Publication and the Papacy in Late Antiquity and the Middle Ages


Book Description

This Element explores the papacy's engagement in authorial publishing in late antiquity and the Middle Ages. The opening discussion demonstrates that throughout the medieval period, papal involvement in the publication of new works was a phenomenon, which surged in the eleventh century. The efforts by four authors to use their papal connexions in the interests of publicity are examined as case studies. The first two are St Jerome and Arator, late antique writers who became highly influential partly due to their declaration that their literary projects enjoyed papal sanction. Appreciation of their publication strategies sets the scene for a comparison with two eleventh-century authors, Fulcoius of Beauvais and St Anselm. This Element argues that papal involvement in publication constituted a powerful promotional technique. It is a hermeneutic that brings insights into both the aspirations and concerns of medieval authors. This title is also available as Open Access on Cambridge Core.




Publishing in a Medieval Monastery


Book Description

This Element contributes to the burgeoning field of medieval publishing studies with a case study of the books produced at the Benedictine monastery of Engelberg under its celebrated twelfth-century abbot, Frowin (1143–78). Frowin was the first abbot of Engelberg whose book provision policy relied on domestic production serviced by an internal scribal workforce, and his tenure marked the first major expansion of the community's library. This Element's in-depth discussion of nearly forty colophons inscribed in the books made for this library during Frowin's transformative abbacy offers a fresh perspective on monastic publishing practice in the twelfth century by directing our view to a mode of publication that has received only limited attention in scholarship to date.




Abbatial Authority and the Writing of History in the Middle Ages


Book Description

This book argues that abbatial authority was fundamental to monastic historical writing in the period c.500-1500. Writing history was a collaborative enterprise integral to the life and identity of medieval monastic communities, but it was not an activity for which time and resources were set aside routinely. Each act of historiographical production constituted an extraordinary event, one for which singular provision had to be made, workers and materials assigned, time carved out from the monastic routine, and licence granted. This allocation of human and material resources was the responsibility and prerogative of the monastic superior. Drawing on a wide and diverse range of primary evidence gathered from across the medieval Latin West, this book is the first to investigate systematically how and why abbots and abbesses exercised their official authority and resources to lay the foundations on which their communities' historiographical traditions were built by themselves and others. It showcases them as prolific authors, patrons, commissioners, project managers, and facilitators of historical narratives who not only regularly put pen to parchment personally, but also, and perhaps more importantly, enabled others inside and outside their communities by granting them the resources and licence to write. Revealing the intrinsic relationship between abbatial authority and the writing of history in the Middle Ages with unprecedented clarity, Benjamin Pohl urges us to revisit and revise our understanding of monastic historiography, its processes, and its protagonists in ways that require some radical rethinking of the medieval historian's craft in communal and institutional contexts.




Handbook of Arthurian Romance


Book Description

The renowned and illustrious tales of King Arthur, his knights and the Round Table pervade all European vernaculars, as well as the Latin tradition. Arthurian narrative material, which had originally been transmitted in oral culture, began to be inscribed regularly in the twelfth century, developing from (pseudo-)historical beginnings in the Latin chronicles of "historians" such as Geoffrey of Monmouth into masterful literary works like the romances of Chrétien de Troyes. Evidently a big hit, Arthur found himself being swiftly translated, adapted and integrated into the literary traditions of almost every European vernacular during the thirteenth and fourteenth centuries. This Handbook seeks to showcase the European character of Arthurian romance both past and present. By working across national philological boundaries, which in the past have tended to segregate the study of Arthurian romance according to language, as well as by exploring primary texts from different vernaculars and the Latin tradition in conjunction with recent theoretical concepts and approaches, this Handbook brings together a pioneering and more complete view of the specifically European context of Arthurian romance, and promotes the more connected study of Arthurian literature across the entirety of its European context.




Rewriting Medieval French Literature


Book Description

Jane H. M. Taylor is one of the world's foremost scholars of rewriting or réécriture. Her focus has been on literature in medieval and Renaissance France, but rewriting, including continuation, translation, and adaptation, lies at the heart of literary traditions in all vernaculars. This book explores both the interdisciplinarity of rewriting and Taylor's remarkable contribution to its study. The rewriting and reinterpretation of narratives across chronological, social and/or linguistic boundaries represents not only a crucial feature of text transmission, but also a locus of cultural exchange. Taylor has shown that the adaptation of material to conform to the expectations, values, or literary tastes of a different audience can reveal important information regarding the acculturation and reception of medieval texts. In recent years, numerous scholars across disciplines have thus turned to this field of enquiry. This collection of studies dedicated to the rewriting of medieval French literature from the twelfth to the twenty-first centuries by Taylor’s friends, colleagues, and former students offers not only a fitting tribute to Taylor’s career, but also a timely consolidation of the very latest research in the field, which will be vital for all scholars of medieval rewriting. With contributions from Jessica Taylor, Keith Busby, Leah Tether, Logan E. Whalen, Mireille Séguy, Christine Ferlampin-Acher, Ad Putter, Anne Salamon, Patrick Moran, Nathalie Koble, Bart Besamusca, Frank Brandsma, Richard Trachsler, Carol J. Chase, Maria Colombo Timelli, Laura Chuhan Campbell, Joan Tasker-Grimbert, Jean-Claude Mühlethaler, Michelle Szkilnik, Thomas Hinton, Elizabeth Archibald.




