Purloined Letters


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The Purloined Letter


Book Description

The Purloined Letter is the third of the three stories featuring the detective C. Auguste Dupin, the other two being The Murders in the Rue Morgue and The Mystery of Marie Roget. These stories are considered important forerunners of the modern detective story. The method Poe's detective, Dupin, uses to solve the crime was quite innovative. He tried to identify with the criminal and to "think like he would." In May of 1844 Poe wrote to James Russell Lowell that he considered it "perhaps the best of my tales of ratiocination"




Figuring Authorship in Antebellum America


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Through studies of such writers as Hawthorne, Melville, and Stowe, this book shows how the increased demand for salable entertainment fostered a new consciousness of authorship as a commercial and professional mode of work in the first half of the nineteenth century in America.




The Purloined Poe


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In 1956 Jacques Lacan proposed as interpretation of Edgar Allan Poe's "Purloined Letter" that at once challenged literary theorists and revealed a radically new conception of psychoanalysis. Lacan's far-reaching claims about language and truth provoked a vigorous critique by Jacques Derrida, whose essay in turn has spawned further responses from Barbara Johnson, Jane Gallop, Irene Harvey, Norman Holland, and others. The Purloined Poe brings Poe's story together with these readings to provide, in the words of the editors, "a structured exercuse in the elaboration of textual interpretation. The Purloined Poe reprints the full text of Poe's story, followed by Lacan's "Seminar on 'The Purloined Letter,'" along with extensive commentary by the editors. Marie Bonaparte's and Shoshana Felman's discussions of traditional and contemporary approaches to "psychoanalysing" texts precede Alan Bass's new translation of Derrida's "Purveyor of Truth." The subsequent essays join the Lacan-Derrida debate and offer alternative readings by literary theorists, philosophers, psychologists, and psychoanalysts. The Purloined Poe convenes much of the most important current scholarship on "The Purloined Letter" and presents a rich sampling of poststructuralist discourse.




The Purloined Letter and Other Stories


Book Description

"The Purloined Letter" is a short story by American author Edgar Allan Poe. It is the third of his three detective stories featuring the fictional C. Auguste Dupin, the other two being "The Murders in the Rue Morgue" and "The Mystery of Marie Rog�t". These stories are considered to be important early forerunners of the modern detective story. It first appeared in the literary annual The Gift for 1845 (1844) and was soon reprinted in numerous journals and newspapers.The unnamed narrator is discussing with the famous Parisian amateur detective C. Auguste Dupin some of his most celebrated cases when they are joined by the Prefect of the Police, a man known as G-. The Prefect has a case he would like to discuss with Dupin.A letter has been stolen from the boudoir of an unnamed woman by the unscrupulous Minister D-. It is said to contain compromising information. D- was in the room, saw the letter, and switched it for a letter of no importance. He has been blackmailing his victim.The Prefect makes two deductions with which Dupin does not disagree:The contents of the letter have not been revealed, as this would have led to certain circumstances that have not arisen. Therefore, Minister D- still has the letter in his possession.The ability to produce the letter at a moment's notice is almost as important as actual possession of the letter. Therefore, he must have the letter close at hand.The Prefect says that he and his police detectives have searched the Ministerial hotel where D- stays and have found nothing. They checked behind the wallpaper and under the carpets. His men have examined the tables and chairs with magnifying glasses and then probed the cushions with needles but have found no sign of interference; the letter is not hidden in these places. Dupin asks the Prefect if he knows what he is seeking and the Prefect reads off a minute description of the letter, which Dupin memorizes. The Prefect then bids them good day.Subject:poe edgar allan purloined and the price vincent collection barnes letter books complete a letters noble poetry book by audio poems anthology e stern illustrated of nobles detective mystery basil rathbone




The Purloined Letter


Book Description

"The Purloined Letter" is a short story by American author Edgar Allan Poe. It is the third of his three detective stories featuring the fictional C. Auguste Dupin, the other two being "The Murders in the Rue Morgue" and "The Mystery of Marie Rogêt". These stories are considered to be important early forerunners of the modern detective story. It first appeared in the literary annual The Gift for 1845 (1844) and was soon reprinted in numerous journals and newspapers. The unnamed narrator is discussing with the famous Parisian amateur detective C. Auguste Dupin some of his most celebrated cases when they are joined by the Prefect of the Police, a man known as G—. The Prefect has a case he would like to discuss with Dupin.A letter has been stolen from the boudoir of an unnamed female by the unscrupulous Minister D—. It is said to contain compromising information. Danton was in the room, saw the letter, and switched it for a letter of no importance. He has been blackmailing his victim.The Prefect makes two deductions with which Dupin does not disagree:1.) The contents of the letter have not been revealed, as this would have led to certain circumstances that have not arisen. Therefore Minister D— still has the letter in his possession.2.) The ability to produce the letter at a moment's notice is almost as important as possession of the letter itself. Therefore he must have the letter close at hand.The Prefect says that he and his police detectives have searched the Ministerial hotel where D— stays and have found nothing. They checked behind the wallpaper and under the carpets. His men have examined the tables and chairs with microscopes and then probed the cushions with needles but have found no sign of interference; the letter is not hidden in these places. Dupin asks the Prefect if he knows what he is looking for and the Prefect reads off a minute description of the letter, which Dupin memorizes. The Prefect then bids them good day.







A Companion to Rainer Werner Fassbinder


Book Description

A Companion to Rainer Werner Fassbinder is the first of its kind to engage with this important figure. Twenty-eight essays by an international group of scholars consider this controversial director's contribution to German cinema, German history, gender studies, and auteurship. A fresh collection of original research providing diverse perspectives on Fassbinder’s work in films, television, poetry, and underground theatre. Rainer Werner Fassbinder remains the preeminent filmmaker of the New German Cinema whose brief but prolific body of work spans from the latter half of the 1960s to the artist’s death in 1982. Interrogates Fassbinder’s influence on the seminal ideas of his time: auteurship, identity, race, queer studies, and the cataclysmic events of German twentieth century history Contributions from internationally diverse scholars specializing in film, culture, and German studies. Includes coverage of his key films including: Gods of the Plague (1970), Beware of a Holy Whore (1971), The Bitter Tears of Petra von Kant (1972), Martha (1973) (TV), World on a Wire (1973), Effi Briest (1974), Ali: Fear Eats the Soul (1974), Fox and His Friends (1975), Fear of Fear (1975), Chinese Roulette (1976), In a Year With 13 Moons (1978), Despair (1978), The Third Generation (1979), Berlin Alexanderplatz (1980) (TV), and Querelle (1982).




A World of Words


Book Description

A World of Words offers a new look at the degree to which language itself is a topic of Poe's texts. Stressing the ways his fiction reflects on the nature of its own signifying practices, Williams sheds new light on such issues as Poe's characterization of the relationship between author and reader as a struggle for authority, on his awareness of the displacement of an "authorial writing self" by a "self as it is written," and on his debunking of the redemptive properties of the romantic symbol.