Qing-style Porcelain in Meiji Japan


Book Description

This thesis presents the first detailed study of the life and work of Seifu Yohei III, in either English or Japanese. Seifu Yohei III (1851-1914) was one of the leading ceramic artists of the Meiji period and highly acclaimed both in Japan and abroad during his lifetime. Being a literati-style painter and an unabashed Sinophile, Seifu created works that display the distinctive characteristics of Qing porcelain. The multi-faceted character of this artist provides an opportunity to explore crucial issues concerning the transformation of Japanese art in general at the beginning of Japan's modem age. The clientele for such works was an elite with similar predilections for Chinese-style wares, though patronage of his works extended even to the Imperial Household of Japan. A study of Seifu Yohei III demonstrates that Japanese ceramics cannot be discussed in terms of a linear, uniformly progressive development mirroring the Westernisation of Japan. Seifu's career reveals the co-existence of what might normally be perceived as irreconcilable factors in terms of its regional, social, economic and cultural environments, often involving interaction with China. Each chapter takes up a different issue surrounding Seifu Yohei III in the context of the production and consumption of art in Meiji Japan. This interdisciplinary analysis of the life and work of Seifu Yohei III also sheds light on the social, economic and cultural factors affecting other potters of the Meiji era. It takes on previously neglected issues concerning what happened in the area of ceramic production inside Japan and, more broadly, in East Asia as a whole.







Master Potter of Meiji Japan


Book Description

This is the first book in a European language to make a comprehensive study of the life and works of the astonishingly versatile and accomplished Meiji potter, Makuzu Kozan (1842 - 1916), who was acclaimed as one of the greatest ceramic artists of the Meiji period.The Meiji period, after the opening of Japan to the West in the mid-nineteenth century, was a time of momentous change for Japanese society and Kozan's Makuzu workshop makes an ideal case study to examine the effects of these changes on the Japanese ceramic industry. This book tells the story ofKozan's Makuzu wares from their origins in a traditional workshop in Kyoto to their maturity in a prolific factory in the newly-opened port of Yokohama, where Kozan's ability to cater to the demands of a new Western export market and to incorporate new Western glaze techniques led to enormoussuccess, both in Japan and abroad at the international exhibitions that flourished from the 1850s.Lavish illustrations highlight Kozan's remarkable and technical and artistic achievements, while ceramic marks and box inscriptions are analysed as a practical guide to dating Makuzu ware. Clare Pollard discusses the role of later generations of the Miyagawa family in the running of the workshop andrelates developments in Makuzu ware to the work of other major potters of the era, both in Japan and in Europe and America.Incorporating contemporary sources (including previously unstudied archival material from the Makuzu workshop itself), recent research and the study of a large corpus of Makuzu wares in museums and private collections all over the world, the book examines the artistic, political, and commercialfactors that influenced Kozan and his contemporaries as they strove to come to terms with shifting life-styles and changing attitudes to the arts, and moved towards the creation of a modern ceramic industry.




Meiji Ceramics


Book Description

This is the first complete survey of Japanese export porcelain from the Meiji era to be published in English - a benchmark standard work for specialists and an insider tip for lovers of porcelain and anyone interested in Art Nouveau and Japan.




Beyond Boundaries


Book Description

Beyond Boundaries: East and West Cross-Cultural Encounters is a collection of essays which span several countries, centuries and disciplines in their exploration of East-West cultural exchanges and interactions. The chapters are arranged in chronological and thematic order, and encompass the cutting edge research of a diverse group of international scholars. The subjects range from archaeology, art history and photography, to conservation, sociology and cultural studies, with cross-disciplinary examples of classical, modern and contemporary periods. The book seeks to inspire new ideas and stimulate further scholarly debate on the convergence, dissimilarities and mutual influences of the visual arts and material culture of Asia, the Middle East, Europe and the United States. The volume will be of interest to scholars and students working in the fields of art and cultural history as well as intercultural studies. It will be equally useful to collectors, artists and curators of global art and world cultures.




Ko-sometsuke


Book Description




Japanese Porcelain, 1800-1950


Book Description

Popular Japanese porcelain of the 19th and 20th centuries, including Kakiemon, Nabeshima, Arita, Hirado, Fukagawa, Imari, Kutani, Satsuma, and individual craftsmen's works. The European-influenced styles of the 20th century, such as Nippon, Noritake, and Occupied Japan, are also presented. Over 500 color photos and well researched text provide the basic reference in this field.




Fired Clay in Four Porcelain Clusters


Book Description

Fired Clay in Four Porcelain Clusters examines how energy use in the ceramics-making industry has evolved as a result of technological advancements and changing social norms and ideas in environmental conservation. Three main research themes are highlighted. First, the book examines how the evolving use of energy fuels has impacted the developmental history of the ceramics-making industry, especially with regard to productive output. The second theme focuses on energy use by networks of specialists and technicians in ceramics-making artistic clusters and how ceramicist communities in the world organize themselves institutionally to maximize resource-sharing. Third, at a cognitive level, the volume studies changes in production and design, environmental thinking, energy use, and aesthetic trends among ceramicists and consumers. The four cities or towns of Arita, Hong Kong, Jingdezhen, and Yingge are the settings for this research.




Japanese Porcelain


Book Description

Westerners have been fascinated with Japanese porcelain since it was first exported by the Dutch East India Company in 1650. This book gives an account of the most popular Japanese exported porcelain including, Kakiemon, Imari and Hirado.




Obsession


Book Description

Sir William Van Horne (1843–1915), a gifted connoisseur most famously associated with the building of the Canadian Pacific Railway, amassed of one of the most extensive collections of Japanese ceramics in North America. Obsession is an illuminating account of the how and why behind his passion for studying and acquiring nearly 1,200 objects. Ron Graham assembles a profile of Van Horne's larger-than-life personality as well as essays about his place at the top of the art collectors in Montreal's Golden Square Mile and the afterlife of his collection following his death. Accompanying the texts are historical photographs and documents, a detailed catalogue of over three hundred individual pieces in the Royal Ontario Museum and the Montreal Museum of Fine Arts, and a selection of beautiful reproductions of Van Horne's personal notebooks and exquisite watercolours from the archives of the Art Gallery of Ontario. Published in conjunction with a major exhibition at the Gardiner Museum in Toronto and the Montreal Museum of Fine Arts, Obsession presents a remarkable collection in the context of the life and career of a nineteenth-century Canadian business giant.