The Public Interior as Idea and Project


Book Description

Rather than attempting an encyclopaedic overview, the author proposed six potent interpretive themes-the Palace, the Garden, the Ruin, the Shed, the Network and the Machine-through which many exemplary interiors could be considered, so that the public interior might become more available to the imaginations of those who design them. All together here, the chosen exemplars form a kind of canon of the public interior. Submitted to interpretation in the context of these themes, they offer another lens through which they might be seen: as manifestations of ideas inscribed within material culture.




Public Interiors


Book Description




Without and Within


Book Description




The Imagery of Interior Spaces


Book Description

On the unstable boundaries between "interior" and "exterior," "private" and "public," and always in some way relating to a "beyond," the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature -- from the odd room over the womb, secluded parks, and train compartments, to the city as a world under a cloth -- reveal a common defining feature: these interiors can all be analyzed as codes of a paradoxical, both assertive and fragile, subjectivity in its own unique time and history. They function as subtexts that define subjectivity, time, and history as profoundly ambiguous realities, on interchangeable existential, socio-political, and epistemological levels. This volume addresses the imagery of interior spaces in a number of iconic and also lesser known yet significant authors of European, North American, and Latin American literature of the nineteenth, twentieth, and twenty-first centuries: Djuna Barnes, Edmond de Goncourt, William Faulkner, Gabriel García Márquez, Benito Pérez Galdós, Elsa Morante, Robert Musil, Jules Romains, Peter Waterhouse, and Émile Zola.




Public Interiority


Book Description

Public Interiority reconsiders the limits of the interior and its perceived spaces, exploring the notion that interior conditions can exist within an exterior environment, and therefore challenging the very foundations of the interior architecture field. Public Interiority contains eight chapters and 16 visual essays that document the historical, material, and social conditions in contemporary cities, reconsidering the limits of the interior, resiliency in design, spatial perception, and territories within curated urban exteriors. Topics include the supergraphics of Black Lives Matter protests, privacy and US Supreme Court landmark cases, Instagram as a quasi-public interior, domestic simulation in Victorian curative environments, the micro-urban commons of public transit, and the timely study uncovering Jean-Michel Wilmotte’s approach to "urban interior designing," among many others. Including scholarly and visual essays by experts from a range of disciplines, including architecture, interior architecture, landscape architecture, exhibition design, craft and the visual arts, and design history and theory, this volume will be a helpful resource for all those upper-level students and scholars working in these related fields.




The Idea of Cultural Heritage


Book Description

This book reviews the competing claims that works of art belong either to a particular people and place, or to humankind.




New York Interiors at the Turn of the Century


Book Description

Descriptive notes and a discussion of stylistic influences augment one hundred thirty-one rare photographs portraying the interiors of New York City homes, businesses, and public places between 1893 and 1916




Human Dimension and Interior Space


Book Description

The study of human body measurements on a comparative basis is known as anthropometrics. Its applicability to the design process is seen in the physical fit, or interface, between the human body and the various components of interior space. Human Dimension and Interior Space is the first major anthropometrically based reference book of design standards for use by all those involved with the physical planning and detailing of interiors, including interior designers, architects, furniture designers, builders, industrial designers, and students of design. The use of anthropometric data, although no substitute for good design or sound professional judgment should be viewed as one of the many tools required in the design process. This comprehensive overview of anthropometrics consists of three parts. The first part deals with the theory and application of anthropometrics and includes a special section dealing with physically disabled and elderly people. It provides the designer with the fundamentals of anthropometrics and a basic understanding of how interior design standards are established. The second part contains easy-to-read, illustrated anthropometric tables, which provide the most current data available on human body size, organized by age and percentile groupings. Also included is data relative to the range of joint motion and body sizes of children. The third part contains hundreds of dimensioned drawings, illustrating in plan and section the proper anthropometrically based relationship between user and space. The types of spaces range from residential and commercial to recreational and institutional, and all dimensions include metric conversions. In the Epilogue, the authors challenge the interior design profession, the building industry, and the furniture manufacturer to seriously explore the problem of adjustability in design. They expose the fallacy of designing to accommodate the so-called average man, who, in fact, does not exist. Using government data, including studies prepared by Dr. Howard Stoudt, Dr. Albert Damon, and Dr. Ross McFarland, formerly of the Harvard School of Public Health, and Jean Roberts of the U.S. Public Health Service, Panero and Zelnik have devised a system of interior design reference standards, easily understood through a series of charts and situation drawings. With Human Dimension and Interior Space, these standards are now accessible to all designers of interior environments.




Architecture Of The Classical Interior


Book Description

The principles of classical architecture applied to the design of interiors, both residential and public. A practicing architect shows how the elements that constitute the classical interior-wall and ceiling treatments, doors and windows, fireplaces, and stairs-can be composed into rooms satisfying both aesthetic and practical criteria. Historic and contemporary examples illustrate both generic and specific solutions for designers working in the classical tradition today.




Hints on Public Architecture


Book Description