures of Energy podcast. Anand Pandian is Associate Professor in the Department of Anthropology at Johns Hopkins University. He is author of Reel World: An Anthropology of Creation (Duke, 2015) and Crooked Stalks: Cultivating Virtue in South India (Duke, 2009), among other book, as well as the co-editor of Race, Nature and the Politics of Difference (Duke, 2003) and Crumpled Paper Boat (Duke, 2017).




Ordinary Psalms


Book Description

Struggling to accept her impending blindness, the speaker in Julia B. Levine’s fifth collection of poetry, Ordinary Psalms, asks everyday life to help her learn how to see beyond appearances into fundamental truths. As she contemplates the loss of one friend to cancer and another to suicide, along with her own visual impairment, Levine holds the world “close as I needed / to see.” Imagistic, lyrical, and at times imploring divine intervention from a god she does not know or trust, these poems curse and praise the extraordinary place we live in and are in danger of losing. Lamenting that “this world is a mortal affliction / with wounds in the beautiful,” Ordinary Psalms provides a seductive and lyric rumination on radiance, loss, and grief.




Reading the Psalms Theologically


Book Description

The Psalms as Christian Scripture. Reading the Psalms Theologically presents rich biblical-theological studies on the Psalter. Reading the Psalter as a Unified Book: Recent Trends (David M. Howard and Michael K. Snearly) The Macrostructural Design and Logic of the Psalter: An Unfurling of the Davidic Covenant (Peter C. W. Ho) David's Biblical Theology and Typology in the Psalms: Authorial Intent and Patterns of the Seed of Promise (James M. Hamilton) A Story in the Psalms? Narrative Structure at the "Seams" of the Psalter's Five Books (David "Gunner" Gunderson) Does the Book of Psalms Present a Divine Messiah? (Seth D. Postell) The Suffering Servant in Book V of the Psalter (Jill Firth) Excavating the "Fossil Record" of a Metaphor: The Use of the Verb nasa' as "to forgive" in the Psalter (C. Hassell Bullock) The Art of Lament in Lamentations (May Young) The Psalms of Lament and the Theology of the Cross (Rolf A. Jacobson) "In Sheol, who can give you praise?" Death in the Psalms (Philip S. Johnston) Psalm 32: More Accurately a Declarative Praise than Penitential Psalm (Daniel J. Estes) Theology of the Nations in the Book of Psalms (Ryan J. Cook) Psalm 87 and the Promise of Inclusion (Jamie A. Grant) YHWH Among the Gods: The Trial for Justice in Psalm 82 (Andrew J. Schmutzer) Reclaiming Divine Sovereignty in the Anthropocene: Psalms 93–100 and the Convergence of Theology and Ecology (J. Clinton McCann) A Theology of Glory: Divine Sanctum and Service in the Psalter (Jerome Skinner) Perceptions of Divine Presence in the Levitical Psalms of Book 2: The Paradox of Distance and Proximity (J. Nathan Clayton) Psalm 110, Jesus, and Melchizedek (David C. Mitchell) The essays interpret the Psalms as a carefully-composed book. Each study focuses on a biblical or theological topic, drawing insights from past interpreters and current scholarship.




Life in the Psalms


Book Description

The Mowbray Lent Book for 2016. The Psalms lie at the heart of Jewish and Christian worship. For thousands of years people in despair and praise have cried to God through the words of these ancient poems. Fragments of them are still widely known and loved, but such is the gulf between their ancient culture and our contemporary world that much of the depth of their meaning is lost to us. Life in the Psalms aims to bridge that gulf, enabling the modern reader to find hope in these ancient texts by re-imagining their meanings for our times. The Psalms include texts that illuminate issues including climate change and environmental degradation; the illusions of consumerism and 'celebrity culture'; our response to migrants and asylum seekers; conditions of depression, anxiety, and grief, and the question of 'attention' in a digital age. Many texts take us deeply into the experience of meditation and contemplation; and teach us how to wonder, and find happiness. Three introductory chapters are followed by reflections on thirty Psalms (one for each weekday of Lent), which aim to illuminate the text and help those in search of a more contemplative spirituality to discover, in the midst of the hard realities of a secular twenty-first century world, a deep consciousness of the healing mystery of God.




