Quantum Drama


Book Description

The definitive account of the great Bohr-Einstein debate and its continuing legacy In 1927, Niels Bohr and Albert Einstein began a debate about the interpretation and meaning of the new quantum theory. This would become one of the most famous debates in the history of science. At stake were an understanding of the purpose, and defense of the integrity, of science. What (if any) limits should we place on our expectations for what science can tell us about physical reality? Our protagonists slowly disappeared from the vanguard of physics, as its centre of gravity shifted from a war-ravaged Continental Europe to a bold, pragmatic, post-war America. What Einstein and Bohr had considered to be matters of the utmost importance were now set aside. Their debate was regarded either as settled in Bohr's favour or as superfluous to real physics. But the debate was not resolved. The problems of interpretation and meaning persisted, at least in the minds of a few stubborn physicists, such as David Bohm and John Bell, who refused to stop asking awkward questions. The Bohr-Einstein debate was rejoined, now with a new set of protagonists, on a small scale at first. Through their efforts, the debate was revealed to be about physics after all. Their questions did indeed have answers that could be found in a laboratory. As quantum entanglement became a real physical phenomenon, whole new disciplines were established, such as quantum computing, teleportation, and cryptography. The efforts of the experimentalists were rewarded with shares in the 2022 Nobel prize in physics. As Quantum Drama reveals, science owes a large debt to those who kept the discussions going against the apathy and indifference of most physicists before definitive experimental inquiries became possible. Although experiment moved the Bohr-Einstein debate to a new level and drew many into foundational research, it has by no means removed or resolved the fundamental question. There will be no Nobel prize for an answer. That will not shut off discussion. Our Drama will continue beyond our telling of it and is unlikely to reach its final scene before science ceases or the world ends.




Quantum Theatre


Book Description

Quantum Theatre uses the science of quantum mechanics to construct a rigorous framework for examining performance practice and the theatrical event, and live performance as a means of exploring the implications of quantum mechanics. Key ideas from physics are used to develop an interdisciplinary approach to writing about the work of a number of British theatre practitioners in terms of identity, observation and play. What this type of analysis does is enable an examination of aspects of performance that can remain hidden and so cast new light on the performance event. This is the first study of its kind that develops such a framework for analysis of contemporary performance, and provides a coherent alternative to postmodernism as a theoretical framework for writing about performance. As such, this book develops a methodology that can be applied to a wide range of performance practices. Furthermore, it presents an analysis of the work of a number of contemporary performance makers, including Vincent Dance Theatre and Triangle Theatre.




Quantum


Book Description

'This is about gob-smacking science at the far end of reason ... Take it nice and easy and savour the experience of your mind being blown without recourse to hallucinogens' Nicholas Lezard, Guardian For most people, quantum theory is a byword for mysterious, impenetrable science. And yet for many years it was equally baffling for scientists themselves. In this magisterial book, Manjit Kumar gives a dramatic and superbly-written history of this fundamental scientific revolution, and the divisive debate at its core. Quantum theory looks at the very building blocks of our world, the particles and processes without which it could not exist. Yet for 60 years most physicists believed that quantum theory denied the very existence of reality itself. In this tour de force of science history, Manjit Kumar shows how the golden age of physics ignited the greatest intellectual debate of the twentieth century. Quantum theory is weird. In 1905, Albert Einstein suggested that light was a particle, not a wave, defying a century of experiments. Werner Heisenberg's uncertainty principle and Erwin Schrodinger's famous dead-and-alive cat are similarly strange. As Niels Bohr said, if you weren't shocked by quantum theory, you didn't really understand it. While "Quantum" sets the science in the context of the great upheavals of the modern age, Kumar's centrepiece is the conflict between Einstein and Bohr over the nature of reality and the soul of science. 'Bohr brainwashed a whole generation of physicists into believing that the problem had been solved', lamented the Nobel Prize-winning physicist Murray Gell-Mann. But in "Quantum", Kumar brings Einstein back to the centre of the quantum debate. "Quantum" is the essential read for anyone fascinated by this complex and thrilling story and by the band of brilliant men at its heart.




Performing Drama/dramatizing Performance


Book Description

Examines how the intertwining paths of avant-garde theater and mainstream drama work to produce provocative new forms




The Quantum Story


Book Description

The twentieth century was defined by physics. From the minds of the world's leading physicists there flowed a river of ideas that would transport mankind to the pinnacle of wonderment and to the very depths of human despair. This was a century that began with the certainties of absolute knowledge and ended with the knowledge of absolute uncertainty. It was a century in which physicists developed weapons with the capacity to destroy our reality, whilst at the same time denying us the possibility that we can ever properly comprehend it. Almost everything we think we know about the nature of our world comes from one theory of physics. This theory was discovered and refined in the first thirty years of the twentieth century and went on to become quite simply the most successful theory of physics ever devised. Its concepts underpin much of the twenty-first century technology that we have learned to take for granted. But its success has come at a price, for it has at the same time completely undermined our ability to make sense of the world at the level of its most fundamental constituents. Rejecting the fundamental elements of uncertainty and chance implied by quantum theory, Albert Einstein once famously declared that 'God does not play dice'. Niels Bohr claimed that anybody who is not shocked by the theory has not understood it. The charismatic American physicist Richard Feynman went further: he claimed that nobody understands it. This is quantum theory, and this book tells its story. Jim Baggott presents a celebration of this wonderful yet wholly disconcerting theory, with a history told in forty episodes — significant moments of truth or turning points in the theory's development. From its birth in the porcelain furnaces used to study black body radiation in 1900, to the promise of stimulating new quantum phenomena to be revealed by CERN's Large Hadron Collider over a hundred years later, this is the extraordinary story of the quantum world. Oxford Landmark Science books are 'must-read' classics of modern science writing which have crystallized big ideas, and shaped the way we think.




