3rd and 5th Position String Builder


Book Description

The Third and Fifth Position String Builder is to be used after Book 3 of the Belwin String Builder. However, it may also be used as a continuation of any the standard string class methods. In this book, the violin, viola, cello, and bass play together. The book for each instrument, however, is a complete unit and may be used separately for class or individual instruction. In this book, the pupil is carefully taken step by step through the third and fifth positions. The pupil is taught to find each finger, after which simple shifts are introuduced with the same finger, followed by shifts to these positions with different fingers. Each type of shift is presented and developed with interesting melodies. The material in this volume is chosen for its musical interest and its technical value. There are a number of duets which are to be played by either two pupils or with the class divided into two groups. The material in this book is realistically graded so that only a minimum of explanatory material is required. Suggestions for work by rote are presented throughout the book. Published for violin, viola, cello, bass, piano accompaniment, teacher's manual.




The Best of George Frideric Handel


Book Description

This beautiful collection for orchestra or string quartet is ideal for students, amateurs, and professionals. Useful in school, church, at the mall, and in the concert hall. Titles are: * Opus 6, No. 9 in F Major * Opus 6, No. 7 in B-flat Major * Opus 6, No. 1 in G Major * Opus 6, No. 2 in F Major * Opus 6, No. 3 in E Minor * Opus 6, No. 10 in D Minor * Opus 6, No. 6 in B-flat Major.




The Best of Johann Strauss, Jr. Waltzes


Book Description

Paul Paradise has selected and edited 26 beautiful Strauss waltzes specifically for string quartet or string orchestra. The pieces were chosen to provide each player with a meaningful part, and have been assembled according to level of difficulty and edited with contemporary fingerings and bowings. Contents are: * Tales from the Vienna Woods, Op. 325 -- Waltz No. 1, 2, 3, 4, 5 * Artist's Life, Op. 316 -- Waltz No. 1, 2, 3, 4, 5 * Wine, Woman, and Song, Op. 333 -- Waltz No. 1, 2, 3, 4 * Viennese Blood, Op. 354 -- Waltz No. 1, 2, 3, 4, Coda * Emperor Waltz, Op. 437 -- Waltz No. 1, 2, 3, 4.




Bending the Rules of Music Theory


Book Description

For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.




Ernst von Dohnányi


Book Description

"... a rare kind of biography and autobiography: a clear and elegant exposition of fact, as well as a humane portrait of a great piano virtuoso, composer, teacher, and democratic soul, as told to and seen through the eyes of one close to him." -- Mark Mitchell Ernst von Dohnányi (1877--1960) was one of the most highly respected musicians of his time. The young Dohnányi enjoyed an international prestige that brought him into contact with such 19th-century masters as Johannes Brahms and Eugà ̈ne d'Albert. He is remembered for his technique and interpretive skills as a pianist and conductor, as well as for the masterpieces he composed for piano, chamber ensembles, and orchestra. As a teacher and administrator, Dohnányi was responsible for the training of an entire generation of musicians in Hungary, and for helping to shape the country's musical culture. After World War II, his career foundered when he was falsely accused of being a Nazi sympathizer. In 1953, at the age of 76, Dohnányi returned to international prominence with a triumphant "re-debut" at Carnegie Hall. Ernst von Dohnányi: A Song of Life, written from a firsthand perspective by Dohnányi's widow, is the first full English-language biography of the artist.




A Theory of Virtual Agency for Western Art Music


Book Description

In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.




School of Music Programs


Book Description




The Classical Style


Book Description

Presents a detailed analysis of the musical styles and forms developed by Mozart, Haydn, and Beethoven.