Riffing on Strings


Book Description

Riffing on Strings is a unique collection of creative writing that explores the cosmic and cultural resonances of string theory. The book includes thought-provoking essays, short stories, poems, and a play from over 40 acclaimed authors, including Nobel Laureate Sheldon Glashow, Michio Kaku, Peter Woit, Adam Roberts, Colette Inez, Brenda Hillman, Joseph Radke, Bruce Holland Rogers, and Carole Bugge. "Sean Miller and Shveta Verma have put together an exhilaratingly eclectic anthology of creative and expository writing about one of the most exciting (even if controversial) intellectual fields of our time: string theory. Just Miller's erudite introduction by itself is worth the price of this sparkling collection." - S. Abbas Raza, Managing Editor of 3 Quarks Daily "Putting together a theory of everything requires a lot of creativity, and more than a little audacity - qualities which are also abundant in this collection of stories and poems inspired by string theory. Riffing on Strings is guaranteed to stimulate both hemispheres of your brain." - Sean Carroll, Theoretical Physicist, California Institute of Technology & Creator of Cosmic Variance




Guidance from the God of Seahorses


Book Description

Guidance from the God of Seahorses is a collection of prose poems about Earth's ongoing sixth mass extinction. The poems are written as advice columns from a series of Gods, each of whom speaks as the creator of a particular species. Through profiling fifty animals--many threatened or endangered, others thriving weed-like in urban centers--the Gods grapple with pressing environmental issues such as climate change, habitat fragmentation, and the spread of invasive species. Collectively, Guidance offers a "God's-eye-view" of the Anthropocene that is simultaneously playful and sorrowful, inspiring a renewed sense of gravity about our planet's vanishing species.




Summa Metaphysicae Ad Mentem Sancti Thomae: Essays in Honor of John F. Wippel


Book Description

The essays of Patristic Exegesis in Context examine the biblical exegesis of early Christians beyond the formal genre of biblical commentary. The past couple of decades have seen a broadening of perspective on the study of patristic exegesis; the phenomenon is increasingly situated within its various literary contexts and genres, and the definition of what counts as patristic exegesis is therefore widened. This volume thus situates itself within this emerging scholarly tradition, which aims not to give an account of exegetical strategies and methodologies as found primarily in exegetical commentaries and homilies, but to demonstrate the highly sophisticated nature of biblical exegesis in other genres, and the manifold uses to which this exegesis was put. Ancient Christian authors lived and breathed scripture; it served as their primary source of theological and liturgical vocabulary, their way of processing the world, their social ethic, and their mode of constructing self and communal identity. Scripture therefore permeates all ancient Christian literature, regardless of genre, and the various contexts in which interpretation of scripture took place resulted in a wide variety of uses of the church's authoritative texts. The essays in this volume demonstrate the interpretive skill, creativity, and sophistication of early Christian authors in a myriad of other early Christian genres, such as poetry, paraphrase, hymns, martyr accounts, homilies, prophetic vision accounts, monastic writings, argumentative treatises, encomia, apocalypses, and catenae. Accordingly, the volume aims to help the modern person, who is used to hearing the Bible explained in explicitly expository situations (for example, in academic commentaries or religious sermons) to become more habituated to ancient ways of interacting with and expounding the biblical text. These essays attempt to contextualize various types of patristic exegesis, in order for us to glimpse the complex and diverse uses of the Bible in this period.




In the Land We Imagined Ourselves


Book Description

Jonathan Johnson is a poet unafraid to seek wisdom, even as the bewilderment of longing floods like shadows--or perhaps light--into every day. We are alive now, these poems remind us. In response to that beautiful and difficult truth, Johnson offers the sincerity of his fullest attentions and speaks in a voice as fluent in the intricacies of consciousness as it is in the tender directness of elegy. In this new collection, imagination is a migratory instinct that leads across a vast home range of shorelines, northern forests and companionable sidewalks. Traveling these rich physical territories and correspondent territories of the human heart with Johnson, the reader finds ample reason for gratitude and the grace to inhabit the moment as it passes away.