New Theatre Quarterly 35: Volume 9, Part 3


Book Description

Provides an international forum for the discussion of topics of current interest in theatre studies. This issue includes articles on women and theatre in Spain; Sarah Bernhardt in Vaudeville; Giorgio Strehler's 'Faust' project; Deborah Levy in interview; and social space in ancient theatre.




Holographic Universe: An Introduction


Book Description

Through reading this book, you will have a better understanding on the Holographic Universe and your ability to have experiences in the Holographic Universe increases. Through keeping an open, clear mind (as you read), you can experience what the author has experienced and you will be able to understand what the author is explaining. Instead of just reading the words, read it with the intent to understand the depths of what is being explained. Keep contemplating on it until you experience and understand what is being said about the Holographic Universe. Keep reading the book again and again until you have understood it so that your ability to have experiences in the Holographic Universe increases. In this book, the explanations on the Holographic Universe are based on: 1. the guidance from God, 2. the knowledge of the Brahma Kumaris, 3. Quantum Mechanics (nothing in this book is contrary to quantum mechanics), 4. research, 5. experiences of the author, 6. the knowledge on the chakras and aura, 7. the ancient Hindu texts, etc. There are explanations, in this book, about: 1. the various divisions and nature of the Holographic Universe. 2. how everything happens as per the World Drama (Akashic Records). 3. how people live in two kinds of worlds, the Real World and the Holographic World, at the same time. 4. the Holographic Film of the Hologram which we are participating in. 5. how various kinds of worlds exist. 6. how the quantum energies materialise the physical bodies and physical world through the Holographic Universe. 7. how the creation process takes place through the vortices and chakras. 8. Near Death Experiences 9. the Cosmic Consciousness. 10. how subtle dimensions, holographic bodies and subtle bodies are created. 11. how the aura is used during experiences. 12. how quantum energies of different densities materialise a different kind of Real World for us to live in. 13. how the Holographic Universe changes when the world transforms. 14. the meditation and knowledge of the Brahma Kumaris.




Presence in Play


Book Description

Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The 'live' immediacy of the actor, the unmediated unfolding of dramatic action and the 'energy' generated through an actor-audience relationship are among the ideas frequently used to explain theatrical experience – and all are underpinned by some understanding of 'presence.' Precisely what is meant by presence in the theatre is part of what Presence in Play sets out to explain. While this work is rooted in twentieth century theatre and performance since modernism, the author draws on a range of historical and theoretical material. Encompassing ideas from semiotics and phenomenology, Presence in Play puts forward a framework for thinking about presence in theatre, enriched by poststructuralist theory, forcefully arguing in favour of 'presence' as a key concept for theatre studies today.




Pittsburgh in Stages


Book Description

Pittsburgh has a rich and diverse theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. The city soon hosted New York and London-based traveling companies, and gained a national reputation as a proving ground for touring productions. By the early twentieth century, numerous theaters hosted 'popular-priced' productions of vaudeville and burlesque, and theater was brought to the masses. Soon after, Pittsburgh witnessed the emergence of myriad community-based theater groups and the formation of the Federation of Non-Commercial Theatres and the New Theater League, guilds designed to share resources among community producers. The rise of local theater was also instrumental to the growth of African American theatrical groups. Though victims of segregation, their art flourished, and was only later recognized and blended into Pittsburgh's theatrical melting pot.Pittsburgh in Stages relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change. Dividing Pittsburgh's theatrical history into distinct eras, Lynne Conner details the defining movements of each and analyzes how public tastes evolved over time. She offers a fascinating study of regional theatrical development and underscores the substantial contribution of regional theater in the history of American theatrical arts.




The Methuen Drama Guide to Contemporary British Playwrights


Book Description

The Methuen Drama Guide to Contemporary British Playwrights is an authoritative guide to the work of twenty-five playwrights who have risen to prominence since the 1980s. Written by an international team of scholars, it will be invaluable to anyone interested in, studying or teaching contemporary drama. Among the many playwrights whose work is examined are Sarah Daniels, Terry Johnson, Martin Crimp, Sarah Kane, Anthony Neilson, Mark Ravenhill, Simon Stephens, Debbie Tucker Green, Tanika Gupta and Richard Bean. Each essay features: A biographical sketch and introduction to the playwright A discussion of their most important plays An analysis of their stylistic and thematic traits, the critical reception and their place in the discourses of British theatre A bibliography of texts and critical material