The Public Dance Halls of Chicago


Book Description

This is a revised edition of a work based on an investigation done in 1910 regarding the conditions of public dance halls in Chicago. Bowen's complaints included the late hours, too much liquor, and the general behavior of men noting, " ... men wear their hats; they all smoke and expectorate freely." She also suggests the waiters and other employees provide information on the location of "disreputable lodging houses," and she delivers condemnation against masquerade and fancy dress balls because many women were found "attending in male attire."




The Public Dance Halls of Chicago


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Public Dance Halls of Chicago - Primary Source Edition


Book Description

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.







Public Dance Halls


Book Description

Excerpt from Public Dance Halls: Their Regulation and Place in the Recreation of Adolescents Regulations in respect to the age of persons admitted to public dances and public dance halls have been adopted by 142 of the cities reporting to the Children's Bureau. Seventeen cities prohibit the admission of those under a stipulated age, although 7 of these apply only after 9 p. M.; 83 prohibit persons under stated ages attending dance halls unaccompanied; 1 prohibits the attendance of those under 16 and requires persons 16 and 17 to be accompanied; and 41 require persons under a certain age to be accompanied after a specified hour. The regulations requiring that persons under a given age be aecom panied generally specify the parent or guardian, but the various ordinances differ slightly in this respect. In'certain localities it is sufficient if the minor is with an escort or older person; in others it is necessary that the parent or guardian give written consent to the attendance of the minor with his particular companion. A few cities make a distinction in the minimum age of attendance for girls and for boys. The age restrictions apply to admission or attendance at the dancing place or the dance, whichever is covered by the ordinance, but no distinction between these has been made in this section. State laws relating to minimum age of persons attending, or taking part in public dances affect 165 cities not included in the preceding summary - 16 in Connecticut, 36 in Massachusetts, 2 in Minnesota, 33 in New York, 1 in North Dakota, 21 in Ohio, 22 in Pennsylvania, 6 in Rhode Island, and 28 in New Jersey. Under 21 years - According to data at hand no city ordinance specifically prohibits all persons under 21 years from attending or taking part in public dancing. Walla Walla, Wash, however, makes it unlawful for boys under 21 years to attend or be present at a public dance unless accompanied by parent or legal guardian. Denver, Colo., requires a keeper or proprietor of a public dance hall'to keep a register containing the name and address of every person actually or apparently under 21 years who attends, the date of such attend ance, and the name and address of the male escort of all females under 21 years admitted. The inspector of amusements may require such persons to Sign their names and addresses in the register before being permitted to enter the dance hall. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Municipal Dance Halls


Book Description




Photographic Diagrams


Book Description

Excerpt from Photographic Diagrams: Description and Location of the Theaters and Halls of Chicago Chicago Theatre-goers have long felt the want of a complete, perfect and conveniently arranged collection of the diagrams of their magnificent Theatres and Halls. It is to meet that want, and, we hope, to satisfy it, that this little work is published. Of course the great desideratum was to secure correctness and plainness. This we claim to have obtained. The original diagrams were reduced by the Art of Photography to an uniform and convenient size, and then by a special new process, transferred to the Lithographic stone. By this method we present the greatest possible distinctness and clearness, and Perfect Fac-simile. Great credit is due to the artists, who, out of a number of competitors, were the only ones to successfully perform the delicate and difficult work. We refer to Shaw, the Photographer, and to Messrs. Schober & Co., proprietors of the Chicago Lithographing Co. This edition, we are sorry to say, is limited to a small number of copies. It was the original intention to publish it by subscription only, but orders came in from the leading booksellers and Hotel news-stands so fast that we decided to place it on sale only with them. Having met with such a decidedly kind reception, even before an entire proof could be shown, we are enabled to promise a revised edition each year at the commencement of the theatrical season. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Taxi-Dance Hall


Book Description

First published in 2003. This is Volume II of eight in the Early Sociology of Culture collection and offers a sociological study on the commercialized recreation. Paul G. Cressey while serving as a case-worker and special investigator for the Juvenile Protective Association was requested during the summer of 1925 to report upon the new and then quite unfamiliar closed dance halls. This book is in a sense the outgrowth of those assignments.




Jazz in Print (1859-1929)


Book Description

This anthology was compiled to aid the scholar working on the origins and evolution of jazz. Covering materials published through 1929, it also begins with article from 1859 which do not concern jazz directly, but will serve to present a solid foundation for understanding the American music scene from which jazz developed. Chronologically listed and well-indexed, the hundreds of articles comprise, in effect, a history of jazz as it evolved. Beginning with accounts of Negro music in the pre-jazz era, continuing in an exploration of spirituals, followed by a description of ragtime, we finally learn about the development of jazz from its practitioners and informed audiences of the time.