Western Plainchant


Book Description

Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.




An Introduction to the Study of Indian History


Book Description

This book is the culmination of patient research and mature reflection of a profoundly original mind and has earned universal recognition and honour over the last few decades.




The Cynics


Book Description

This collection of essays--the first of its kind in English--brings together the work of an international group of scholars examining the entire tradition associated with the ancient Cynics. The essays give a history of the movement as well as a state-of-the-art account of the literary, philosophical and cultural significance of Cynicism from antiquity to the present. Arguably the most original and influential branch of the Socratic tradition, Cynicism has become the focus of renewed scholarly interest in recent years, thanks to the work of Sloterdijk, Foucault, and Bakhtin, among others. The contributors to this volume--classicists, comparatists, and philosophers--draw on a variety of methodologies to explore the ethical, social and cultural practices inspired by the Cynics. The volume also includes an introduction, appendices, and an annotated bibliography, making it a valuable resource for a broad audience.




The Encounter of Eastern Christianity with Early Islam


Book Description

The theme of this book is the early encounters between Christianity and Islam in the eastern provinces of the Byzantine Empire and in Persia from the beginnings of Islam in Mecca to the time of the Abbasids in Bagdad. The contributions in this volume deal with crucial subjects of political and theological dialogue and controversy that characterized the varying responses of the Christian communities in the Byzantine Eastern provinces to the Islamic conquest and its subsequent impact on Byzantine society and history. This volume opens up new research perspectives surrounding the confrontation of Christianity with the early theological and political development of Islam. The present publication emphasizes the importance of the study of the beginnings and the foundations of the relations between the two religions.




Combined Methods in Indology and Other Writings


Book Description

This Important Book Edited By B.D. Chattopadhyaya Puts Together, For The First Time, The Many Essays, Notes And Reviews Which D.D. Kosambi, An Acknowledged Pioneers Who Introduced New Perspectives And Methods In Indological Studies, Wrote And Published Over A Period Of Almost Thirty Year.







A Dictionary of Borges


Book Description

Opslagsværk, der omfatter den argentinske forfatter Jorge Luis Borges' (1899-1986) værker




Image on the Edge


Book Description

What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.







Books and Apparatus ...


Book Description