Publishing and the Science Fiction Canon


Book Description

Science fiction was being written throughout the seventeenth and eighteenth centuries, but it underwent a rapid expansion of cultural dissemination and popularity at the end of the nineteenth and beginning of the twentieth century. This Element explores the ways this explosion in interest in 'scientific romance', that informs today's global science fiction culture, manifests the specific historical exigences of the revolutions in publishing and distribution technology. H. G. Wells, Jules Verne and other science fiction writers embody in their art the advances in material culture that mobilize, reproduce and distribute with new rapidity, determining the cultural logic of twentieth-century science fiction in the process.




Anglo-Norman Studies XLV


Book Description

"A series which is a model of its kind" Edmund King This year's volume is made up of articles that were presented at the conference in Bonn, held under the auspices of the University. In this volume, Alheydis Plassmann, the Allen Brown Memorial lecturer, analyses how two contemporary commentators reported the events of their day, the contest between two grandchildren of William the Conqueror as they struggled for supremacy in England and Normandy during the 1140s. The Marjorie Chibnall Essay prize winner, Laura Bailey, examines the geographical spaces occupied by the exile in The Gesta Herewardi and Fouke le Fitz Waryn. Andrea Stieldorf compares the seals and the coins of Germany/Lotharingia in the tenth, eleventh, and twelfth centuries with those made in England, exploring the ideas embedded in the iconography of the two connected visual sources. Domesday Book forms the focus of two important new studies, one by Rory Naismith looking at the moneyers to be found in Domesday, adding substantially to the information gained on this important group of artisans, and one by Chelsea Shields-Más on the sheriffs of Edward the Confessor, giving us new insights into the key officials in the royal administration. Elisabeth van Houts examines the life of Empress Matilda before she returned to her father's court in 1125 throwing new light on Matilda's "German" years, while Laura Wangerin looks at how tenth-century Ottonian women used communication to further their political goals. Steven Vanderputten takes the challenge of thinking about religious change at the turn of the Millennium through the lens of the Life of John, Abbot of Gorze Abbey, by John of Saint-Arnoul. Benjamin Pohl looks at the role of the abbot in prompting monk-historians to embark on their historiographical tasks through the work of one individual chronicler, Andreas of Marchiennes, responsible for writing, at his abbot's behest, the Chronicon Marchianense. And Megan Welton explores the implications of honorific titles through an examination of the title dux as it was attached to two tenth-century women rulers. The volume offers a wide range of insightful essays which add considerably to our understanding of the central middle ages.




Literary Research and the Anglo-Saxon and Medieval Eras


Book Description

Literary Research and the Anglo-Saxon and Medieval Eras: Strategies and Sources is a guide to scholarly research in the field of medieval English literature covering the period 450 CE to 1500 CE. Graduate students and scholars researching this period face many challenges: working in two distinct literary traditions, comprehending multiple languages (Old English, Middle English, Latin, Anglo-Norman, and French), knowing the manuscript tradition for a particular title and the research methodologies for discovering and locating primary sources in the print and digital realms, and the awareness of the overlap and assimilation of literary themes with religious, historical, cultural, and political perspectives. The volume presents the best practices for building a foundation of sound scholarship practices in the field of medieval English literature. This volume explores primary and secondary resources, including general literary research guides; types of library catalogs; print and online bibliographies and indexes; scholarly journals and series; manuscripts, archives, and digital collections; genres; tools for understanding Old and Middle English such as dictionaries, lexicons, thesauri, glosses, etymologies, palaeographies, and text mining tools; and Web resources. The final chapter researches the shifting reputation of the poet, Thomas Hoccleve. Given the interdisciplinary nature of medieval studies, an appendix of additional readings in art, history, music, philosophy, religion, science, social sciences, and theater is provided.




The Dynamics of Text and Framing Phenomena


Book Description

This volume explores the complex relations of texts and their contextualising elements, drawing particularly on the notions of paratext, metadiscourse and framing. It aims at developing a more comprehensive historical understanding of these phenomena, covering a wide time span, from Old English to the 20th century, in a range of historical genres and contexts of text production, mediation and consumption. However, more fundamentally, it also seeks to expand our conception of text and the communicative ‘spaces’ surrounding them, and probe the explanatory potential of the concepts under investigation. Though essentially rooted in historical linguistics and philology, the twelve contributions of this volume are also open to insights from other disciplines (such as medieval manuscript studies and bibliography, but also information studies, marketing studies, and even digital electronics), and thus tackle opportunities and challenges in researching the dynamics of text and framing phenomena in a historical perspective.